What are the characteristics of good English crime novels?

English crime investigation novels usually involve elements of mystery and suspense. The reader is kept in the dark until the very end in many cases. In 'In the Woods', Tana French builds up the suspense by gradually revealing bits of the past and the present mystery. Another characteristic is the detailed description of the crime scene. In 'The Silence of the Lambs', Thomas Harris vividly describes the crime scenes which helps the reader to better understand the nature of the crimes.

The settings also play a role. They can range from the bustling streets of London in the 19th century, like in some Sherlock Holmes stories, to more isolated locations such as country manors. These settings create an atmosphere that enhances the mystery and crime elements of the story.

English crime fiction often has a distinct setting. For instance, the foggy streets of London in the Victorian era are a common backdrop. The language used is also a feature. It can be quite descriptive, painting a vivid picture of the crime scene and the characters involved. Moreover, the moral and ethical aspects are sometimes explored, like in works where the line between the criminal and the law - abiding is blurred.

Well - developed characters are also important. In 'The Silence of the Lambs', the characters of Clarice Starling and Hannibal Lecter are very vivid. Their interactions drive the story forward. Additionally, a good crime novel often has a tense atmosphere that keeps readers hooked throughout.

Good YA crime novels tend to feature fast-paced action, interesting detective work by the young characters, and lessons or growth for the protagonists. They often explore issues relevant to young people while keeping the mystery and thrills intact.

Well - crafted mysteries often have a unique setting. It can add to the atmosphere of the story. For instance, in 'The Hound of the Baskervilles', the moors create a spooky and mysterious backdrop. And the solution to the mystery should be both unexpected and satisfying, like in many of Agatha Christie's works.

They often have a dark and moody atmosphere, which is influenced by the long, cold Swedish winters. For example, in many novels, the desolate landscapes and the gloomy weather seem to mirror the dark nature of the crimes.

Well, good British crime novels usually have intricate plots. They are not straightforward but filled with red herrings and unexpected twists. Take 'And Then There Were None' by Agatha Christie. The plot keeps you on the edge of your seat as one by one the characters are seemingly murdered according to a nursery rhyme. Also, the social commentary aspect is common. They can reflect the values and problems of the society at the time, such as class differences and moral decay.

A sense of atmosphere is important too. Whether it's the seedy underbelly of a big city or a small - town mystery, the setting should enhance the mood of the story. Like in Raymond Chandler's works, the noir atmosphere of 1940s Los Angeles is palpable.

The romantic aspect is also crucial. It can range from a sweet, budding love to a complex, passionate and often troubled relationship. In 'The Silent Patient' by Alex Michaelides, the relationship between the therapist and the patient has elements of both romance and mystery as the therapist tries to uncover the truth about the patient's crime while developing an inappropriate attraction to her.