Which dynasty was Yang Guifei from? Which part of China was her hometown?

Noble Consort Yang had three sisters, Yang Yuhuan, Yang Jin 'er, and Yang Shi.

Cao Xueqin was from Pingjiang District, Suzhou City, Jiangsu Province, China.

There was no specific description of the beauty of Yang Guifei from the Tang Dynasty. However, the Tang Dynasty's aesthetic concept of fullness as beauty was widely accepted. During the Tang Dynasty, women's aesthetic standards were no longer thin and weak, but plump and rich. Yang Guifei was considered one of the representatives of the beauties of the Tang Dynasty. She was famous for her gorgeous colors and gorgeous posture. However, there were inconsistent descriptions of her specific weight and height. Some said she weighed 138 pounds, while others said she was 1.64 meters tall. In any case, Yang Guifei's beauty was a subjective evaluation, so it was impossible to draw a definite conclusion.

The Colorful Tang was a novel that involved the role of Yang Guifei. We can understand that Yang Guifei is an important character in the story. She wanted to go to the Temple of Immortals to fulfill her wish during the Qixi Festival, and Gao Lishi personally arranged a series of preparations for her, including the preparation of fresh fruits, the incense burner to burn the dragon, and the placement of the five animals. However, during the preparation process, Gao Lishi accidentally heard rumors about Yang Guifei and Xue playing cards. He saw the two young nuns hugging each other under the porch and kissing each other. These plots showed some of Yang Guifei's actions and character relationships in the story. However, more information about Yang Guifei, such as her background and personality, was not provided in the search results.

Jingdu referred to the ancient capital of China. Jingdu could refer to Nanjing, Beijing, Luoyang, Kaifeng, and other places.

Tang Xuanzong and Yang Guifei were two famous emperors and two women in Chinese history. Their life stories were widely depicted and described in literary works of past dynasties. The following are some examples of Tang Xuanzong and Yang Guifei's deeds mentioned in historical literature: 1 Tang Dynasty legendary novel, Song of Everlasting Sorrow: This is the beginning of the famous Tang Dynasty legendary novel, Song of Everlasting Sorrow. It describes the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei and the tragic ending between them. 2 Song Dynasty poem "Qing Ping Diao·Yi Yi": The beginning of this poem portrays the image of Tang Xuanzong and Yang Guifei. There is a sentence,"The king covers his face and can't save himself from seeing the blood and tears flowing." 3. The opera of the Yuan Dynasty, The Peony Pavilion: This is a famous opera of the Yuan Dynasty. It describes the love story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei and their tragic ending. 4 Ming Dynasty novel Water Margins: This is a famous novel in the Ming Dynasty. It also has the story of Emperor Xuanzong and Yang Guifei. It is described that Emperor Xuanzong used Yang Guifei to consolidate his position but eventually led to Yang Guifei's death. 5 Qing Dynasty novel, Dream of the Red Chamber: This is a famous novel in the Qing Dynasty. It also has the story of Emperor Xuanzong and Yang Guifei. It is described as the love between Emperor Xuanzong and Yang Guifei, but it ends in tragedy. In addition, there were many other literary works depicting the deeds of Emperor Xuanzong and Yang Guifei.

The King of Qi, Gao Yang, was the Emperor of Northern Qi during the Northern and Southern Dynasties.

The eight-part essay was a form of composition in the imperial examination of the Qing Dynasty in China. It required the examinee to write an essay that was in accordance with the eight-part essay format, that is, six words per sentence and a total of eight sentences per article. This style of writing was used to restrict the candidates 'thinking and writing style during the exam. The candidates had to think clearly, write elegantly, and meet the requirements of grammar and rhythm. Therefore, the eight-part essay was regarded as one of the most representative works of ancient Chinese literature.