The Three Stages of Han Fu's Development and the Representative Writers and Works of Each Stage

Han Fu was an important form of ancient Chinese literature. It was often used to express the author's feelings and aspirations. It could be divided into multiple stages of development, each stage having different representatives and representative works. The following are the five stages of Han Fu and their representatives and representative works: 1 Early (c. 1st-2nd century AD) Representative figures: Zhang Heng, Wang Zhihuan Representative works: "Climbing the Stork Tower","Liangzhou Ci" 2 Middle period (2nd to 3rd century AD) Representative figures: Liu Xie, Yang Xiong Masterpieces: Song of Everlasting Sorrow, Peacock Flies Southeast Late 3rd (3rd to 4th century AD) Representative figures: Lu Zhaolin, Luo Binwang Representative works: "Imperial Capital Chapter","Sending Yuan Er to Anxi" 4. The second half of the New Book of Tang (6th to 9th century) Representative figures: Li Bai, Du Fu, Bai Juyi Masterpieces: Ballad of Lushan Mountain, Reminiscence of the Past at Night Moored by Niu Zhu After the Song Dynasty Representative figures: Su Shi, Xin Qiji, Li Qingzhao Representative works: "Water Melody","Sapphire Case·Yuan Xi" The development of Han Fu had gone through many stages, and each stage had different representatives and representative works. Among them, the early representatives were Zhang Heng, Wang Zhihuan, and other mid-term representatives, Liu Xie, Yang Xiong, and other late representatives, Lu Zhaolin, Luo Binwang, and other representatives in the second half of the New Tang Dynasty, Li Bai, Du Fu, Bai Juyi, and other representatives after the Song Dynasty, Su Shi, Xin Qiji, Li Qingzhao, and so on. Han Fu occupied an important position in the history of ancient Chinese literature and was hailed as a peak in the history of Chinese literature.

The development of European literature can be divided into several periods, and the main representative works of each stage can be divided into: 1 Renaissance (14th to 17th century): - Representative works: Divine Comedy (Chant), Caravaggio's Collection (Caravaggio), and shakespeare's Collection (shakespeare). - Representative: The outstanding representative of the Renaissance was William shakespeare. His works included Hamlet, King Lear, The Tempest, and so on. At the same time, Raphael, Michelangelo, and others from the Renaissance. 2. Baroque period (17th to 18th century): - Representative works: Don Quijote (by Miguel de Cervantes), The Collection of Virgil de Aragon (by Virgil de Aragon), and The Crusader (by Daniel Defoe). - Representative: The outstanding representative of the Baroque period is Du Fu. His works include "Happy Rain on a Spring Night" and "Climbing High". At the same time, the Baroque period, Goethe, Russell, and others. 3. Romanticism (18th-19th century): - Representative works: Jane Eyre (Charlotte Bronte), A Tale of Two Cities (Charles Dickens), Pride and Predict (Jane Austen), etc. - Representative: The outstanding representative of the romantic period is Dickens. His works include Oliver Twist, A Tale of Two Cities, etc. At the same time, in the romantic period, Tolstoy, Maugham and others. 4 20th century literature: - Representative works: How Steel Was Tempered (Nikola Ostrovsky), War and Peace (Leo Tolstoy), The Kite Runner (Kared Husseini), etc. - Representative: The outstanding representative of 20th-century literature is Nikola Ostrovsky. His works include How Steel Was Tempered. At the same time, Husseini, Ernest, Faulkner, Marquez, and others in the 20th century literature.

The main stages of the development of ancient Chinese novels were as follows: 1. Pre-Qin period (11th century B.C. -221B.C.): The representative works include The Book of Songs, The Songs of Chu, The Spring and Autumn Annals, etc. 2. Qin and Han Dynasties (221 B.C. -220 A.D.): Representative figures include Sima Qian, Ban Gu, Cao Cao's Short Songs, etc. 3. Wei, Jin, Southern and Northern Dynasties (220 - 589): The representative characters were Tao Yuanming's "The Peach Blossom Spring", Xie Lingyun's "Preface to the Pavilion of King Teng", Wang Bo's "Preface to the Pavilion of King Teng", etc. 4. Tang Dynasty (618 - 907 AD): The representative characters were Li Bai, Du Fu, Bai Juyi, Wang Zhihuan's "Climbing the Stork Tower", Liu Zongyuan's "River Snow", etc. 5 Song Dynasty (960 - 1279): Representative figures include Su Shi, Li Qingzhao, Xin Qiji, Ouyang Xiu's "Sapphire Case·Yuanxi", Zhou Bangyan's "Romance of the West Chamber", etc. 6. Yuan Dynasty (1271 - 1368 AD): Representative characters include Ma Zhiyuan's Tianjing Sand·Autumn Thoughts, Bai Pu's Tianjing Sand·The Shame of Jingkang, Zheng Sixiao's Twenty Years of Witnessing Strange Situation, etc. 7 Ming Dynasty (1368 - 1644): Representative characters include Cao Xueqin's Dream of the Red Chamber, Shi Naian's Water Margins, Wu Chengen's Journey to the West, Luo Guanzhong's Romance of the Three Kingdoms, etc. The works of the representative characters in the above stages represented the styles and characteristics of ancient Chinese novels in different historical periods, and also reflected people's thoughts and feelings about life, love, humanity, society, and so on in different cultural backgrounds.

Tang poetry is an important chapter in the history of China literature. The following are the four stages of the development of Tang poetry and its main literary schools: 1. Tang Dynasty (618-907): The prosperous Tang Dynasty was the first stage of the development of Tang poetry. The representative figures were Li Bai, Du Fu, Bai Juyi, etc. The style of poetry in this period was bold and unrestrained, showing strong personality and emotions, but also reflecting the prosperity of society and the sufferings of the people at that time. 2. Mid-Tang Dynasty (907-960): The mid-Tang period was the second stage of the development of Tang poetry. The representatives were Wang Zhihuan and Liu Yuxi. During this period, the content of poetry was richer, and the literary schools were more diverse, including the landscape and idyllic school, the graceful school, the bold and unconstrained school, etc. 3. Late Tang Dynasty (960-997): The late Tang Dynasty was the third stage of the development of Tang poetry. The style of poetry in this period was still diverse, but it paid more attention to detail and description. At the same time, there were some poems that criticized and reflected on social politics. 4. Five Dynasties and Ten Kingdoms Period (907-960): The period of Five Dynasties and Ten Kingdoms was the fourth stage of the development of Tang poetry. The representative figures were Wang Bo, Yang Jiong, Luo Binwang, etc. The poems of this period were mostly about war and social phenomena. There were also some excellent poets such as Lu Lun and Wang Zhihuan whose works were fresh and natural. These are the four stages of Tang poetry development and its main literary schools. The Tang poems of this period not only reflected the political and economic situation of the society at that time, but also reflected the pluralistic and open nature of China culture.

The development stages of the world's movies could be divided into ancient times, the Middle Ages, the Renaissance, the Industrial Revolution, and the modern era. During this period, the film as an art form was widely developed and many representative works appeared. Ancient films were represented by the Italian Renaissance film Roman Holiday (1953) and the French Citizen Kane (1941). These films showed the social style and human emotions of the time in an artistic form. Medieval-age films such as The Black Mirror (1999) in England and The Knight (2005) in Spain explored topics such as religion, morality, and humanity in the form of dark humor or reflection. The representative films of the Renaissance period were the French Carmen (1957) and the Italian Roman holiday 2 (1960). These films used historical and romantic subjects to show the social style and human emotions of the time. The representative films of the industrial revolution were the British's Industrial Empire (1987) and the American's The Godfather (1972). These films used crime and commerce as the theme to show the social style and humanity of the time. Modern films such as Crouching Tiger, Hidden Dragon (2000) in France and Harry Potter and the Sorcerer's Stone (2001) in Britain showcased modern culture and art with fantasy or science fiction as the theme. In addition, there were many other masterpieces such as the American Godfather series, Schindler's List, Titanic, Forrest Gump, and so on.

The development of modern Chinese children's literature can be divided into the following stages: The early stage (1920 - 1930): The works of this period were mainly children's songs and nursery rhymes such as Twinkle Twinkle, Little White Rabbit, and Little Butterfly, as well as classic fairy tales such as Andersen's Fairy Tales. 2. The prosperous period of children's literature creation (1930 - 1950): During this period, many excellent children's literature works emerged, such as Zheng Yuanjie, Yang Hongying, Zheng Renrui, Shu Ting, etc. Their works had different styles and varied topics, but they all focused on reflecting real life and cultivating children's good moral character and thinking ability. 3. The low point of children's literature (1950 - 1970): The works of this period were influenced by politics and ideology. The quality of the works declined. Many excellent works or works that had nothing to do with political correct content were forced to be created. 4. Revival period of children's literature (1970-present): The works of this period began to focus on reflecting real life, emphasizing humanity and humanism, and also focusing on exploring children's inner world to cultivate children's imagination and creativity. Many excellent children's literature works such as Yang Hongying, Li Ou, Qin Wenjun, Xue Jinxing, etc. emerged. Their works had different styles, but they all focused on cultivating children's imagination and creativity. At this stage, some famous children's literature: - Zheng Yuanjie: Pipi Pi Lu Xi, Shu Ke and Beta, Fairy Tale King - Yang Hongying: Diary of a Boy, Diary of a Girl, Magic Castle - Leo: The Little Prince, Andersen's Fairy Tales - Qin Wenjun: "The Little Tiger Returns Home" - Xue Jinxing: Grimm's Fairy Tales, Andersen's Fairy Tales

The development of modern China children's literature can be divided into the following stages: Early period (1920-1949): The works of this period mainly appeared in the form of serials and standalone copies of newspapers such as Children's Daily. They mainly described children's lives and told children's stories such as Robson's Crusade and Andersen's Fairy Tales. 2. Middle period (1950-1966): The works of this period were influenced by the fairy tales of the Soviet Union and began to emphasize the independence and self-awareness of children, such as The Little Prince and Andersen's Fairy Tales. 3. Late period (1967-1980): The works of this period began to emphasize the realism and criticism of children, such as Little Star, Schuck and Beta, etc. Modern (1980-present): The works of this period focus on the psychological and emotional needs of children, emphasizing the local and national characteristics of children's literature such as Grimm's Fairy Tales, Pleasant Goat and Big Big Wolf, etc. During this period, there were many famous examples: 1. Initial stage: Yang Hongying, Zheng Yuanjie, Qin Wenjun, Sun Li, etc. 2. Middle Stage: Wang Yimei, Liu Liangcheng, Xue Tao, Yang Yun, etc. Late stage 3: Li Xue, Jiang Yun, Lewis, Zheng Chunhua, etc. 4 Modern: Qin Wenjun, Zhu Tianxin, Jiang Fangzhou, Liu Cixin, Cao Wenxuan, etc. These became the representative works of modern China children's literature.

The development of ancient Chinese music could be divided into three stages, each with different characteristics. The first stage was the music of the Yellow River basin from the 13th century to the 6th century. The musical works of this stage were mainly folk songs and operas, with relatively simple melodies and rhythms, using a large number of repetitions and changes, as well as singing various scenes and characters in life. The second stage was the music of the Yangtze River basin from the 6th century B.C. to the 5th century A.D. The music works of this stage were mainly palace music and literati music, with more complex melodies and rhythms, rich harmony and instrument performances. Musical works usually contain a large number of classical music elements such as tonality, melody, harmony, rhythm, and instrument performance techniques. The third stage was the music of the Jiangnan area from the 5th century to the 19th century. The music works in this stage were mainly folk music and literati music, which had the unique style and characteristics of Jiangnan area. Music works usually used folk music elements such as folk songs and dances and rap, as well as literary music elements such as classical music harmony and instrument performance techniques. The music works of this stage also integrated the musical elements of India, Persia, Arabia and other places to form a unique style of Chinese music.

The embryonic stage of the development of novels usually referred to the early stages of the birth of novels. Dream of the Red Chamber: The Qing Dynasty is considered the pinnacle of Chinese novel history. It shows the life and psychological state of traditional Chinese feudal society. 2. Journey to the West: A novel by the Ming Dynasty novelist Wu Chengen, depicting the fairyland and myths and legends of Chinese mythology by describing the adventures of Sun Wukong and other characters. 3. Water Margins: The Yuan Dynasty tells the story of the uprising of 108 righteous thieves, depicting the darkness and corruption of Chinese feudal society. Romance of the Three Kingdoms: The Yuan Dynasty tells the historical story of the Three Kingdoms period and shows the complexity and struggle in China's political history. Strange Tales from a Chinese Studio: A collection of short stories written by the Tang Dynasty poet Pu Songling, which contains many myths and ghost stories, is regarded as one of the important landmarks in the history of Chinese fiction. These works were the representative works of the embryonic stage of the development of Chinese novels. Their appearance marked the beginning of the gradual sprouting and maturity of Chinese novels.

Han Fu was an important literary style in ancient Chinese literature and an important part of Han Dynasty literature. The history of the development of Han Fu can be divided into four stages, each stage has its own unique characteristics and representative works. 1 First stage (200 to 180 years before): The first stage of Han Fu was from 200 to 180 years ago. The representative works of this period included Zhang Heng's "Ode to Tokyo" and Cao Zhi's "Ode to the Luo God". These works displayed the fresh and natural, lyrical and freehand style of the early Han Fu, which also marked the beginning of the Han Fu's development towards formalization and specialization. 2nd Stage (180 - 220 AD): The second stage of Han Fu was from 180 to 220 A.D. The representative works of this period were Sima Qian's Records of the Historian and Ban Gu's Han Shu. These works used history as the theme to express the objective description of historical facts and profound thoughts, which marked the beginning of the development of Han Fu in the direction of history and objectification. 3rd Stage (220 - 280 AD): The third stage of Han Fu was from 220 AD to 280 AD. The representative works of this period included Du Mu's "Ode to the Red Cliff" and Su Shi's "Water Melody". These works showed the bold and unconstrained style of the late Han Fu, which marked the beginning of the development of Han Fu in the direction of specialization and formalization. 4th Stage (280 - 360 AD): The fourth stage of Han Fu was from 280 AD to 360 AD. The representative works of this period included Liu Yuxi's "Humble Room Inscription" and Wang Bo's "Preface to Tengwang Pavilion". These works showed the abstruse style of the late Han Fu, which marked the beginning of the development of Han Fu in the direction of abstract and symbolic.