A novel as good as the Eight Lines of Calligraphy

I don't know what 'external eight lines' means. Can you provide more background information or context? This way, I can better answer your questions.

The Eight Immortals was a Chinese novel with many classic lines. Here are some of the classic lines: 1 " Since ancient times, who hasn't died?" This was a famous phrase from the Eight Immortals, which expressed the determination to cherish life and leave a good reputation. "Right and wrong are only for the sake of speaking more. Sickness is often due to lack of strength." This sentence expressed that people should be good at restraining themselves from saying too much and making too many mistakes, pay attention to their health, and not be too tired. 3 "A journey of a thousand miles begins with a single step." This sentence emphasized that the success of anything needed to start from the small things and persevere. "The devil is ten feet higher than the Tao." This sentence meant that one had to be vigilant at all times on the path of cultivation and not be deceived by evil. 5 " Even immortals have their worries and devils have their love." This sentence expressed that even immortals and demons had their own emotions and worries.

The roles included the male lead, Li Shiang, the female lead, Si Han, the male supporting character, An Mingyu, and the female supporting character, Li Shian. The author of " Eight Lines of Calligraphy " was Liu Nianci. It was a romantic youth novel. User recommendation: If only I had said goodbye to you properly at that time. It's not a goodbye that we'll never see again, It was a goodbye for the future. Is it true? Our endings will be different.. I hope you will like this book.

Yan Zhenqing's calligraphy style could be summarized in eight words: square and powerful, vigorous and vigorous, vigorous and heavy, vigorous and powerful, thick, heavy, true and vigorous.

The lines of Meng Po in the Eight Demigods were as follows: After a person dies, no one can redeem the right and wrong, so do good deeds and accumulate virtue, regardless of past karma. 2. Karma is not good. Even a long-lived master can't escape the reincarnation of fate. The cycle of life and death is a kind of cycle. Everyone has to experience countless cycles of life and death until they are free. After the death of the four bodies, their souls would enter another world to find their next destination. The only way to get rid of the shackles of reincarnation was to cultivate the Dao of Moksha and obtain true freedom.

The best way to get something is to make it a part of you. In this world, the most helpless thing is being powerless, and the most painful thing is not being able to have it. Love is like picking up seashells. Don't pick up the biggest and most beautiful one. Pick up the one you like the most suitable one. After picking it up, don't go to the beach again. Love is not possession but appreciation. When you love someone, you should love his excellence, not his possession. Love is not about two people understanding each other, but one person understanding the other. The best love is to be each other's company. Understanding each other, supporting each other, not entangling, not tying, not possessing, and then accompanying each other through a long journey. Love needs two people to protect it, not one person working hard. Love is a kind of meeting someone at the wrong time. It is a kind of regret that you can only brush past.

An example of a character's appearance was as follows: He was tall and muscular, and his muscles were slender and not bloated, exuding a powerful strength and confidence. His skin was slightly tanned, revealing a mature aura left behind by the baptism of time. His deep and bright black pupils revealed a sense of determination and courage, as if he could see deeper things through the surface. His lips were well-defined, and the corners of his lips were slightly raised as if he was smiling at any time, giving people a kind and warm feeling.

There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.