The relationship between Yang Guifei and her sisters could be described as close and mutual support. After Yang Guifei was favored by Tang Xuanzong, she missed her sisters and asked Tang Xuanzong to welcome Lady Guo and Yang Guifei's other two sisters into the capital. Emperor Xuanzong of the Tang Dynasty called Yang Guifei's three sisters aunts and gave them houses. In the early years of Tianbao, they were named Lady Guo, Lady Korea and Lady Qin respectively. The sisters enjoyed high positions and honor in the palace, and together with Noble Consort Yang, they were favored and favored by the Emperor. This showed that Yang Guifei and her sisters had a close relationship and supported and helped each other.
The relationship between Yang Guifei and Li Shimin was twofold. Yang Guifei was Li Shimin's granddaughter-in-law and also his great-grandson's daughter-in-law. At first, Yang Guifei was the wife of Emperor Xuanzong's son, King Shou. Because of her beauty, she became Emperor Xuanzong's concubine. According to the information provided, Noble Consort Yang's background was rather complicated. She was born into an aristocratic family of officials and was once conferred the title of Princess Shou. However, due to the death of Emperor Xuanzong's mother, Concubine Wu Hui, Emperor Xuanzong became interested in the beauty of Concubine Yang and married her as his concubine. Therefore, after Emperor Xuanzong of the Tang Dynasty deposed Empress Wang, Yang Guifei was equivalent to an empress. In short, Yang Guifei was Li Shimin's great-great-granddaughter-in-law and later became his great-grandson's daughter-in-law.
Noble Consort Yang's good sisters were Yang Yuhuan, Yang Jin 'er, and Yang Shi.
It was difficult to determine whether there was a special relationship between Yang Guifei and Li Bai. In literary works, the relationship between characters was often fictional. The characters 'personalities and story plots could be expressed by describing their feelings, friendship, love, etc. The special relationship between Yang Guifei and Li Bai might exist in some novels, but not everyone believed that such a relationship really existed between them. In fact, there was not enough historical and archaeological evidence to prove the specific situation between them. Therefore, whether there was a special relationship between Yang Guifei and Li Bai required a concrete analysis of the specific situation and could not simply give a positive or negative answer.
Yang Guifei's sisters were Madam Han, Madam Guo, and Madam Qin.
The information about Yang Guifei's weight of 130 pounds was inconsistent. Some documents stated that she weighed about 120 pounds, while others stated that she weighed 138 pounds. However, these records could not be confirmed. Therefore, it was impossible to accurately answer whether Yang Guifei's weight was 130 pounds.
Yang Guifei's illustrations referred to illustrations with Yang Guifei as the theme. He could find some pictures and works related to Yang Guifei's illustrations. For example, high-definition illustration materials of Yang Guifei could be found on Baotu.com and Photograph. They could be used in various applications such as advertising design and poster templates. In addition, some illustrator shared their illustrations of Yang Guifei on Pixiv and Zhanku. These illustrations were based on Yang Guifei's image and showed her image and story through hand-painting. In general, Yang Guifei's illustration was a form of artistic creation with Yang Guifei as the theme, expressing her praise and imagination through illustration.
Yang Guifei 1992 was a movie directed by Chen Jialin and released in 1992. The film told the story of Yang Guifei, who was loved by the emperor after becoming a concubine, and finally died in front of a beautiful horse. The main cast included Zhou Jie, Liu Wenzhi, and Li Ruping. The movie was set in a love story during the Tang Dynasty's golden age, showing the beauty and extraordinary life of Concubine Yang.
The tomb of Yang Guifei was located in front of Mawei Slope in Xingping, Xianyang, Shaanxi Province. It was the tomb of Yang Yuhuan, the concubine of Emperor Xuanzong of Tang Dynasty. The tomb was semi-spherical and three meters high. The entire tomb was wrapped in blue bricks. Behind the tomb was a marble statue of Yang Guifei, about six meters high. The tomb of Yang Guifei has been around for more than 1200 years and is a key cultural relic protection unit in Shaanxi Province. The cemetery had Tang Xian Hall, Green Grave, Stele Corridor, White Marble Statue of Imperial Concubine, and other scenic spots. Yang Guifei's tomb was famous for its unique charm, attracting the attention of many tourists and literati.
There was no specific description of the beauty of Yang Guifei from the Tang Dynasty. However, the Tang Dynasty's aesthetic concept of fullness as beauty was widely accepted. During the Tang Dynasty, women's aesthetic standards were no longer thin and weak, but plump and rich. Yang Guifei was considered one of the representatives of the beauties of the Tang Dynasty. She was famous for her gorgeous colors and gorgeous posture. However, there were inconsistent descriptions of her specific weight and height. Some said she weighed 138 pounds, while others said she was 1.64 meters tall. In any case, Yang Guifei's beauty was a subjective evaluation, so it was impossible to draw a definite conclusion.
The love between Yang Guifei and Tang Xuanzong was widely praised in ancient Chinese literature, leaving behind many famous poems. Here are some examples: There is a line in the Song of Everlasting Sorrow: " The king covers his face and can't help but look back at the blood and tears flowing." This sentence described the deep love between Tang Xuanzong and Yang Guifei, but their fates were destined to be tragic. The Tang Dynasty poet Bai Juyi's Song of Everlasting Regret was one of the representative works describing the love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The poem described Emperor Xuanzong's deep love for Yang Guifei and the helplessness and sadness between the two. 3. There was a line in Li Qingzhao's "Dream of Dreams":"I often remember that the pavilion is drunk at dusk and I don't know the way back." This sentence depicted the scene of Yang Guifei and Tang Xuanzong playing in the stream pavilion, and the intimate feelings between the two were also displayed in it. 4 The Tang Dynasty poet Du Fu wrote in his "Presented to the Eight Chushi of Wei":"If life is only like the first time, what is the autumn wind sad painting fan? The heart of an old friend is easily changed." This sentence expressed Du Fu's yearning for the love between Yang Guifei and Tang Xuanzong, but the fate of the two was destined to be tragic. These poems depicted the deep love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, as well as the helplessness and sadness between the two. These works also left precious memories of ancient Chinese love for future generations.