What are some characteristics of the dry crime novels?

Well, for best - selling crime novels with a dry feel, 'Sharp Objects' is quite good. It has a dry, almost desolate setting that adds to the overall sense of unease in the story. The characters are complex and the mystery is slowly unraveled in a way that keeps you reading. 'The Dry' itself by Jane Harper is a prime example. It's set in a drought - stricken Australian town and has a dry, unforgiving landscape that mirrors the dark secrets and crimes in the story. Also, 'The Killing' by David Hewson is a best - seller that offers a dry, methodical look at a crime investigation.

One of the well - known dry Australian crime novels is 'The Dry' by Jane Harper. It has a great sense of place, set in the unforgiving Australian outback. The story is full of mystery and complex characters. Another could be Peter Temple's works, which often feature a gritty and dry - toned exploration of crime in Australian settings.

The setting. The dry Australian landscape, be it the outback or small drought - stricken towns, gives a unique backdrop. It adds a sense of isolation and harshness that influences the crimes and the characters. For example, in 'The Dry', the drought - affected area creates a tense atmosphere.

There's also Agatha Christie. While some of her works have elements of character drama, many of her detective stories, especially those featuring Hercule Poirot, can be considered dry crime novels. She presents the crimes and the solving process in a very logical and unembellished way. And then there's Henning Mankell. His crime novels are often focused on the crime itself and the search for the truth, with a rather dry, straightforward narrative style.

The 'dry crime fiction' perhaps is crime fiction with a certain tone. It may not have the vivid, heart - pounding action that some other crime fictions do. It could be that the settings are described in a plain way, not painting a very colorful or exciting picture. The dialogue might be concise and to the point, serving mainly to move the plot forward in terms of the crime and its solution. It's like a stripped - down version of crime fiction that still manages to engage the reader through its focus on the core elements of the crime genre.

I think the novels of Georges Simenon might fall into this category. He was known for his concise and unadorned writing style when it came to crime stories. His Inspector Maigret series, for instance, presents crimes in a rather matter - of - fact way, with the focus on the detective's methodical investigations.

Definitely. 'The Snowman' is a best - selling crime novel that has a dry, cold atmosphere (both literally and figuratively) which suits the dark crime story. 'The Kind Worth Killing' has a dry, calculating tone that makes the complex plot of murder and revenge all the more interesting. And 'The Woman in the Window' has a dry, claustrophobic feel as the agoraphobic main character observes the outside world and the mystery unfolds from her limited perspective.

Well, they might have complex plots full of mystery and suspense. The characters in Subha crime novels could be diverse, including both detectives and criminals with their own motives and backstories.

Well, they often feature the unique setting of Cambridge. The stories might involve the academic environment, with its old buildings and intellectual communities. There could be complex characters like professors or students involved in the crimes or the investigations.

A sense of atmosphere is important too. Whether it's the seedy underbelly of a big city or a small - town mystery, the setting should enhance the mood of the story. Like in Raymond Chandler's works, the noir atmosphere of 1940s Los Angeles is palpable.