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celadon vase cultural relic

2026-09-03 16:32
2026-09-03 16:34

The following are some celadon vase relics from different periods: - ** Southern Song Dynasty official kiln celadon ear-piercing vase **: collected in the National Museum of China, imitating ancient bronze ware, dignified and elegant. The body was thin and light, the glaze was thick and smooth like jade, and the opening was like a crab claw pattern. The edge and corners of the mouth were exposed because of the thin glaze, representing the highest level of celadon in the Southern Song Dynasty. - ** celadon vase with the pattern of the pavilion of gods in Yue kiln of the Western Jin Dynasty **: 45.4 cm high, 30.3 cm wide. At the top was a palace building held high by a flock of birds, surrounded by elephants, deer and other auspicious animals. Its Taoist view of heaven is surrounded by rows of meditating Buddhas sitting on lion thrones on lotus petals. These are one of the earliest Buddhist images in China. The vase may be a soul vase, the eternal residence of the souls of the dead. Yue kiln celadon body fine quality, elegant shape, green glaze Yingying, quality like jasper. The Yue kiln was mainly located in Shangyu, Yuyao, Cixi, Ningbo and other places in Zhejiang Province. This kind of porcelain was closely related to the tea drinking fashion of the Tang Dynasty, and the tea drinking fashion affected its shape. The soul vase originated from the Western Han Dynasty. It flourished in the Three Kingdoms, flourished in the Song Dynasty, and declined in the Republic of China. It evolved from the five-line jar of the Han Dynasty. It was a unique burial item in the tombs of the Three Kingdoms and the Jin Dynasties in the middle and lower reaches of the Yangtze River in China. In the early days, it was used to store grain. - ** Northern Song Dynasty celadon vase **: abdominal diameter 20.8 cm, caliber 10 cm, bottom diameter 10.5 cm. The bottle has a plate mouth, a short neck, abundant shoulders, dark circle feet, gradually converging from the abdomen, the bottle body proportion is well-proportioned, slender and delicate. The whole body of the ware is covered with ivory white glaze. The glaze is slightly green. The glaze color is moist and even. The body is white and slightly yellow. It is a product of Fanchang Kiln in Anhui Province. Shadow celadon was also called bluish-white porcelain. Its glaze color was between celadon and white porcelain. It was bluish-white and bluish-white. The embryo was white and delicate. The early embryo was thicker, and then it became thinner and translucent. It was fired at a high temperature of about 1300 degrees Celsius. The degree of porcelainization was high. The thin part of the glaze was white, and the thick part was green like lake water. Some of the earlier and later glaze colors were yellow and brown. The craftsmanship included carving, combing, combing and printing. - ** Western Zhou original celadon double vase **: A historical relic of the Western Zhou Dynasty. - ** Qing Emperor Kangxi's "Treasure of Kunshan" blue-and-white seahorse pattern porcelain bottle **: 25.6 cm high, 4 cm caliber, 8.8 cm bottom diameter, straight mouth, long neck, round belly, near the bottom of the outer lip, circle foot. The whole body was decorated with blue and white flowers. The mouth and shoulders were painted with a circle of mat pattern, the neck and shoulder were painted with a burnt leaf pattern, and the abdomen was painted with two symmetrical jade horses playing in the sea. The outer bottom of the blue and white double coil was written with four words and two lines,"The Treasure of the Mountain", which was the name of the hall. It was painted with a seahorse pattern (white horse sea pattern), which was transplanted from the white horse pattern on the emperor's ceremonial flag in the Yuan Dynasty. Read more exciting novels for free

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