King John is often seen as a tyrant in historical fiction. In reality, while he had his issues, the situation was more nuanced. The signing of the Magna Carta was a complex event, but fiction sometimes simplifies it to make him look like a one - dimensional bad guy. Edward II, in historical works, is sometimes made out to be a rather weak king due to his relationship with Gaveston, while in actual history, his reign had other aspects as well.
King Arthur is a special case. In historical fiction, he is often depicted as a heroic and almost mythical king ruling over a glorious Camelot. However, in historical research, his existence is not proven. Henry II, in historical fiction, is sometimes focused mainly on his conflict with Becket, while in history, his reign had broader implications for law and governance in England.
In fiction, history doctors often have more extreme personalities. For example, Dr. Frankenstein is consumed by his ambition in a way that most real - life doctors are not. Real - life doctors are bound by ethical codes, while fictional doctors like Dr. Jekyll cross those boundaries for the sake of the story. Also, fictional history doctors may have supernatural or extraordinary abilities. Dr. Strange has his magic powers, which is very different from what real - life medical professionals possess.
The characters in 'Vikings Valhalla' often deviate from historical facts in their portrayal. Factually, we know that Vikings had a hierarchical society. However, in the show, some characters from lower social strata might be shown as having more power and agency than they likely did in real life. This is done to create a more exciting and egalitarian - looking story. Also, the relationships between characters in the show can be fictionalized. For example, a character might be depicted as having a deep friendship with another that has no basis in historical records. The show does this to add emotional depth and drama to the narrative, but it's not always in line with what we know about the real Vikings.
It is often portrayed as a source of mystery. Novels and stories set in New England might show witchcraft as something that lurks in the shadows, with witches having the ability to cast spells and influence events in ways that are not easily understood by ordinary people.
One of the most popular kings in English historical fiction is Henry VIII. His six marriages alone provide a wealth of drama and intrigue. Another is Richard III, often depicted as a complex and somewhat villainous figure, especially in works like Shakespeare's play. And then there's King Arthur, though his historical existence is debated, he is a very prominent figure in English - related historical fiction, often associated with Camelot and the Knights of the Round Table.
Female priests are sometimes shown to have a more nurturing side. While male priests may focus on strict dogma, female priests in space fiction might be more likely to comfort the crew on an emotional level, like a mother figure in a way.
In fantasy fiction, kings are often portrayed as powerful and authoritative figures. They usually rule over vast kingdoms and have a lot of influence. Some are shown as wise and just, like Aragorn in 'The Lord of the Rings' who unites the people. Others can be corrupt and power - hungry, causing strife in their lands.
In science fiction novels by Isaac Asimov, men are often rational thinkers. They base their actions on logic and scientific principles. For example, in his 'Foundation' series, the male characters are constantly calculating and planning to preserve the future of humanity. In cyberpunk science fiction like 'Neuromancer', men can be anti - heroes, living on the fringes of society and using technology in unethical ways to get by.
Another aspect is the moral aspect of motives. In real manhunts, the moral motive is clear - to uphold the law and protect society. However, in fiction, motives can be morally ambiguous. A character might be on a manhunt for a person who has broken the law in a way that the general public might not consider as 'bad' in the context of the story, creating a complex moral situation that is not as common in real - life manhunts.
In fact, motives in manhunts are usually based on real - world factors like financial gain, revenge in a normal sense, or escaping justice for a crime committed. In fiction, motives can be far - fetched. For example, a villain in a fictional story might be on a manhunt because they want to rule the world or something equally outlandish.
In some fictions, dark elves are shown as pure evil, causing chaos and destruction. But in others, they are more complex, having their own reasons for their actions. For example, in some stories they are just trying to protect their homeland from invaders.