Wang Xizhi's Calligraphy

We can conclude that Wang Xizhi's "Preface to the Orchid Pavilion" has been lost. The "Preface to the Orchid Pavilion" that we see now is a copy copied by later generations. The Tang Dynasty calligrapher Feng Chengsu's copy of the Preface to the Orchid Pavilion was praised as the version closest to the authentic work of the Orchid Pavilion. In addition, Chu Suiliang's original work, Preface to the Orchid Pavilion, was also preserved and is now hidden in the Lanqian Mountain Museum in Taiwan Province. There was currently no exact information about the auction price of the original Preface to the Orchid Pavilion.

Wang Xizhi (303 - 361) was a famous calligrapher during the Northern and Southern Dynasties of China. His calligraphy was very popular and many female calligraphers would learn his handwriting. The following are some copybooks suitable for girls to practice calligraphy: Preface to the Orchid Pavilion: This is one of Wang Xizhi's most famous works and a classic in the history of Chinese calligraphy. It depicted the scene of Wang Xizhi writing poems on the Lanting Path. The handwriting was smooth, elegant and dynamic. 2."Manuscript for the Sacrifice to Nephew": This is a memorial ceremony written by Wang Xizhi for his nephew. The handwriting is dignified, calm, rich in meaning and appeal. [3]"Ninety percent Palace Liquan Inscription": This is another famous calligraphy work of Wang Xizhi. The font structure is rigorous, the strokes are beautiful and gentle. 4. The Mysterious Secret Pagoda Stele: This is another calligraphy work by Wang Xizhi. The font is strong and powerful. It is a treasure in the history of Chinese calligraphy. 5."Fan Face": This is some of Wang Xizhi's skit works. The font is concise and beautiful, suitable for female calligraphers to practice their daily writing. In addition to the copybooks recommended above, Wang Xizhi's other calligraphy works were also worth learning, including the Preface to the Orchid Pavilion, the Manuscript for the Sacrifice to Nephew, and the Mysterious Secret Pagoda Stele. These works all had unique charms that could help women improve their calligraphy skills.

Wang Xizhi was revered as the "Sage of Calligraphy". His son, Wang Xianzhi, was known as "the outstanding talent" in history.

Wang Xizhi (303 - 361) was a calligrapher, painter, and writer of the Eastern Jin Dynasty. He was regarded as one of the great masters of Chinese calligraphy. One of Wang Xizhi's masterpieces was the Preface to the Orchid Pavilion Collection, which was regarded as a classic in the history of Chinese calligraphy. This article depicted Wang Xizhi and his friends enjoying the scenery and drinking among the mountains and rivers near the Orchid Pavilion during the Eastern Jin Dynasty. It expressed the author's open-mindedness and love for nature. The structure of this essay was exquisite, and the style of writing was elegant. It was one of Wang Xizhi's representative works and also a classic in the history of Chinese calligraphy.

Xie An and Wang Xizhi were good friends. Xie An often met with Wang Xizhi and others, so he knew the water situation of Cao 'e River very well. Wang Xizhi and Xie An participated in the poetry collection activity at the Orchid Pavilion in Shaoxing. Wang Xizhi wrote the Preface to the Orchid Pavilion for this. Xie An and Wang Xizhi were both descendants of famous families, and their families were also married. Xie An's niece, Xie Daoyun, married Wang Xizhi's second son, Wang Ningzhi. Wang Xizhi's son, Wang Xianzhi, married Xie An's niece. Their friendship and family ties made them close friends.

Wang Xizhi's representative works include Preface to the Orchid Pavilion, Two Xie Tie, Mourning Tie, Huang Ting Jing, Yue Yi Lun, Seventeen Tie, and First Moon Tie. Among them, the Preface to the Orchid Pavilion was known as the " world's first semi-cursive script ". It had strong artistic features, natural composition, and vivid charm. It was regarded as a model for learning semi-cursive by scholars in the past. The Second Letter of Thanks and the Mourning Invitation were also his important works. Wang Xizhi's calligraphy works were widely circulated. Although there were no original works, there were about 288 copies of them.

Wang Xizhi (303 - 361) was a calligrapher, painter, and writer in the Eastern Jin Dynasty. He was also an outstanding figure in the history of Chinese calligraphy. Wang Xizhi was born in an official family and received strict education and training since childhood. He liked calligraphy and practiced regular script since he was young. Later, he gradually turned to running script, cursive script, and official script. Wang Xizhi's calligraphy works had a unique style. The strokes were smooth and graceful, which left a deep impression on people. One of Wang Xizhi's most famous works was the Preface to the Orchid Pavilion, which was regarded as a classic in the history of Chinese calligraphy. The Preface to the Orchid Pavilion was a preface written by Wang Xizhi in the third year of Yonghe of the Eastern Jin Dynasty (343). It described the poet's admiration for nature and blessings to his friends, as well as the author's outlook on life and values. This essay, with extremely concise and beautiful words, expressed the essence of Wang Xizhi's calligraphy art and became a classic work in the history of Chinese calligraphy. Other than the Preface to the Orchid Pavilion, Wang Xizhi's other calligraphy works were also outstanding, such as the Nine-fold Palace Liquan Inscription and the Mysterious Secret Pagoda Stele. They were all treasures in the history of Chinese calligraphy.

Wang Xizhi's Preface to the Orchid Pavilion Collection was the most famous calligraphy work in ancient China and was regarded as a classic in the history of Chinese calligraphy. The full text was as follows: Lanting collection Wang xizhi If you leave, you stay. Since there is such a thing, we should take it as it is. The joy where tonight is It's a good night for me to go home. There are high mountains here The flowing water gurgled. There is a pavilion with wings in the left-right It is the best thing that we admire. For those who wait for others This is why I miss my parents. For those who wait for things This is what I want to do. Wandering in the sky The nurse was with the patient day and night Like a bird I'm very content. parting words Thank you for your kindness. the occasion of his departure walk on thin ice facing the wind, I look far away. Though we are small It's not enough to drink the winding water I can't compare with you. But with words of faith I hope you will be kind to me If you think well of him, you should encourage him. The pavilion is gone The princes did not stay. This place is a farewell Never forget. I'm so lucky Singing to express my feelings.

There were many versions of Wang Xizhi's Preface to the Orchid Pavilion, among which the Dragon God Version was the best. This version was a copy of the Tang Dynasty. Although it was not an authentic work, it was very well copied. Imitating the Preface to the Orchid Pavilion was very meaningful for learning semi-cursive. It could help him learn some skills and improve his hard pen performance. It's better to use a pen when writing this post. Feng Chengsu's copy was considered to be the closest copy to Wang Xizhi's authentic work, and was unanimously recognized by later generations as preserving the original style of Lanting. Chu Suiliang was also one of the calligraphers who had delved deeply into Wang Shu. His copy of the Preface to the Orchid Pavilion was considered to be far superior to the Dragon God's Book. As for the specific copybook copying, he could refer to Chu Suiliang's Preface to the Orchid Pavilion.

Wang Yuchang was a famous China calligrapher, and his calligraphy was highly praised. One of his representative works was Eighteen Calligraphy, which was his last work in his later years. It included eighteen posts on different topics. In addition, he also had other important calligraphy works, such as "Dongguo Cottage" and "Zhangcao Dictionary'. Wang Yuchang's calligraphy style was unique. He combined the Wei stele and Zhang Cao to form his own unique Zhang Cao style. His work was regarded as one of the representatives of modern Zhang Cao and was known as " Wang Xizhi of China Today ". Wang Yuchang's calligraphy works had an important position in the history of China calligraphy and had made great contributions to the development of contemporary calligraphy.