Dream of the Red Chamber was a classical Chinese novel. The opening story used the story of Nüwa mending the sky to draw out the theme and background of the entire novel. In this story, Nüwa was an immortal who created all things. She used the missing parts of the multicolored stone to mend the sky and create humans and all kinds of creatures. This mythical story not only provided an explanation for the background of the novel, but also provided the readers with a prediction and understanding of the various characters and plots in the novel. Through this story, the author Cao Xueqin expressed her deep thoughts on human nature, fate and society, and also provided readers with a broad vision and imagination.
The opening of 'Dream of the Red Chamber' was not a fairy tale but a written description of the aristocratic society of the Qing Dynasty. This passage described the life, values, interpersonal relationships, and other aspects of the society at that time. It was the setting of the novel. Mythology was a metaphor or symbol used to explain these social phenomena after setting the background. In Dream of the Red Chamber, the form of mythical stories was used to convey the author's criticism and reflection on the aristocratic society of the Qing Dynasty. Through the form of fairy tales, the author expressed his dissatisfaction and criticism of the society at that time, and also expressed his deep thinking about human nature. Therefore, although fairy tales were the beginning of a novel, their role was not only to provide background and plot for the novel, but also to provide powerful support for the theme and idea of the novel.
Long, long ago, there was a Chinese myth called " Nüwa mends the sky." This story was about a planet called "Tian" in the distant universe. Many magical creatures lived on it. However, because its sky was ruled by an evil giant, the sky was torn apart every day, bringing great disaster to these creatures. In this story, Nüwa was a very brave goddess who decided to save the planet. Thus, she used the Multicolored Stone to repair the Angel Sky and closed it again. However, due to the limited number of Multicolored Stones, the amount of work needed to repair the sky was so great that Nüwa had to use her life to repair the sky every day. At the end of the story, after Nüwa mended the sky, her soul left the planet and floated in the universe. As a result, the sky became more stable and many creatures were protected. This story tells us that Nüwa was a very sacred goddess who used her own power to protect mankind and all living things.
Nuwa mending the sky and Dream of the Red Chamber were both famous Chinese myths and literary works with profound cultural implications. Nüwa mending the sky is one of the ancient Chinese myths. It tells the story of Nüwa mending the sky with colorful stones. Legend had it that Nüwa first created humans with yellow clay, then created the earth and sky with stone powder. However, the sky suddenly collapsed and covered the earth in front of Nüwa. So Nüwa used the Multicolored Stone to repair the sky and restore the balance between the sky and the earth. This story was widely spread and became one of the classics in traditional Chinese culture. Dream of the Red Chamber was a novel that described the aristocratic society of the Qing Dynasty. It was regarded as a classic in the history of Chinese novels. The story tells the love story of Jia Baoyu, Lin Daiyu and others, as well as the corruption and decline of the Qing Dynasty society. This novel has a high literary value and is an important part of Chinese culture. Nuwa mending the sky and Dream of the Red Chamber were both excellent Chinese literary works with far-reaching influence and cultural implications.
The characters included the male lead, Jia Lin, the female lead, Lin Daiyu, Xue Baochai, Zhen Yinglian, and Miao Yu. "Red Chamber: Mending the Heavens" Author: A Flower Toad in the Ocean. It is a historical/fictional historical novel with transmigration, fictional history, kings, families, house fights, red chambers, and political elements. It is completed and can be enjoyed without worry. User recommendation: No talent can fill the sky, in vain into the world of mortals for many years. One could say that one had to be careful with every step they took when walking in the world of the Dream of the Red Chamber. Strong enemy pressure outside, power struggle inside. Lin Daiyu was in Yangzhou, and Xue Baochai was in Jinling, waiting for their fates to change. Suddenly I heard the rain hitting the new lotus, and my dream was broken. A young man from the future who had transmigrated to save the present could mend the heavens. I hope you will like this book.
Nüwa mending the sky was one of the ancient Chinese myths. It told the story of the Heavenly Queen being struck by lightning and her broken pieces scattered across the world. Someone needed to use the Multicolored Stone to repair the Heavenly Queen's broken pieces. Legend had it that Nüwa used the Multicolored Stone to fill the void and created humans. The Dream of the Red Chamber was a Qing Dynasty story about the lives of Jia Baoyu, Lin Daiyu, and the others in the Grand View Garden, as well as the entanglements between their families. Dream of the Red Chamber was regarded as a classic work in the history of Chinese literature. It depicted the life of an illusory and delicate feudal dynasty family and carried out a profound discussion on traditional Chinese culture, human nature, and emotions. The above is a brief introduction of Nuwa mending the sky and Dream of the Red Chamber. If you have any other questions, please feel free to ask.
"Dream of the Red Chamber" started with Jia Yucun and Zhen Shiyin. Zhen Shiyin's study was where the first story took place. In his dream, he saw a monk and a Taoist talking about the Crimson Pearl Immortal Grass and the Shenying Attendant. This story revealed pure and innocent love and foreshadowed the development of Bao Dai's love. In addition, Zhen Shiyin's appearance also hinted at the tragedy of the Jia family and pointed out the theme of the novel. Jia Yucun was a poor scholar. In order to rectify his foundation, he decided to enter the capital for the imperial examinations and pursue fame. Therefore, the opening with Jia Yucun and Zhen Shiyin as the starting point laid the foundation for the development of the subsequent story and the unfolding of the theme.
The story of Nüwa mending the sky was a myth in ancient China, from Huai Nan Zi. The story was about an apocalyptic disaster that happened in ancient times. In order to save mankind, Goddess Nvywa refined the Five-Colored Stone to mend the sky. She used the feet of the Divine Turtle to support the four poles, quelled the flood, killed the ferocious beasts, connected Yin and Yang, and removed the reverse qi, so that all things in the world could live in peace. This story embodied the spirit of the Chinese people in the face of countless calamities, natural disasters, and alien invasions. They were able to reflect on the pain, be reborn after the calamity, and rebuild their homeland with great determination. The story of Nüwa mending the sky was recorded and circulated in many documents and materials, such as Huai Nan Zi and Shi Ji. The image of Nüwa was a god with magical power and boundless magic. She could refine stones to mend the sky and create humans. In later literature, the image of Nüwa was gradually shaped into a more humane and amiable image.
The main reason why 'Dream of the Red Chamber' quoted the beginning of a mythical story was to create a grand historical background and narrative atmosphere. At the beginning of the novel, by describing the mythical story in Baoyu's dream, the reader was brought into the various phenomena and rules of the feudal society at that time, and it also set the foundation for the subsequent plot. Through the introduction of this mythical story, the novel brings the readers into the ancient society and shows the life, beliefs, values and other aspects of the people of that era. At the same time, this mythical story also had some symbolic meanings. For example, the mythical bird represented good luck, and the soaring in Baoyu's dream implied that Baoyu's fate would change. Through the introduction of this mythical story, the novel set the foundation for the subsequent plot, and also created a grand historical background and narrative atmosphere for the readers, allowing them to better understand and feel the plot and characters depicted in the novel.
'Dream of the Red Chamber' was written by Cao Xueqin, the author of the Chinese classical novel. There were many details in the novel, and the 13th Cold and 15th Side were two of the more famous scenes. The Thirteen Colds referred to the series of cold weather that Jia Baoyu experienced while living in the Grand View Garden in the novel. In these cold days, Jia Baoyu needed to wear thick cotton clothes and quilts to resist the cold. The 15th side referred to a building in Auspicious Pearl Garden where Wang Xifeng lived in the novel. The building's unique feature was that the windows were very small, and the air inside was very dirty and had poor ventilation. Wang Xifeng's body gradually became weak during her stay in this place due to the poor environmental conditions. These two scenes were the more representative details in the novel. Through them, Cao Xueqin showed the life and mentality of the characters in the feudal society of China at that time, which had high literary value and historical significance.
The opening story of Dream of the Red Chamber referred to the mythical story of Cao Bowen, the ancestor of the Cao family, and the Goddess of Auspicious Pearls, which was depicted in Dream of the Red Chamber. The Goddess Rui Zhu was the goddess of the heavens. She descended to the mortal world and became the distant ancestor of the Cao family because Cao Bowen courted her. In the story, the Goddess Rui Zhu transformed into a beautiful woman and took Cao Bowen to the human world. On the way, she met him. Cao Bowen fell in love with the goddess of Ruizhu, but he did not know her true identity until they arrived in the human world and learned that she was a goddess in heaven. This story symbolized that the ancestors of the Cao family came to the human world and found that their identity and life experience might be different from their family in heaven, but they still bravely faced their past and present to find their true love and the meaning of life.