Thunderstorm is a famous play in the history of modern Chinese literature. Its dramatic conflicts include many tragic contents. The most tragic conflict was the hatred and entanglement between families. The drama mainly talked about the relationships between Lei Lei, Zhou Puyuan, Lu Dahai and other family members, which involved the inheritance rights, marriage, teacher-student relationship and other complicated interpersonal relationships between families. The contradictions and conflicts between these relationships made the relationship between the family members increasingly tense, which eventually led to the occurrence of tragedies. In addition, the characters in " Thunderstorm " were full of tragedy. Among them, Lei Lei was a typical member of a feudal family. Her identity and status determined that she could not pursue freedom and equality. Her life was full of restrictions and restraints. Zhou Puyuan was a typical representative of the capitalist class. His pursuit and ideals conflicted with the interests of the feudal family, which eventually led to his tragic fate. To sum up, the dramatic conflicts in Thunderstorm included the hatred and entanglement between families, the tragic characters, and the contradictions and conflicts between family members. It showed the audience a story of a feudal family full of contradictions and conflicts, which deeply reflected the reality of Chinese society at that time.
Thunderstorm is one of the classic plays in the history of modern Chinese literature. The dramatic conflicts mainly involve family conflicts and social changes. Family conflicts were one of the main conflicts in the drama. In the novel, the marital problems between the widower Old Cao and the widow Xia Sifeng, and the emotional entanglement between the young man Zhou Puyuan and the young woman Cao Jianjia were all manifestations of family relationships. In addition, there were jealousy, fights, and conflicts between family members, as well as conflicts between the elders and the younger generation. Social change was also one of the conflicts in the drama. The novel described the social reality of China in the 1920s, including political corruption, economic backwardness, and cultural isolation. In this context, conflicts between people of different social classes and identities were inevitable. For example, Cao Jianjia and Zhou Puyuan represented the contradiction between the capitalist class and the poor peasants, as well as the conflict between the old culture and the new culture. Through the complicated dramatic conflicts, Thunderstorm revealed the contradictions and conflicts between family, society and culture, explored the complexity and variety of human nature, and deeply reflected the social reality of China in the 1920s.
Dramatic conflict is the highest form of dramatic expression, and it is one of the most basic aesthetic features of dramatic literature. Dramatic conflict refers to the contradictions and conflicts between characters, between characters and the environment, or between characters themselves and concepts. It is one of the basic elements of drama and an important reason why plays can attract audiences and arouse emotional resonance. Through the dramatic conflict, the audience could have a deeper understanding of the inner contradictions and motives of the characters, as well as a better understanding of the theme and emotional content of the play. In dramatic literature, dramatic conflicts could be expressed in various ways, such as confrontation, contradiction, quarrel between characters, conflict between characters and the environment, or even conflict and contradiction in the characters 'hearts. Different plays have different forms of dramatic conflict, but they all aim to satisfy the audience's dramatic needs. Therefore, dramatic conflict is one of the most basic aesthetic features of dramatic literature. It can attract the audience and improve the artistic value and appeal of dramatic works.
In order to create a dramatic conflict in a novel, one usually needed to do the following: 1. Set up an attractive backstory: A good novel needs an attractive backstory to make the reader want to know more about the story. The background story could be an ancient legend or a fictional world, but it had to be fascinating enough to make the reader want to continue reading. 2. Create conflict: conflict is the core of dramatic conflict. Adding contradictions to a novel could make the story more tense and interesting. This contradiction could be a conflict between characters or a conflict in the character's heart. The conflict could be a pure conflict of interest, or it could be a conflict of emotions or a conflict of ideas. Creating an attractive character: A good story needs an attractive character to make the reader want to understand their inner world. This character can be an ordinary person or a great hero, but the key is to make the reader understand their actions and decisions and resonate with them. 4. Use appropriate narrative techniques: appropriate narrative techniques can make the novel more dramatic. For example, he could use flashbacks, flashbacks, memories, and other narrative techniques to create suspense, tension, and unexpected effects. At the same time, dialogue, action, and description could also be used to show the character's behavior and psychology. 5. Adding plot twists: Plot twists can make the story more dramatic. When a character makes a decision, their behavior and fate may change drastically. This change can be good or bad. Adding plot twists can make the story more interesting and increase the reader's excitement and tension.
One important element is the presence of a powerful antagonist. In a dramatic scene, the spy could be face - to - face with the mastermind behind the whole conspiracy. This character might be taunting the spy, revealing just enough information to make the situation more tense. Also, a sudden discovery is great. Such as the spy finding out a hidden meaning in a seemingly innocent object or a phrase that unlocks a whole new level of the mystery. And a bit of hand - to - hand combat can add drama. Picture the spy fighting off multiple assailants in a dimly lit underground bunker to protect a crucial secret.
" Thunderstorm " was a classic of modern Chinese drama. The play was first performed in 1934 and told the story of two generations in an electronics company in Shanghai in the 1920s. The play mainly told the story of the protagonist, the Sun family, and two generations. The ancestors of the Sun family were once merchants, but the family gradually declined. His father, Sun Renbao, left all his property to his son, Sun Zhao, and he led a poor life. Sun Zhao was a talented young man, but he lived a luxurious life and did not care about his family. Through the relationship between Sun Zhao and the other members of the Sun family, the drama portrayed the changes in Shanghai society and the distortion of human nature. Under Sun Zhao's leadership, the members of the Sun family gradually got rid of poverty and material oppression, but they lost their humanity, and their relationship with each other became cold and cruel. At the climax of the plot, Sun Zhao's wife, Zhou Xuan, committed suicide because of a dispute with her colleague. The other members of the Sun family also fell into a moral and ethical debate. In the end, Sun Zhao realized his mistake and apologized to his family and other members. He then re-established his relationship with Zhou Xuan. Through the story of the two generations of the Sun family, Thunderstorm deeply reflected the changes of Shanghai society in the 1920s and the distortion of human nature, showing the complexity of human nature and moral choices. The play was hailed as a classic of modern Chinese drama and had a profound impact on the development of modern Chinese drama.
"Miserables" was one of the representative works of Victor Hugo. The novel mainly narrated the story of the French Revolution. It depicted the protagonist, Jean Valen, from a rich banker to a poor tramp, who was finally saved by sympathizing with the poor asylum leader. The novel reflects the political and social reality of the French Revolution through Jean Valen's experience and probes into the theme of humanity, freedom, justice and so on. At the same time, the novel also revealed the darkness and cruelty of the French Revolution through the story between Jean Valgen and the police chief Cosette.
Thunderstorm is a classic of modern Chinese literature. There are many contradictions in the text, and the most essential contradiction is the contradiction within the family. Two of the most significant aspects were: 1. The contradiction of family relationships: In the novel, the family relationship between the Umbrella Family, especially the Umbrella Husband and Fang Hongjian, was very tense. The umbrella husband was eccentric and liked to control everything in the family. As the son of the umbrella wife, Fang Hongjian had a strong conflict with his father. 2. The contradiction between love and marriage: The emotional entanglement between Fang Hongjian and Meimei in the novel is also very complicated. The feelings between them were not pure love, but a kind of impure emotion that was related to Fang Hongjian's marital status. These contradictions and conflicts reflected some of the real problems in Chinese society at that time, such as the changes in family structure, the changes in the concept of marriage, and the division of social classes. The characters and plots in the novel deeply reflected these social reality.
The reason why the article Thunderstorm was named Thunderstorm was because the scene of thunderstorms in the novel, which usually happened in autumn, was one of the important backgrounds of the plot in the novel. Thunderstorms were usually accompanied by strong storms and lightning, which had a mysterious and strange atmosphere. Therefore, it was described as a symbolic scene in novels. At the same time,"Thunderstorm" was also a famous symbolic image in traditional Chinese literature, representing the ups and downs, changes and conflicts of life. Therefore, as the name of the novel, it also had a certain cultural meaning.
The full text of Lei Yu is as follows: " Thunderstorm " was a classic in the history of modern Chinese drama. The play was first performed in 1934 and told a series of stories that happened in a private textile factory in Shanghai in the 1920s. The drama mainly narrated the conflict between a young textile worker, Fang Hongjian, and his lover, Xia Yu, as well as the union they belonged to. At the same time, the union that Xia Yu belonged to had a dispute with other organizations, causing the entire textile factory to fall into a crisis. At the climax of the plot, Fang Hongjian and Xia Yu teamed up to fight against the union representatives and finally succeeded in saving the textile mill and exposing the corruption and conspiracy of the union. The drama tells the story of a textile factory, showing the struggles and struggles of the working class in China's industrial society at that time, and also reflecting the political environment and economic situation of the society at that time. It was hailed as a classic in the history of modern Chinese drama and was widely recognized and praised not only in China but also around the world.
In Thunderstorm, there was a series of conflicts surrounding the character Zhou Puyuan. The main conflict was his relationship with his daughter Zhou Ting. The relationship between Zhou Puyuan and Zhou Ting was a complicated problem that involved family, marriage, love, kinship, and many other aspects. In the novel, Zhou Puyuan tried to control everything in the family, including marriage and property, but he was conceited about his success and status and often lost his temper and blamed his wife and daughter. In addition, the emotional conflict between Zhou Puyuan and his daughter Zhou Ting is also one of the main focuses of the novel. There is a deep misunderstanding and contradiction between them. As the protagonist of the novel, Zhou Puyuan's image was full of contradictions and conflicts, which laid the foundation for the development of the plot and promoted the climax of the story.