The original text of the seat post

The original text of "Fighting for a Seat Post" is as follows: On November 11, Yan Zhenqing, the founding duke of Shangzhu State and Lujun, a doctor of Golden Purple Guanglu, the minister of the Ministry of Punishment, respectfully sent a letter to His Excellency Guo Gong, the prince of Dingxiang, saying: It is probably that there is morality in the highest place, and there is meritorious service in the second place. This is called immortality. I have also heard that the chief minister is the teacher of all officials, and the king of princes is the most important minister. Now Pushe Ting immortal achievements, when the minister of the extreme, is not because of talent for the world, merit crown for a while? Defeat Shi Siming's domineering army, resist the endless request of returning to appease the enemy, so that he can personally paint the pavilion of Lingyan Palace, and his name is hidden in the court of Taishi Palace. But beauty is beauty, and the end is difficult. Therefore, it is said that if you are full but not overflowing, you can keep your wealth for a long time. If you are high but not dangerous, you can keep your wealth for a long time. Can you not be alarmed and afraid? The Book of History says,"You are not proud." No one in the world can compete with you for credit. As long as you don't attack, no one in the world can compete with you for talent. The translation of "Fighting for a Seat Post" is as follows: On a certain day in November, Yan Zhenqing, the founding duke of Shangzhu State and Lu Prefecture, wrote to the right servant and Guo Gong, the prince of Dingxiang: There is virtue in the highest place, followed by meritorious service. This is called immortality. It was said that the chief officer was the teacher of all officials, and the king was the highest position of the ministers. Now, Pushe, you have eternal achievements and are in the highest position among the ministers. Your talent and achievements are extremely high. You defeated Shi Siming's rebel army and rejected the unreasonable demands of the Hui Sui people, so your portrait was painted in Lingyan Pavilion and your name was recorded in the Imperial Palace. It was enough to make people respect you! However, beautiful things were often difficult to maintain. Therefore, it is said that the purpose of being full but not overflowing is to maintain wealth for a long time. High but not dangerous is to maintain dignity for a long time. Don't let your guard down! It is said in the Book,"As long as you don't boast." No one in the world will compete with you for merit; As long as you don't boast, no one in the world will compete with you for talent.

The post was Yan Zhenqing's cursive calligraphy work, written in November of the second year of Guangde of Tang Dynasty (764). This draft letter was the manuscript of Yan Zhenqing's letter to Minister Youpushe and Dingxiang Prince Guo Yingyi. There were a total of seven pages and about 64 lines. The content of the invitation card was that Yan Zhenqing accused Guo Yingyi of despising etiquette at the banquet, flattering eunuch Yu Chaoen, and raising the position of the eunuch. This work occupied an important position in the history of calligraphy and was hailed as one of Yan Zhenqing's representative works. However, there was no relevant information in the search results for the high-definition image of the post, so no high-definition image could be provided.

The original post of Yan Zhenqing's struggle for seats was 1,193 words.

The original text of the Book of Baocheng Posthouse Wall was: "Baocheng Posthouse is the best in the world. When I got a chance to look, I saw that the marsh was shallow and dirty. I saw that the boat was broken and sticky. The yard was so dilapidated, and the hall was so dilapidated. How could I see what they call magnificent?" This passage described the dilapidated scene of Baocheng Posthouse. "Baocheng Posthouse is known as the number one in the country. "When I looked at it, I saw that its ponds were shallow and dirty. I saw that its boats were dilapidated and unreliable. The courtyards and stairs were deserted. The main house and the surrounding houses were also dilapidated. How could I see its so-called magnificence?"

I'm not sure. You'd have to check the specific comic to know for sure.

Knowledge of web novels indicated that the caption should reflect the theme and emotions of the novel. For details, one could refer to the following suggestions: 1. Express emotions: For example," In this world full of sadness and pain, we have experienced an unforgettable journey together " or " In the long journey of life, we are always looking for the person who can accompany us for the rest of our lives." 2. Prominent theme: For example," In this world full of violence and desire, we have to face the dark side of human nature " or " In those mysterious and unknown places, we have to explore the secrets hidden deep in our hearts ". For example," In this ever-changing era, we must learn to cherish those eternal moments " or " In those long nights, we must learn to hold on to our beliefs and welcome the arrival of dawn." 4. Use music or pictures to enhance the effect: For example," In those mysterious and unknown places, we have to explore the secrets hidden deep in our hearts " or " In this world full of violence and desire, we have to face the dark side of human nature ", accompanied by an adventure photo or a lyrical music can enhance the emotion and theme of the article.

The full text of the original text of 'Journey of Chivalrous Swords'was as follows: Zhao's guests wore unadorned Hu tassel, Wu hook frost snow bright. The silver saddle shone on the white horse, rustling like a meteor. Killing a person every ten steps, leaving no trace for a thousand miles. When the matter is over, I will brush my clothes and leave. I will hide in a deep place and tell my name. When he passed Xinling to drink, he took off his sword and put it on his knees. Prepare to roast meat to eat Zhu Hai, holding a cup to persuade Hou Ying. Three cups of wine, spit out the promise, the five mountains fall to the light. Dazzled and hot, the mood is always bright. Rescue Zhao with a golden hammer, Handan first shocked. Qianqiu two strong men, bright and bright Daliang City. Even if he died, he would not be ashamed of the heroes of the world. Who can write your name, white head Taixuan Sutra. Please note that the above is the full text of the book.

The blue-and-white porcelain was a traditional art with a long history and cultural background. It is usually made of blue and white porcelain and glaze. Blue and white porcelain is a kind of paint used in traditional Han porcelain craftsmanship. Metal oxides such as tungsten, copper, and copper are usually used as paint in porcelain production areas such as Jingdezhen. Ancestral blue and white porcelain usually has exquisite patterns and patterns, including various flowers, animals, people, mountains and rivers, etc. These patterns and patterns often represent ancient cultural and artistic values. The glaze of blue-and-white porcelain was usually made by underglaze color. Metal oxide-based paint was embedded into the glaze layer of the porcelain to form a beautiful color effect. The ancestral blue and white porcelain had an important position in Chinese culture and was regarded as a precious cultural heritage. They are usually used to decorate homes or as gifts to others, representing the essence of tradition and culture.