Sima Xiangru's "Shanglin Fu" and "Zixu Fu" belong to which chapter?

Sima Xiangru's Shanglin Fu and Zixu Fu both belonged to the Han Dynasty. "Shanglin Fu" was written by Sima Xiangru for Emperor Wu of the Han Dynasty. It described the sights and sights he saw and heard in Shanglin Garden. It showed Sima Xiangru's literary talent and ability to govern the country. Shanglin Fu was one of the representative works of Han Fu. "Fu on Zixu" was another famous Fu written by Sima Xiangru, which described his life of pleasure in Zixu Palace. The language of "Fu on Zi Xu" was concise and full of hedonism. It was a piece of prose in the Han Dynasty. The Great Ode of the Han Dynasty was one of the most important literary forms in the history of Chinese literature. It represented the high achievements of the Han Dynasty literature, and Sima Xiangru's Shanglin Ode and Zixu Ode were his representative works.

Sima Xiangru's Fu on Zixu and Shanglin were two of the masterpieces of the Han Dynasty. They displayed the following artistic features: Grand Scenes and Magnificent Landscape: These works depicted the great rivers and mountains that Sima Xiangru saw in his hometown Chengdu, such as palaces, city walls, forests, rivers, etc. They were described with magnificent language and gorgeous words to give people a grand and magnificent feeling. 2. Exaggeration and metaphor: These works are full of exaggeration and metaphor, using gorgeous words to describe things in a very vivid image to make the readers have a strong impression and resonance. 3. Exquisite diction and gorgeous sentence patterns: These works use exquisite diction and gorgeous sentence patterns, such as "The silver man is far away, and the golden wind and jade dew meet", which makes the whole Fu fascinating. 4. Complex structure and multi-level expression: These works use complex structure and multi-level expression to express the theme vividly through different sentence patterns, words and rhetorical devices, so that people have a deep understanding and appreciation of the structure, language and rhetorical devices of Fu. 5. The description of the noble lifestyle: These works reflect the lifestyle and cultural traditions of the Han Dynasty nobles, such as banquets, costumes, music, etc. Through Fu, readers can feel the unique charm of the Han Dynasty culture. Sima Xiangru's Fu on Zi Xu and Fu on Shang Lin were two of the most important works in the history of ancient Chinese literature. They displayed the main features and artistic charm of Han Fu and had a profound influence on later literature.

The story of Sima Xiangru's inscription on the pillar originated from Sima Xiangru's experience of leaving his hometown for the capital. According to the Shu Annals of Huayang Kingdom, when Sima Xiangru first entered Chang 'an, he passed by the Bridge of Immortals in Chengdu. He wrote an oath on the doorpost of the bridge: " I will not ride a red chariot or four horses, but I am yours!" This sentence expressed his determination not to seek wealth and honor, but to contribute his talent and wisdom to the country and the people. This allusion was later used as a metaphor for the pursuit of fame and wealth. Although some documents described it as being inscribed on a bridge pillar, according to the original text of the Records of Huayang Kingdom, it was actually inscribed on the door of the objective. Therefore, Sima Xiangru's inscription on the pillar was an ancient allusion used to describe the act of pursuing fame.

Sima Xiangru's "Fu on Zi Xu" is a typical Fu of the Han Dynasty. Its content is rich and colorful, its form is rigorous, and its expression is unique. The following is a summary of its content, form, and expression: 1. Description Zi Xu Fu described a beautiful natural scenery and a bustling city scene, showing the prosperity and wealth of the Han Dynasty society. Through vivid descriptions, figurative metaphor, and gorgeous words, the Fu depicted the beauty of nature, the bustling urban life, and the happy times of people. Among them, the description of Chengdu was particularly vivid and was praised as "the prosperity of Hanchuan is unmatched in the world". 2. Form and characteristics Zi Xu Fu was a well-structured and exquisite Fu. Many rhetorical devices such as antithesis, queuing and repetition were used to make the language more gorgeous and smooth. At the same time, many symbolic techniques were used in the Fu, such as "Huang Zhong Da Lu" and "Jade Plate Zhen Shu", which enhanced the appeal and expressiveness of the Fu. 3 Techniques of Expressionism Zi Xu Fu's expression techniques were ingenious, using various techniques such as "expressing emotions through scenes","expressing aspirations through objects", and "blending feelings and scenes". Among them,"using scenery to express emotion" referred to expressing the author's feelings and thoughts through describing natural landscapes. Through the beautiful scenery of Chengdu, the Fu expressed the author's longing and love for his hometown. Zi Xu Fu was a Han Fu with rich and colorful content, rigorous structure, and unique expression techniques. It showed the prosperity and wealth of the Han Dynasty society, as well as the literary talent and innovative spirit of the author Sima Xiangru.

Sima Xiangru's life in his later years was difficult. Because he loved Wenjun, the daughter of Zhuo Wangsun, a rich man in Shu, he and Wenjun lived a poor life in Maoling. Xiangru's family was destitute and their life was difficult, so the couple opened a hotel and made a living by selling wine. They played music on the piano table to express their love for each other. Although Sima Xiangru was old and sickly, his love for Wenjun was still the same as before. This kind of deep feelings made people full of respect and yearning for love. Under the social conditions at that time, it took a lot of courage for a weak scholar and a rich family's daughter to use a "wine shop" to despise secular etiquette. However, Sima Xiangru's life in his later years was not described in detail, so more details were not known.

This book was called " Family of Cultivators ". The characters in it included: The protagonist was Fu Shiyi, the male protagonist was his grandfather Fu Zixu, the male protagonist was his father Fu Zhihong, the male protagonist was his uncle Fu Zhifei, the male protagonist was the priest of the Temple of the Three Armies, the male protagonist was the 16th brother Fu Si, the male protagonist was the 18th brother Fu Si, the male protagonist was the 8th brother Fu Si, the male protagonist was Fu Si, the male protagonist was Fu Si Lei, the male protagonist was Fu Si Yuan, the male protagonist was Fu Si Yuan, the male protagonist was Fu Si Tian, the male protagonist was Fu Yi Mu, the male protagonist was Fu Yi' an, the male protagonist was Fu Yi Kang, the male protagonist was Xiao Huang, the male protagonist was Old Feng, the male protagonist was Qi Xiuyuan. The female lead was Sixth Sister Molan, the female lead was Fifth Sister Fu Hualan, the female lead was Fifth Sister-in-law, the female lead was Liu Wanzhen, the female lead was Aunt Thirteen, the female lead was Bai Lian, the female lead was Cousin Feng Chenchen, the female lead was Sanniang, the female lead was Xiaoshui, the female lead was Qingyi, the female lead was Hongyi, the female lead was Sister Meiya, the female lead was Qin Shoumei, and the female lead was Qin Liumei. This book can be read on Qidian Chinese website. [Cultivator Family] Author: Ziran. It's a Xianxia novel. User recommendation: " Family of Cultivators " is an unforgettable novel. The author used a cultivator family in the Age of Chaos as the background to describe the development of the female protagonist, the Fu family. Despite facing the predicament of the Age of Chaos and the threat of the Nanman invasion, the Fu family continued to work hard to develop and grow. The female lead led the clansmen to overcome many difficulties and constantly struggle. It was moving. The novel left a deep impression on everyone. The heroine's perspective allowed people to better understand her thinking and decision-making, and at the same time, it also showed her perseverance. Although the heroine encountered many adventures in the beginning, these adventures were beneficial to her and her family, making people full of expectations for her fate. The author's emotional description was also very touching, allowing people to feel the struggle and persistence of the female lead. The writing style of this novel was also quite outstanding. The author had played up the atmosphere of the cultivation clan very well, making people feel as if they were in it. Although there were some strange events in the story, these events did not affect the development of the whole story. Instead, they added to the mystery and tension of the story. In short," Family of Cultivators " was a novel worth recommending. It was not only a cultivation novel, but also a story about family feelings and growth. Whether it was a reader who was interested in cultivation or a reader who was interested in family relationships, they would be able to find their own resonance in this book. I hope you will like this book.

I'm not sure about the specific chapter of Jun Fu's kidnapping in Huaxu Yin's novel because the novel is very long and I haven't read it completely. However, according to the information I know, the plot of Junfu's kidnapping appears in chapter 18 or 19. The beginning of the chapter described the appearance and purpose of a mysterious character. Then, it described the plot of Jun Fu's kidnapping and showed that she was imprisoned in a mysterious place.

Sima Xiangru's " Phoenix Seeking Phoenix " was a famous love poem that described the love story between Sima Xiangru and Zhuo Wenjun. The following is the full text of the poem: The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. Yu Fei looked at the phoenix on the south bank of the river. Yu Fei couldn't stop it. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. This poem used the image of a phoenix and a phoenix bird to describe the love story between Sima Xiangru and Zhuo Wenjun. The poem was full of romantic sentiments and the persistent pursuit of love. It was regarded as a classic of ancient love poetry.

Sima Xiangru's " Phoenix Seeking Phoenix " was a famous love poem that described the love story between Xiangru and Zhuo Wenjun. The full text of 'Phoenix Seeking Phoenix' was as follows: Phoenix, phoenix, what virtue has declined? The past cannot be remonstrated with, but the present can be recalled. I already know that Han's kindness is all my tears. I take my heart as my form, and my heart will be entrusted to me. How can you realize that Han's grace has won the eyes of the two kings. Among them,"phoenix, phoenix, phoenix" was the opening sentence of the poem, indicating that the phoenix was a noble creature. In the poem, Xiangru expressed his lament that his social status had declined and the rule of the Han Dynasty had declined through "the decline of virtue". Then, he said," The past can't be remonstrated with, but it can still be remembered " to express Xiangru's nostalgia for the good times in the past and to remind himself to cherish the good times in front of him. The last part of the poem,"Knowing that Han's kindness is exhausted, I shed tears", was the climax of the poem, expressing Xiangru's disappointment and sadness towards the Han Dynasty and his determination to do anything for love. This poem described the love story of Xiang Ru and Zhuo Wenjun, expressing the beauty and firmness of love, and also reflecting the author's criticism and thoughts on the Han Dynasty.