The sound of the phoenix flute moved, the light of the jade pot turned, and the dragon and fish dance for a night was a poem from Xin Qiji's "Sapphire Case·Yuan Xi." This poem described the bustling scene on the night of the Lantern Festival, describing the brilliant lights and happy atmosphere of the Lantern Festival. The moving sound of the phoenix flute referred to the beautiful sound of the flute, the light of the jade pot was a metaphor for the change of the moon, and the dance of the dragon and fish described the dance of the colorful lights. This poem portrayed the lively and festive atmosphere of the Lantern Festival through music, the bright moon, and colorful lights.
The jade flute's sound was a phrase from Li Qingzhao, which came from her work,"Resentment of the Prince's Grandson." This sentence expressed Li Qingzhao's longing and pain for parting. To be specific, the broken finger of the jade flute meant that the person who played the flute had left. It could also be understood as the husband had passed away or the news had been cut off. Spring had gone again, meaning that a year had passed. The author did not know where her husband was, and her heart was filled with sadness and pain. The entire poem expressed the author's longing for her husband's departure and her worry about his future return.
" Auspicious Partridges " was a poem by Zhou Chun of the Song Dynasty. There was a line in it that read," The sound of the jade flute breaks the Chu Mountain." This poem depicted the sound of the flute echoing in the mountains of Chu, giving people an ethereal and poignant feeling. This poem expressed the author's longing for the flute and his yearning for Chu Shan. The specific artistic conception and background needed to be further read to understand.
The jade flute's sound broke people's hearts. It was a poem by Li Qingzhao, expressing the author's longing for parting. In the poem, it described how the music of the jade flute came to an abrupt end. He did not know where the person in his heart had gone. Another spring had passed, and the author had to endure the pain of not being able to return. This poem expressed the author's pain and longing for parting, as well as his expectation for his future return.
" Little Peach Blossom, Jade Flute's Sound Breaks the Phoenix Pavilion " was a Sanqu composed by Yang Guo. It had a graceful and graceful sentiment and lingering emotional characteristics. This poem described the sadness and longing of a woman after breaking up with her sweetheart. The woman lived in the Phoenix Pavilion and could once hear the sound of the jade flute. However, ever since they broke up, she had become extremely haggard, and there were tears on her sleeves. She walked back and forth upstairs. The scenery outside the building was still the same. She felt sorry for the cold and heartless Yanliu back then, because they did not stop her lover from leaving, so that he could not set off. This poem was composed of seven, five, seven, three, seven, four, four, five sentences, expressing a woman's boudoir resentment and the pain of separation.
Where does the sound of jade flute cut off people? Spring has gone. This sentence came from the Song Dynasty poet Li Qingzhao's "Resentment of the Prince's Sun (Spring Evening)". It expressed the poet's longing for the lost time. To be more specific, the broken finger meant that the person playing the flute had left, and the spring had passed meant that time had passed and spring had passed. This phrase expressed the poet's longing for the good times and parting.
Jade Phoenix was the younger sister of Nefarious Bone Ao Tian. Because Jade Phoenix's memories had been altered by Ao Tian, she hated him and thought that Ao Tian was the murderer of her family. Therefore, she hated Ao Tian to the core and even wanted to kill him personally. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
The characters included the supporting role, Hong Xiao, the male lead, Ling Ya, the female lead, Mu Zhao, the male supporting role, Chi Ming, the number one anti-fan of Cang Yue Sect, and the female supporting role, Mu Wan. The author of Jade Flute was Jiang Yuhu. It was a fantasy romance/oriental fantasy novel. [User recommendation: Mu Zhao always thought, The end of life was to be alone. I come alone, He walked alone. Until she met Ling Ya… Was death the end of everything? Perhaps not. Time did not expand in a linear manner. They are two specks of dust in the vast wilderness of time, Waiting for salvation in their own darkness. It was just a flash of inspiration in the void. The sparks from the occasional collision, However, they lit up each other's lives.. I hope you will like this book.
The jade pot and spring vase of Liao Zhai was a typical shape of Chinese porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in the shape of Chinese porcelain. It was popular in a wide area and had been used for a long time. There were many explanations for the origin of the name of the jade pot spring vase. One of them came from the story of an old man who made porcelain when the great writer Su Dongpo met his friends in Jingdezhen. However, there was no conclusive evidence as to the exact reason why Su Shi gave the jade pot spring bottle its name.
The jade pot and spring vase of Liao Zhai was a typical shape of China porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in the shape of China porcelain. It was popular in a wide area and had been used for a long time. There was no conclusive evidence as to why Su Shi gave the jade pot spring bottle its name.
The jade pot and spring vase of Liao Zhai was a typical shape of Chinese porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in Chinese porcelain and was called the classic model of porcelain. Jade pots and spring bottles were fired in kilns all over China. They were popular in a wide area and had been used for a long time. It could be used as a container or a tool for flower arrangement. The jade pot and spring vase had an important position in Chinese culture and was known as the queen of porcelain.