The Inner Essence of the Spectator in Lu Xun's Works

The spectator in Lu Xun's works was a satirical figure, usually those who were cold, ignorant and unsympathetic. They stood on the sidelines and would not have any reaction to any misfortune or injustice they saw. They would only watch from the side and some would even applaud. In Lu Xun's novels, spectators often had a negative attitude. They lacked human care and would only passively accept the manipulation of society. The typical examples included novels such as A Madman's Diary and The True Story of Ah Q.

The spectator in Lu Xun's works was a negative character, representing the indifference and numbness of society. Spectators often only looked at the surface and lacked a true understanding and concern for the truth and essence of the matter. They would only immerse themselves in their own comfort zone and lack interest and reaction to everything that happened around them, as if the whole world had nothing to do with them. In Lu Xun's novels, the spectator was often a repulsive character. They lacked compassion and humanity and would only blindly condemn and attack things that had nothing to do with them. They lacked understanding and thought, and could only stay on the surface of observation and judgment, unable to truly think deeply about the essence of the problem. The spectator in Lu Xun's works is a kind of negative image, which represents the indifference and numbness of society. We need to be vigilant and reflect on it. We should learn to pay attention to everything that happens around us, try to understand and tolerate different people and things, and don't easily become a spectator.

The spectator in Lu Xun's works was a kind of ironic image, usually referring to those people who only watched the excitement of others and lacked content and depth. In Lu Xun's novel Diary of a Madman, the spectators were described as a group of blind people who could only passively accept the actions and words of others and lacked the ability to think independently. They seemed indifferent and numb, but in fact, they were the real instigators behind those events. They often became the real murderers behind the lively events. In Lu Xun's novel The True Story of Ah Q, the spectators were described as a group of ignorant and cowardly people who lacked the ability to think independently and could only passively accept Ah Q's violence and exploitation. They seemed to support Ah Q, but in fact, they were the real murderers behind those incidents. Not only did they help Ah Q maintain the violence and oppression, but they also became Ah Q's accomplices and scapegoats. The spectators in Lu Xun's works were a kind of negative image. They lacked the ability to think independently and would only passively accept the actions and words of others. They seemed indifferent and numb, but in fact, they were the real instigators behind those events. They often became the real murderers behind the lively events.

The spectators in Lu Xun's works referred to the people at the bottom of society, who were oppressed by society. They seemed indifferent, numb, and heartless, but in fact, their hearts were filled with pain and injustice. In Lu Xun's novels such as A Madman's Diary and The True Story of Ah Q, the image of spectators was widely depicted. The spectators usually showed a superficial indifference. They did not participate in resistance and struggle, but only watched coldly from the side and expressed silent sympathy for the pain and suffering of the victims. In " A Madman's Diary ", the audience even found the madman's crazy behavior funny. They did not respond to the protagonist's protest and resistance, but only treated the protagonist with a mocking attitude. The spectators were also filled with pain and injustice in their hearts, but they chose to hide their feelings and hide their pain with indifference and numbness on the surface. In The True Story of Ah Q, the audience expressed sympathy for Ah Q's suffering, but they used Ah Q's mistakes to cover up their identity as the bottom of society and the unfair treatment they suffered, making them even more indifferent and numb. The spectators in Lu Xun's works were a group of people who were oppressed by society, felt pain and injustice. They chose to cover up their feelings with superficial indifference and numbness to protect their self-esteem and interests.

The word "spectator" in Lu Xun's works could be translated as "reader" or "reader". In Lu Xun's novel Diary of a Madman, the term "spectator" was used to describe those onlookers, cheering and clapping. They seemed excited but were actually full of indifference and hypocrisy. In The True Story of Ah Q, the spectators were described as those who did not care about Ah Q's tragic fate and only knew how to sneer at him.

The "spectators" in Lu Xun's works were a group of people who were oppressed, exploited and bullied by society. They seemed indifferent, numb and heartless, but in fact, they were abandoned by society and played by fate. In Lu Xun's novel " A Madman's Diary ", the spectators were described as a group of ignorant, ignorant, and cowardly people. They only knew how to laugh at others, only knew how to agree with others, only knew how to submit to adversity, and had no strength or ability to resist. In The True Story of Ah Q, the spectators were portrayed as a group of hypocritical, self-abased, and greedy people. In order to maintain their status and interests, they did not hesitate to use various means to cover up their ugliness and evil. In Medicine, the spectators were portrayed as a group of ignorant, cruel and callous people who not only had no compassion but also exploited the pain of others for their own personal gain. The "spectators" in Lu Xun's works were a tragic existence. They were oppressed by society and played by fate. They were a helpless, helpless and desperate group. Their existence reminds us that in a society where competition is fierce and interests are exchanged, we must learn to protect ourselves, to resist injustice, and to protect our dignity and rights.

Lu Xun's works can be arranged in order of time. His works, Diary of a Madman, The True Story of Ah Q, Medicine, Kong Yiji, New Stories, and Canopy Collection are Lu Xun's most famous works.

Lu Xun (September 25, 1881-October 19, 1936) was a master of modern Chinese literature and one of the founders of modern Chinese literature. His representative works included A Madman's Diary, The True Story of Ah Q, New Stories, Hesitation, Canopy Collection, Morning Flowers Picked Up in the Evening, and so on. The Madman's Diary was one of Lu Xun's most famous works and was considered a classic in the history of modern Chinese literature. From the perspective of a mentally ill person, the novel reveals the darkness of society and the distortion of human nature through a deep insight into the contradictions and human nature of Chinese society. "The True Story of Ah Q" was another representative work of Lu Xun. It described the story of Ah Q, a bottom-level character who was oppressed by society. Through the psychological analysis of Ah Q and the criticism of social reality, it deeply reflected the various ills of Chinese society and the ugliness of human nature at that time. "New Stories" was a science fiction novel by Lu Xun that demonstrated the progress of mankind and the development of civilization through a comprehensive exploration of ancient myths, legends, and reality. The novel was set in the future world, and through the discussion of science and technology, human nature, morality and other topics, it reflected the author's deep thinking about human civilization. Lu Xun's works deeply reflected the contradictions and problems of Chinese society and human psychology at that time, which had a profound impact on the development of modern Chinese literature and thought, and was also an indispensable chapter in the history of Chinese literature.

Lu Xun (September 25, 1881-October 19, 1936) was a master of modern Chinese literature and one of the founders of modern Chinese literature. His works covered novels, essays, poems, essays, and many other fields. He was known as one of the founders of modern Chinese literature. Lu Xun's works had a wide range of topics, profound content, and a strong sense of social criticism and depth of thought. His works reflected the various ills of Chinese society and the sufferings of the people at that time. He criticized the feudal system and bureaucratic-capitalist system of the old society and called on people to pay attention to social reality and strive to change society. Lu Xun's representative works include the novels Diary of a Madman, The True Story of Ah Q, New Stories, Canopy Collection, Morning Flowers Picked Up in the Evening, etc. These works have become classics of modern Chinese literature with their profound thoughts, sharp language and unique artistic style.

Lu Xun (September 25, 1881-October 19, 1936) was a famous writer, philosopher, revolutionary and translator in modern China. His works covered novels, essays, poems, essays, translation and many other literary fields with high literary value and historical value. Lu Xun's works had a profound ideology and a strong sense of social responsibility with the theme of criticizing and revealing social reality. His representative works included A Madman's Diary, The True Story of Ah Q, New Stories, Canopy Collection, Weeds, etc. A Madman's Diary was regarded as a classic of modern Chinese novels. It revealed the darkness and poverty of Chinese society at that time and criticized the feudal system and old culture. Lu Xun's works had a profound influence on the development of modern Chinese literature and thought, and he was regarded as one of the founders of modern Chinese literature. His thoughts and behavior also deeply influenced the development and progress of Chinese society. He was one of the important figures in the modern Chinese cultural history.