Lu Xun's representative works, a collection of novels

Lu Xun's representative works include the novel collection "Scream,""Hesitation,""New Stories," and the prose collection "Morning Flowers Picked Up in the Evening."

Lu Xun's masterpieces include A Madman's Diary, The True Story of Ah Q, Medicine, Kong Yiji, and Blessing.

Lu Xun's representative works include the novel collection "Madman's Diary","The True Story of Ah Q","New Stories","Wild Grass","Canopy Collection","Morning Flowers Picking Up at Evening".

Lu Xun's representative works include The Scream, Hesitation, A Madman's Diary, The True Story of Ah Q, New Stories, etc.

The representative works of Lu Xun's local novels include A Madman's Diary, The True Story of Ah Q, Medicine, Kong Yiji, Hometown, White Light, etc.

The contents of Lu Xun's collection of novels are as follows: A Madman's Diary, The True Story of Ah Q, Medicine, Kong Yiji, New Stories, Hesitation, Canopy Collection, Morning Flowers Picking Up in the Evening

Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding figure in the history of modern Chinese literature. His representative works include the following: The novel: - A Madman's Diary - The True Story of Ah Q - Medicine - Kong Yiji - White Light - New Stories Prose: - Scream - Hesitation - Wild Grass - Canopy Collection - Morning Flowers Picked Up in the Evening Poetry: - Wild Grass - Canopy Collection - Self-mockery - Grief for the Past These works deeply reflected the modern history of China and all aspects of people's lives, which had a profound impact on the development of Chinese literature and the construction of modern Chinese culture.

Lu Xun (September 25, 1881-October 19, 1936) was an outstanding figure in the history of modern Chinese literature. His representative works include: The novel: - A Madman's Diary - The True Story of Ah Q - Medicine - Kong Yiji - White Light - New Stories Prose: - Scream - Hesitation - Wild Grass - Canopy Collection - Morning Flowers Picked Up in the Evening These works were regarded as the classics of modern Chinese literature and had a great influence on the development of Chinese literature.

Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Zhangshou, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. His works deeply reflected the dark side of Chinese society and the pain of the people, and he was hailed as "the greatest China in a hundred years". "Kite" was Lu Xun's masterpiece. It told the story of a young man Runtu and a young girl Ah Q. Through the description of the pure feelings between the two children, it revealed the various ills of Chinese society and the distortion of human nature at that time. The novel was developed from Runtu's perspective. Through the description of his life experience, it reflected the poverty and backwardness of Chinese society at that time, as well as people's ignorance, superstition, greed and other weaknesses. The language of the novel is concise, the plot is compact, the characters are vivid, and it has a high literary value and depth of thought. It is regarded as a classic work of modern Chinese literature. Besides "Kite", Lu Xun's other masterpieces included "Madman's Diary","The True Story of Ah Q","Medicine","Kong Yiji","New Stories" and so on. These works deeply reflected the dark side of Chinese society and the pain of the people at that time, which had a profound impact on the development of modern Chinese literature and thought.

Lu Xun (September 25, 1881-October 19, 1936) was an important, ideologist and revolutionary in modern Chinese literature. His representative works include: The novel: - A Madman's Diary - The True Story of Ah Q - Medicine - Kong Yiji - White Light - New Stories Prose: - Canopy Collection - Morning Flowers Picked Up in the Evening - Wild Grass - Scream - Hesitation - New Stories Poetry: - Self-mockery - Mixed Poetry - Preface to Canopy Collection - Grief for the Past - Sacrifice to the Tomb These works not only had an important position in the history of Chinese literature, but also had an important influence on international literature.