Chen Yongliang was a national assistant arts and crafts artist and an outstanding young ceramist in Yixing City. He was born in 1981 and had been influenced by ceramic art since childhood. He had a strong interest in purple sand art. He started making pots in 1998 and received guidance from many masters. Chen Yongliang's works were simple and elegant, with fine workmanship and exquisite charm. They were both hard and soft, and the shape was simple and unsophisticated. They were rich in the vigorous charm of oriental culture. His works were favored by the majority of teapot enthusiasts and won many awards in competitions and exhibition activities. They had high collection value. Chen Yongliang's collection of purple clay teapots included bottom trough clear, Wan Yu, Jingzhou stone ladle, Dayun De Zhong and many other works, using different clay materials and capacity. He also had his own personal studio, which detailed his personal information, works, awards, and contact information.

Chen Hezhi was an artist of purple clay pots and porcelain in Jiangsu Province during the Tianqi and Chongzhen years of the Ming Dynasty (1621 - 1644). He was good at imitating Xu Youquan and Shen Junyong's teapot skills. His teapot style was ancient and clear, and his calligraphy had the style of Jin and Tang Dynasties. The purple clay teapot he made was a dark purple or liver-like color. When the lid of the teapot was gently shaken with one's fingers, it would emit the sound of gold and stone. After a long time of cleaning, it would naturally produce a dim light. It was different from the so-called "monk light". The overall aura was high and ancient, and the charm was pure. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Zou Jie was a famous Yixing purple clay teapot master. He was born in a purple clay family and was one of the representatives of the purple clay academic style. His works were unique, with a clear and elegant style, rich content and full of tension. Zou Jie's purple clay teapot was made of pure natural purple clay. It was handmade and of reliable quality. His works were recognized and loved by teapot lovers, so the price of his purple clay teapot was relatively high. Zou Jie's personal homepage provided his contact information and works, so his fans could learn more about him there.
Yong Shuying's purple clay teapot had a very high collection value. She was a master of the purple clay teapot, and her craftsmanship was superb. Every detail of the craftsmanship had been carefully carved. Her purple clay teapot was not only unique in shape, but also pure in color and delicate in texture. It had a high ornamental value. Yong Shuying's purple clay teapot represented one of the highest levels of China purple clay teapot art. It had a unique artistic style, strong cultural content, and artistic appeal. According to the information provided, the price of Yong Shuying's purple clay teapot was 508 yuan.
We are unable to provide any pictures of the antique teapot.
Ling Xigou was a famous master of purple clay pots. He was committed to artistic creation and summarized his creation process of purple clay pots in three words: think, taste, and do. He would carry a small notebook with him to record his inspiration and select useful information when he was creating. His representative works included Sun and Moon Flask, Dragon and Phoenix Flask, Twelve Zodiac Flask, and so on. Ling Xigou's creation combined culture and art, demonstrating his unique innovative design ability. His works were full of creativity and touching charm. His creative talent made him achieve great success in the field of purple sand art.
Ji Changyuan was one of the representative figures of China purple clay teapot making. His works were very popular at home and abroad, and had high practical and artistic value. The purple clay teapot in Jichang Garden was made using traditional craftsmanship. Every step showed a unique craftsmanship effect. These pots were better in terms of appearance and quality, so their value was higher. His works were novel and unique, delicate and beautiful, natural and generous. The pots in Jichang Garden were handmade, showing the unique characteristics of traditional craftsmanship. His works included the abundant rat pot, the myriad purple and red pot, the longevity peach pot, and so on. The number of his works exceeded 100. Ji Changyuan's purple clay teapot was a good choice because his works not only had artistic value, but also showed a unique taste in actual use.
The Yong Piao Zisha teapot was a classic type of Zisha teapot. It had been improved by the elites of the later generations and was divided into Ziye Stone Piao, Jingzhou Stone Piao, and Hantang Stone Piao. Ziye's stone ladle gave people a kind of ancient and gentle beauty. The pot button was small, the lid was slightly thick, the body was slightly straight, and the flow handle had a more dynamic feeling. Jingzhou's stone ladle weakened its solemnity and added a hint of smoothness, giving people a humble and reserved feeling. Han Tang stone ladle shape round, slightly simple and honest, from a straight flow into a curved flow. The Yongpao teapot was popular because of its shape, lines, and charm. It was called the "King of Piao". Li Hanyong was a purple clay artist. The purple clay teapot he made was highly praised and had a high level of teapot making skills. However, the search results did not provide any information about the specific price and story of the Yongpao teapot.
Wang Qiming was a state-level arts and crafts artist and an excellent ceramist. He was good at making purple clay teapots. He had a special liking for coarse sand and mud. Since 2006, he had been using coarse sand to make purple clay pots. This kind of purple clay teapot mixed with coarse sand had excellent breathability and contained pearls. Its appearance was smooth, dignified, steady, and had an ancient charm. Wang Qiming had a deep understanding of traditional ware shapes. His creative ideas tended to be "retro" and revived the "sand mixing" method passed down from ancient times. He preferred raw ore mud that did not undergo further processing. He took its simple quality and mixed it with coarse sand. Wang Qiming's purple clay teapot works were deeply loved by collectors.
Zhou Liping was a famous China pottery artist who was good at making purple clay pots. She had been involved in the art of purple sand since 1983. After more than 20 years of hard work, her works were simple, elegant and full of charm. Her representative works included the Imperial Concubine Pot, the Pisces Pot, and the Auspicious Heavenly Pot. Her works were highly praised by Master Lv Yaochen, Teacher Wu Qunxiang, and many collectors. Among them, Ruixiang Tiancheng Pot won the Gold Award for innovative art in the 6th China Arts and Crafts Masters Exposition. The price of Zhou Liping's purple clay teapot was roughly between 2,000 - 3,000 yuan. If it exceeded 3500 yuan, she would lose money. For the specific price and more information about Zhou Liping's pot works, you can consult the relevant channels or visit her studio.
Fan Qianwen was a Yixing purple clay teapot artist and the fifth generation of the Fan family teapot shop. She was born in a ceramic family in Yixing, Jiangsu Province. Her father was Fan Weiqun, a master of arts and crafts in Jiangsu Province and the founder of the Fan family's teapot shop. Fan Qianwen had been learning teapot making from her father since she was young and was good at traditional handmade techniques. Her purple clay works were more and more loved by teapot friends, and she became a new generation of purple clay female craftsmen. Fan Qianwen's works were famous for their exquisite craftsmanship and unique designs. She paid attention to the research of traditional craftsmanship and teapot making, and also tried to create new types of utensils. Fan Qianwen's teapot works often combined traditional and modern elements, showing her unique understanding and creativity of purple sand art. She used high-quality raw ore mud to make the pot body. The color was bluish gray, the mud was delicate, clear and warm, elegant and steady. Fan Qianwen's works were well received in the industry, and she was praised as an outstanding representative of the inheritance and innovation of the Fan family's purple sand skills.