Wu Daozi, Zhang Xu, Pei Min

The Three Wonders of the Tang Dynasty referred to Li Bai's poems, Zhang Xu's cursive script, and Pei Min's sword dance. These three cultural artists were given the titles of "Poet Fairy","Grass Saint" and "Sword Saint" in the Tang Dynasty. Li Bai's poems were widely spread and were regarded as the undisputed number one in the history of poetry. Zhang Xu's cursive calligraphy was wild and wild, and he was known as the " Grass Saint ". Pei Min's sword dance might not be as famous as his poetry and calligraphy, but it was still considered to be very good. Pei Min's swordsmanship was even praised by Li Bai. The two of them had a true master-disciple relationship. In short, the three wonders of the Tang Dynasty were Li Bai's poetry, Zhang Xu's cursive script, and Pei Min's sword dance.

Daoist Wu and Pei Min were two famous figures in the Tang Dynasty. Daoist Wu was a painter, known as the " Art Saint ". He was good at painting paintings of Buddhism and human figures. Pei Min was a swordsman and was known as the Sword Saint. He had outstanding talent in combat and swordsmanship. According to the records, Pei Min had once asked Daoist Wu for advice on painting techniques. Under Daoist Wu's influence, his swordsmanship had also improved. They consulted and learned from each other. Although they could not be called master and disciple, they had already become each other's confidants. Daoist Wu's painting had incorporated elements of swordsmanship, making it even more vivid. Pei Min admired Wu Daozi's painting style and skills, so he decided to take him as his teacher. All in all, Daoist Wu and Pei Min had a relationship of mutual learning and influence.

Pei Min's swordsmanship was regarded as the best in the world in the Tang Dynasty. He was given the title of " Sword Saint ", and together with Li Bai's poems and Zhang Xu's cursive script, they were known as the Three Wonders of the Tang Dynasty. Pei Min had displayed outstanding achievements on the battlefield and had made great contributions in battle. However, his fame did not spread as widely as other literati, probably because his swordsmanship was mainly displayed on the battlefield, rather than at literati's poetry and wine gatherings. In addition, although Pei Min's swordsmanship was superb, it was not unique and innovative. Instead, it inherited the tradition of ancient swordsmanship. Thus, even though Pei Min's swordsmanship was undoubtedly the best in the Tang Dynasty, his fame was not as widespread as other scholars. All in all, Pei Min's outstanding swordsmanship achievements at that time were obvious to all.

Pei Min was a figure from the Kaiyuan period of the Tang Dynasty. His ancestral home was Wenxi in the east of the river (today's Wenxi in Shanxi), and his birthplace was Donglu (today's Yanzhou District, Jining City, Shandong Province). He once guarded Beiping County (now Lulong in Hebei Province) and participated in the war against Xi people, Khitan and Tubo. According to the records, he was the Great General Zuo Jinwu and was given the title of Sword Saint. Pei Min was famous for his superb swordsmanship. It was said that he could throw a sword into the clouds for hundreds of feet and catch it with the sheath in his hand, allowing it to enter the sheath. Pei Min was also known for his archery skills. It was said that he had killed 31 tigers in one day. During the reign of Emperor Wenzong of the Tang Dynasty, Pei Min's poems, Li Bai's poems, and Zhang Xu's cursive script were known as the "Three Wonders of the Tang Dynasty."

Pei Min was known as the Sword Saint of the Tang Dynasty.

[Li Bai had indeed taken Pei Min as his teacher.] According to the Old Book of Tang, Li Bai had learned calligraphy from Pei Min. Li Bai also admired Pei Min's swordsmanship and asked him for advice. Although historical records were limited, this master-disciple relationship became an eternal story in the history of ancient Chinese literature, encouraging future generations to constantly pursue excellence and pass on culture.

The relationship between Pei Jing and Pei Min was not clearly recorded. Although some documents mentioned that Pei Jing's " Imperial Academy Scholar Li Gong's Tombstone " had records of Pei Min and Li Bai, they did not clearly state the relationship between Pei Jing and Pei Min. Hence, there was no concrete evidence regarding the relationship between Pei Jing and Pei Min.

The relationship between Pei Jing and Pei Min was not clearly recorded. Although some documents mentioned that Pei Jing's " Imperial Academy Scholar Li Gong's Tombstone " had records of Pei Min and Li Bai, they did not clearly state the relationship between Pei Jing and Pei Min. Hence, there was no concrete evidence regarding the relationship between Pei Jing and Pei Min.

Pei Min's master was Li Bai.

Pei Min's disciple was Li Bai.