Dreaming back to the Tang Empire or chasing the dream of the Tang Empire

The theme song of " Dreaming of the Tang Dynasty " was " Zhenguan Long Song." This song was the ending theme of the TV series " Zhenguan Long Song " and was sung by Zhang Lanlan. The song was based on the theme of Dreaming of the Tang Dynasty. The lyrics depicted the magnificent scene of the Tang Dynasty and the people's pursuit of love and the country. In addition, the Tang Dynasty band also had a song called " Dream of the Tang Dynasty," but it was not certain if it was related to the TV series " Zhenguan Long Song."

The theme song of " Dreaming of the Tang Dynasty " was " Zhenguan Long Song." This song was the ending theme of the TV series " Zhenguan Long Song " and was sung by Zhang Lanlan. The song was based on the theme of Dreaming of the Tang Dynasty. The lyrics depicted the magnificent scene of the Tang Dynasty and the people's pursuit of love and the country.

It could be seen that " Dreaming Back to the Great Tang " and " Chasing Dreams of the Great Tang " were both performed at the Tang Furong Garden. The two programs had their own characteristics, and the specifics of which one looked better might vary from person to person. " Dreaming of the Tang Dynasty " was a time-travel dance drama. Through modern technology and the exquisite performance of the dancers, it brought a beautiful visual enjoyment to the audience. On the other hand," Chasing Dreams of the Tang Dynasty " was a large-scale live performance. The tourists took a boat to watch the performance on the Furong Lake. Through the boat tour, they explored the form of chasing dreams and displayed the thousands of charms of the Tang Dynasty. Therefore, it was impossible to determine which one was better. It was best to choose according to one's personal interests and preferences.

" Bringing the System Back to the Great Tang " was a novel written by the author, Jiong Jiong. It told the story of the protagonist, Lin Fan, who had transmigrated to the Tang Dynasty in a parallel world and activated a system called " Love the People Like Their Children ". Through this system, Lin Fan could obtain popular sentiment points and exchange for items. From a county magistrate that was despised by others, he could gradually become a respected person.

During the Tang Dynasty, food was mainly made of flour and rice. Noodles mainly included various types of cakes, such as steamed cakes, pancakes, Hu cakes, soup cakes, and so on. Steamed cakes were a type of fermented flour. They could be made purely from wheat flour or with various seasonings. Pancakes were a common seasonal delicacy that every household could make. In addition, the Tang Dynasty people also liked to eat dumplings, wontons and other stuffed noodles. Rice was mainly millet rice and porridge. The non-staple food of the Tang Dynasty included fruits, vegetables, and meat. They had enjoyed a wide variety of fruits, such as pears, persimmons, oranges, loquats, melons, lychees, grapes, pomegranate, and so on. The variety of vegetables was also very rich, with more than 60 kinds, including sunflower, leek, turnip, woad, mustard, melon, eggplant, gourd, onion, ginger, garlic, and so on. Meat was mainly mutton, while chicken, duck, and goose meat were consumed less. In general, the food culture of the Tang Dynasty was characteristic of Hu culture, nourishing biochemistry, religion, and art.

Traveling through the Great Tang was a literary theme. It referred to the protagonist in the story traveling through time and space to the era of the Great Tang. There were many novels that traveled through the Tang Dynasty, such as Drunk Pillow on the River, Beauty of the River, and I Am a Tide Rider. The plots of these novels revolved around the adventures and growth of the protagonists in the Tang Dynasty, involving elements such as trickery, war, and love. However, the search results did not provide any information about the background, plot, or main characters of the transmigration. Therefore, he could not provide a more detailed answer.

Rebuilding the Tang Empire was a novel. It described the protagonist's journey back to the end of the Tang Dynasty and his efforts to unify the Longyou prefectures and counterattack the Central Plains. Finally, he rebuilt the Tang Empire. The novel's plot was full of ups and downs, exciting and popular with readers. However, the specific chapter table of contents and content could only be understood by reading the novel.

" The Imperial Concubine of the Tang Dynasty " was a Peking opera work, a new iconic work of the Mei School in the modern era. The play was derived from the novel Taizhen Biography from nearly a hundred years ago, but it still retained the essence of Mei School art. Mr. Mei Baojiu spent more than 20 years studying the relationship between music and Peking opera, and devoted himself to the innovation of Mei School singing. He and the creator of " Imperial Concubine of the Tang Dynasty " had dressed " The Biography of Taizhen " in a gorgeous and fitting old style, enhancing its cultural content. They had also used many innovative methods of stage art to package the classical works with modern art, making this classic work glow with new vitality after the past 100 years. The theme song of " Tang Imperial Concubine "," Ode to Pear Blossom ", was widely circulated. Not only was it sung among opera fans, but it was also adapted and sung on the Spring Festival Gala and various variety shows. The play was based on the love story between Yang Guifei and Tang Minghuang. It was reinterpreted through the aesthetics of the new era, exploring innovation and opening up a better future for the art of opera.

" The Imperial Concubine of the Tang Dynasty " was a Peking opera work. It was first performed at the opening ceremony of the Shanghai International Art Festival in 2001. The play was based on the love story between Yang Guifei and Emperor Ming of the Tang Dynasty, showing the sincerity and debauchery of Emperor Xuanzong of the Tang Dynasty in love. The theme song of the play, Ode to Pear Blossom, was widely sung. It was not only popular among opera fans, but it was also adapted and sung by pop singers. The play was born out of Mei Lanfang's famous play," The Biography of Taizhen ". It was re-interpreted with the aesthetics of the new era, exploring innovation and returning to the times. The new version of the Beijing opera,"Imperial Concubine of the Tang Dynasty," inherited the traditional Beijing opera and integrated modern stage art concepts. The plot, aria, dance beauty, etc. were polished again, adding more artistic charm. The play was re-created in 2019 at the Shanghai Peking opera theater, with Shi Yihong, Li Jun and other famous actors leading the show. The new version of "Imperial Concubine of the Tang Dynasty" was performed for the first time at the National Grand Theater in Beijing in February 2021.