The description of the ancient imperial court could be found in some ancient poems. For example, Li Shangyin's poem "Jia Sheng" in the Tang Dynasty described the scenes of the court seeking talents and Jia Sheng's talent. In Lu You's Song Dynasty poem " The Storm on the 4th of November ", he mentioned the imperial court's garrison platform. In addition, there were other ancient poems that also involved the description of the imperial court, but the specific content and emotional color of the description needed further investigation.
In ancient times, the imperial court was the place where the emperor and officials discussed matters. We can understand some descriptions of the ancient imperial court. The court was the place where the officials waited for the emperor. Before the officials met the emperor in the court, they gathered in the east and west court. In the literary works of the Tang Dynasty, there were a lot of descriptions and descriptions of the situation of the officials in the capital. For example, the poet Zhang Ji's " Early Court Sent to White Scheeren Doctor Yan " described the scene of officials riding thin horses to the court before dawn. The hooves of the horses made a sound on the frozen road, and sometimes they accidentally bumped into the stone pillars by the roadside. These descriptions allow us to feel the hardships and difficulties of the officials in ancient times. However, the search results provided did not provide any more descriptions of the ancient imperial court. Therefore, we are unable to provide a more detailed description.
An example of the clothing of ancient palace women is as follows: There were many types of clothing for palace women, and the way they dressed was also different. Generally speaking, the clothing of palace women emphasized on beauty and nobility, often using precious materials and gorgeous colors. The following are some common descriptions of ancient palace women's clothing: 1. Gorgeous long skirt: The long skirt of ancient palace women was usually made of precious silk or linen embroidered with various exquisite patterns and flowers. The hem of the long dress was often accompanied by tassels, adding an elegance and magnificence. 2. Tights: The tights of palace women were usually made of silk or linen. The tight-fitting design could highlight the curves of the body and also add a sense of nobility and elegance. The tights were often embroidered with various exquisite patterns and flowers to show the delicateness and talent of the palace women. 3. Cloak: The cloaks of ancient palace women were usually made of precious silk or linen embroidered with various exquisite patterns and flowers. The design of the cloak usually included multiple pockets for storing items such as jewelry and handkerchief. 4. High heels: The high heels of palace women were a special kind of shoes, usually composed of soles, heels, and uppers. The soles were usually made of soft materials to provide better comfort and stability. The heel was usually higher to accentuate the line of the leg and also add a sense of nobility and elegance. The clothing of the ancient palace women was full of beauty and nobility, showing the delicateness and talent of the palace women. The design and production of these costumes required a lot of time and resources, but they also reflected the unique charm of the ancient palace culture.
An example of the clothing of an ancient court man is as follows: The clothes of the palace men were very particular about the coats, robes, shoes, and socks they wore. They were all made of precious silk and linen. The texture was soft, comfortable, and colorful. There were many kinds of clothes for palace men. Different dynasties and periods had different styles and patterns, such as golden, emerald, purple, etc. 3. The clothing system of palace men was very strict. Every dynasty had its own rules and standards. For example, the size and style of the hem, cuffs, neckline, etc. of the clothes needed to be strictly measured and approved. The clothing of the palace men not only paid attention to the appearance of beauty, but also paid attention to the internal matching and coordination. For example, the color and material of the clothes needed to match the surrounding people and environment to ensure the harmony of the overall visual effect. The clothing of palace men was also an important part of culture. The clothes they wore represented the cultural characteristics of different dynasties and periods, reflecting the political, economic, cultural and other factors at that time.
The description of a man's clothing: 1. The robe is long to the foot, the width of the upper garment is wide, and the sleeves are longer than the elbow. 2. The short clothes and unlined clothes are not woven with brocade, but made of Ge. 3. The clothes are made of blue silk thread woven into unlined clothes without special brocade. The belt is thin and tight, longer than the elbow, hanging on the body with every movement. 5. The robes are not longer than the knee, and the collars and cuffs are tied with red silk. The belt is four feet wide, not as long as the chest, but it hangs on the body with every movement. The clothes are not gorgeous, simple and unadorned, only made of hemp and hemp. The robes were woven with fine hemp thread, and the collars and cuffs were tied with red silk. The colors of the clothes are mainly red, yellow and white, not mixed with other colors. 10 neatly dressed, dare not show their appearance, every move must be covered with sleeves.
The following are the recommended novels describing the court's plot: " Eunuch's Professional Qualities,"" The Emperor of Qin,"" Coincides with the Rain,"" Peerless Junior Uncle,"" The Land Will Promise You,"" Peach Blossoms Shine on the Brush and Ink,"" When the Stupid Ruler Becomes a Charming Man [Transferring Books]," and " School Days in Ancient Times." These novels all involved the political struggles of the imperial court. The plots were fascinating and suitable for readers who liked such topics.
In ancient times, the imperial court was the place where the emperor and his courtiers held court meetings and discussed matters. According to the records of the Six Canon of Tang and other historical books, different dynasties had different rules and procedures for going to court. In the Han Dynasty, the court system was set by Shu Suntong. When the emperor entered the court, the courtiers would kneel down and pray for the emperor to live long as a sign of respect for the emperor. In the Tang and Song Dynasties, the rules of the court were even more detailed. Officials above the ninth rank had to go to court on the first and fifteenth of every month, while officials above the fifth rank had to go to court every day. In the Song Dynasty, the format of the morning court session changed again. The morning court session was divided into four forms: "Risan, Liusan, Shuoshan, and Wangshan." Different officials participated in different morning court sessions. In the description of the environment of the ancient imperial court, there were ancient trees that reached the sky, red walls and yellow tiles, and golden splendor. In ancient times, the terms used in the imperial court included imperial court, court assembly, court affairs, courtiers, and so on. As for the process and standing order of the ancient officials participating in the morning court, different dynasties had different rules. Generally speaking, the ancient imperial court was an important place for the emperor and courtiers to communicate and make decisions.
The descriptions of ancient battlefields could be full of imagination, but they were usually not described in too much detail. In novels, ancient battlefields were usually described as extremely tense scenes. The sounds of battle, smoke, blood, shouts, and so on were all used to enhance the atmosphere of the novel. At the same time, the terrain, climate, equipment, and other factors on the battlefield would also be appropriately described to highlight the cruelty and ruthlessness of war. In some novels, there may be some special descriptions such as depicting the battlefield as a mysterious world or depicting the battlefield as a maze-like space that the readers have to explore and discover on their own. It should be noted that the descriptions of ancient battlefields were not always true. Although the novel would try its best to describe the cruelty and ruthlessness of the battlefield, many wars were resolved peacefully. There was no need for large-scale killing and fighting. Therefore, one had to be rational and objective when reading the descriptions of ancient battlefields.
An example of Gu Feng's appearance was as follows: He was wearing a green robe and a long sword. There was a faint sadness between his brows, as if he was filled with deep despair towards this world. His facial features were deep and his eyebrows were slightly curved, as if he was smiling, but there was also an indescribable sadness. His hair was like a black waterfall, casually hanging on his shoulders, making a faint rustling sound when the wind blew. The green clothes on his body emitted a faint sandalwood fragrance, making people unconsciously want to get close to him and feel his warmth.
The description of an ancient romance environment usually referred to the specific scenes depicted in the novel. These scenes could be ancient palaces, martial arts circles, mountains, forests, lakes, seas, palaces, temples, and so on. The following are some common descriptions of ancient romance environments: The palace: The ancient palace was one of the scenes that often appeared in romance novels. The architecture, clothing, etiquette, music, dance, and other elements in the palace could be used to express the emotions and identity of the character. For example, the red walls and yellow tiles in the palace, the palace with deep courtyards, and the various banquets, ceremonies, and celebrations in the palace could be used to express the emotional entanglement between the characters. Jianghu: Jianghu is one of the most common scenes in ancient Chinese novels and also a common scene in ancient romance novels. All kinds of sects, sects, brotherhood, and powerful martial artists in the game could be used to express the feelings and grudges between characters. The various dangers and dangers in Jianghu could also make the characters more nervous and exciting, enhancing the readers of the novel. 3. Mountain forest: Mountain forest was another scene that often appeared in ancient Chinese novels. The natural scenery, flora and fauna, and topography of the forest could all be used to express the emotions and hearts of the characters. For example, streams, waterfalls, caves, mountains, and so on in the forest could be used to express the tacit understanding and emotions between the characters. 4. Temples: Temples were one of the scenes that often appeared in ancient Chinese novels. It was also a common scene in ancient romance novels. The various buildings, statues, rituals, and beliefs in the temple could be used to express the emotions and beliefs between the characters. For example, the incense table, candlesticks, and Buddhist halls in the temple could be used to express the emotional entanglement between the characters. There were many ways to describe the environment of ancient romance. One could express the feelings between the characters by describing specific scenes, ambiance, atmosphere, scenery, and so on. These elements could make the novel more vivid, vivid, and profound, enhancing the reader's reading experience and feelings.