Synopsis
Um bibliotecário, amoral e indiferente é levado para dentro de um livro, O Inferno, lá ele deve seguir até o topo do inferno enfrentando os 7 pecados capitais e autoridades do inferno.
Classificação: 18+
Alerta de Gatilho.
Extremamente Explicito e Brutal.
Uma Representação do Inferno.
Como base: A Divina Comédia de Dante e o Apocalipse de Pedro.
(Se quiser preservar sua sanidade, não leia.)
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Write a reviewYou MUST translate this in english. This is the peak I am talking about. Not just a moment which makes you say "holy shit this is cool", but something that actually moves your subconscious and which makes you think it was worth it to read such a thing, truly. What's funny is that with the amount of 300+ chapter mid novels that there are on this app people have forgotten what truly is deep, thinking that peak is something that impacts you a bit as reading that novel has become a routine and finding even a small point which makes you say "this is such a good moment" instantly makes you think it is peak. With this novel I have found the peak I have been seeking for in Reverend Insanity for hundreds of chapters but never found. I have found that reflection of myself that one can see on the dark phone's screen, the reflection that one can only see when they start realizing something deeper from what they are reading.
Author rtyp111
Alright, listen up you sons of bitches—Geena ain’t just a book, it’s a whole damn experience. Toxity or whoever this guy is he is a genius fr, didn’t just write a story, he threw us headfirst into Hell, no guide, no mercy, just straight-up existential dread. And the wildest part? The MC isn’t just some random dude—he’s a mirror. A reflection of every human who’s ever wondered if they’re too far gone or if there’s still a way back. This ain't about power-ups, about getting stronger, about winning. The protagonist ain't here to break the system like Klein in Lord of the Mysteries, nor is he out to manipulate everything like Fang Yuan in Reverend Insanity. His whole journey is about one thing: understanding his own sins. And more importantly—whether he can even escape them. Every encounter in Hell isn’t just some crazy, fire-and-brimstone visual. It’s personal. Every lost soul he meets is another piece of himself he’s forced to look at, another sin staring him in the face. And here’s where it gets peak. The MC’s theme isn’t just about morality—it’s about amorality. He doesn’t blindly accept good or evil, but he also doesn’t reject them outright. He questions everything, stripping down every belief, every law, every so-called “truth” to see if any of it actually holds up. It’s not just “is he good or bad?”—it’s does it even matter? And if it does, why? That’s what makes Geena so different. It’s not some edge-lord “morality is fake” take, and it sure as hell ain’t preachy. It just lays everything bare and forces you to decide what’s real. And that ending? Bro. It doesn’t give you closure. It doesn’t wrap things up with a neat little bow. There’s no epic final battle, no redemption arc, no easy answers. It just leaves you staring into your own soul, realizing that Hell doesn’t start after death—it starts with the choices you make while you’re still alive. If Geena ain’t peak fiction, I genuinely don’t know what is.