Why was Guan Hanqing called China's shakespeare?

Guan Hanqing's main works were Dou E's Injustice, Saving the Wind and Dust, Wangjiang Pavilion, Lu Zhailang, and the Single Knife Club.

Guan Hanqing was a famous opera of the Yuan Dynasty. His four masterpieces included The Legend of the White Snake, The Peony Pavilion, The Romance of the Western Chamber and Dou E's Injustice. These four works were all classic works in the history of Chinese literature. They were widely read and adapted, and had a profound impact on the development of later dramas, novels, television dramas and other literary works. Among them, Legend of the White Snake was hailed as a classic in the history of Chinese opera and one of the treasures of Chinese culture.

Guan Hanqing was a Yuan Qü. His artistic achievements were rich and colorful. Guan Hanqing had a large number of Yuan Qu works, among which the representative works were "Bao Gong Chu Jiang Ru Xiang","San Yan" and "Si Yan". These works expressed historical events and characters in the form of comedy. The language was humorous, the structure was rigorous and ingenious, and it had extremely high artistic value. Guan Hanqing's Yuan Qu works had strong local characteristics. He created many characters from different regions, such as Zhang Sheng in Xie Yaohuan and Bai Suzhen in the Legend of the White Snake. These works expressed the characteristics of the local culture in Yuan Qü and contributed to the development of Yuan Qü art. Guan Hanqing's Yuan Qu works created many distinct characters. Among them, Chen She in Chen She Ju Yi and Dou Tianzhang in Dou E Yuan Qu became deeply rooted in the hearts of the people and became literary classics of later generations. As for which Yuan Qu could best reflect Guan Hanqing's character, it needed to be analyzed in detail. Because Guan Hanqing had a large number of works, everyone might have different understandings and views on Guan Hanqing's character. However, characters such as Jia Baoyu from 'Dream of the Red Chamber' and Lin Chong from 'Water Margins' were deeply reflected in Guan Hanqing's Yuan Qu works.

Guan Hanqing's Moon Worship Pavilion was a Southern opera script, adapted from his drama, The Moon Worship Pavilion. The story took place during the war at the end of the Jin Dynasty. Jiang Shilong and his sister, Ruilian, were separated during the war. Then, they met and married Ruilan, the Queen of the Jin Dynasty's Minister of War. However, Wang Ruilan's father did not agree to their marriage and took Wang Ruilan away. Later, Jiang Shilong and his sworn brother Tuoman Xingfu became the top scholars in the civil and military fields and were recruited by the Prince's mansion. Finally, the couple and brother and sister were reunited. The Moon Worship Pavilion was one of the four great southern opera plays and also one of the four great love dramas of the Yuan Dynasty. This play enjoyed a high status in the history of opera and was loved by the audience and readers. There were many versions of performances and modifications.

Guan Hanqing's Moon Worship Pavilion was an ancient China drama script with a total of 40 chapters. The play told the story of Wang Ruilan and her mother being separated during the war. The scholar Jiang Shilong and his sister Ruilian were also separated. After Shilong and Ruilan met, the two fled together and developed feelings for each other. They became husband and wife in private. This drama was adapted into " The Beloved Beauty Worships the Moon Pavilion " and there were many versions. With the war as the background, it focused on the love story of Wang Ruilan and Jiang Shilong. In the play, they experienced all kinds of difficulties and setbacks, but they finally reunited in front of the Moon Worship Pavilion. Moon Worship Pavilion was one of the four great love dramas of the Yuan Dynasty and was considered one of the masterpieces of China classical opera.

The Single-Blade Club was a play by Guan Hanqing, a dramatist of the Yuan Dynasty. It told the story of Guan Yu, who went to a banquet set up by Lu Su with his wisdom and bravery, and finally returned safely. In the story, in order to reclaim Jingzhou, Lu Su invited Guan Yu to a banquet and secretly set up an ambush. He also invited Guan Yu's old friend Sima Hui to accompany him to the banquet and persuade him to drink. Sima Hui refused and warned Lu Su not to act rashly. After Guan Yu received the letter of invitation, he knew that it was a trick, but he still brought Zhou Cang to the meeting alone. Guan Ping and Guan Xing led the army to meet him by the river. During the banquet, the two of them exchanged words, but Lu Su could not win. Guan Yu was both brave and intelligent, and he managed to intimidate Lu Su so that he didn't dare to use the soldiers in ambush. In the end, he returned safely. This story was not only a battle of life and death, but also a celebration of wisdom, courage, and persistence.

Yes, the Moon Worship Pavilion was one of Guan Hanqing's works.

Yes, the Moon Worship Pavilion was Guan Hanqing's work.

Guan Hanqing's spirit of the copper pea could be understood from many aspects. First of all, the copper pea had a tenacious and unyielding character. It would not be crushed, boiled, or flattened. It would never give up. This kind of tenacious struggle and dauntless heroism was the characteristic of the copper pea. Secondly, Guan Hanqing would not yield or retreat when faced with oppression and injustice. Instead, he would follow the example of the quality of the copper pea and firmly adhere to his beliefs and principles, showing no fear and resistance to evil forces. In addition, the copper pea was a wild plant that did not need to rely on anyone or anything. It took root in the soil and grew independently. Guan Hanqing also had this independent spirit. He was not disturbed by the outside world and maintained freedom and independence in his creation and life. Finally, the copper pea was a plant full of vitality. It could still grow healthily in a harsh environment, reflecting an optimistic attitude. Guan Hanqing had this kind of optimistic attitude. In his creation, he showed his indignation and attack against the dark reality, but he always maintained an optimistic spirit. In general, Guan Hanqing's copper pea spirit embodied the characteristics of tenacity, resistance, independence, and optimism.