Hong Xiuzhu's Calligraphy Works

Hong Xiuzhu did not have any public information about her husband.

Hong Xiuzhu's family photo showed her spending time with her family. In the photo, Hong Xiuzhu's parents were dignified and generous, full of cultural heritage. Her father was wearing glasses and looked like a cultured person with rich content, while her mother was wearing a cheongsam and had a fashionable hairstyle, showing the elegant demeanor of a young lady from a noble family. Hong Xiuzhu herself showed her unique temperament and demeanor in the photo. She wore a slightly classic short-sleeved shirt, exuding a unique temperament. This photo was not just a photo, but also a testimony to a period of time. It presented the family life and social style of Taiwan in the early 1960s, showing the richness and richness of Taiwan's culture at that time. Hong Xiuzhu's family background and upbringing undoubtedly had a profound impact on her personality and temperament.

Xu Hong was an artist, and his calligraphy works were exhibited in the solo exhibition "Paradise in the Deep Valley". The exhibition displayed Xu Hong's paper manuscripts, drawer series, and paintings on shelves, totaling 24 pieces. Xu Hong's writing style and characteristics could not be learned from the search results provided.

Xu Beihong was a famous China painter, and his calligraphy art was also studied and appreciated. Xu Beihong's calligraphy style was unique, influenced by the Northern Stele and the inscriptions on gold. He had started learning the inscriptions when he was young, and after becoming Kang Youwei's disciple, he continued to study the Northern Stele System. Xu Beihong's calligraphy works showed his personal style. His strokes were coherent, handsome, and naive. His calligraphy works integrated the characteristics of the inscriptions in form, while retaining the style of calligraphy of Wang Duo and others in the Ming Dynasty. Xu Beihong's calligraphy works expressed his enthusiasm for fighting. His calligraphy was regarded as the best in modern times and had a high aesthetic value. Xu Beihong's calligraphy art has inspired and guided contemporary calligraphy lovers and calligraphers.

The prices of Xu Beihong's paintings varied greatly in the market. According to different auction records and transactions, the price of Xu Beihong's works ranged from hundreds of thousands to hundreds of millions. For example, his Five Horses Painting was sold at Sotheby's in 1993 for 3.32 million Hong Kong dollars, setting the highest price for Xu Beihong's China painting at that time. In addition, his work "Running Horse Painting" was sold at a price of 820,000 yuan in 2002, and the total price plus commission reached 902,000 yuan, setting the highest price for a single horse in the Xu family market at that time. In addition, there were also reports that Xu Beihong's works had been auctioned for more than 50 million yuan. However, the specific price of a work would be affected by many factors, including the subject matter, age, size, and artistic value of the work. Therefore, the price of Xu Beihong's paintings and calligraphy works had a wide range of changes. The specific price would be determined according to the market situation and the auction results.

Xu Beihong was an artist who studied calligraphy. He started learning painting from his father when he was young, and he also learned inscriptions under his father's guidance. His calligraphy foundation was very solid, especially when it came to Wei steles and inscriptions on gold. He had copied many famous steles, such as Zheng Wengong Stele, Stone Gate Inscription, Zhang Menglong Stele, etc. Under Kang Youwei's guidance, he continued to study the inscriptions and expanded his vision to the inscriptions of the Southern Dynasty and the earlier inscriptions on bones and bronze. Xu Beihong's calligraphy style was unique. It had the vigor and imposing manner of the Northern Stele, but it also had its own unique characteristics. His calligraphy works were full of artistic accomplishment and aesthetic value. All in all, Xu Beihong was a very talented calligrapher.

Fan Jianhua was a Chinese calligrapher. His calligraphy works had participated in many exhibition, such as the National Couplet Calligraphy Exhibition, the National Fan Calligraphy Invitation Exhibition, and the East China Youth Calligraphy Exhibition. His works had also been published in national journals. Fan Jianhua's calligraphy works combined the gentleness and moisture of the southern school of painting with the vigor and heaviness of the northern school. He had won many calligraphy competitions. However, the content and style of Fan Jianhua's calligraphy were not mentioned in the search results.

Zhang Rongqing was a famous calligrapher. His calligraphy works had participated in many domestic and foreign calligraphy exhibition and won many awards. His calligraphy works were famous for their traditional and profound skills. He was especially good at the regular script and cursive script of the two kings. His works were simple, clear, casual, and natural, giving people an elegant and fresh artistic appeal. His calligraphy works were exhibited in the "Journey into Antiquity-Zhang Rongqing Calligraphy Exhibition" held by the National Art Museum of China. There were about 100 works on display, most of which were new works recently. The overall impression of the exhibition was exquisite, elegant, and fresh. Zhang Rongqing's calligraphy works were also included in many large-scale collections. His artistic life was in a mature and vigorous period, and he was still constantly seeking change and refinement.

Yan Zhenqing's calligraphy works include Yan Qinli Stele, Li Xuanjing Stele, Xianyu's Lidui Record, Guo Family Temple Stele, Duobao Pagoda Stele, Sacrifice Nephew Manuscript, Liu Zhong's Envoy Post, Self-writing Post, Fighting for Seat Post, Dongfang Shuo Painting Praise, Yan Family Temple Stele, Magu Immortal Altar Record, Resurrection Ode, etc. Among them, Yan Qinli Stele showed Yan Zhenqing's mature writing technique and structural design, Li Xuanjing Stele had the meaning of seal script, Xianyu's Lidui Record and Guo Family Temple Stele showed Yan Zhenqing's variation in calligraphy style, Duobao Stele was a regular script calligraphy work, regarded as the highest peak of Yan Zhenqing's regular script, and Sacrifice to Nephew Manuscript was his running script work, which was now collected in the Palace Museum in Taibei. Self-written Body Invitation was his official calligraphy work. These works reflected Yan Zhenqing's creativity and unique calligraphy style, which was widely studied and appreciated by later generations.

Wu Deheng was a Chinese calligrapher. His calligraphy works used ancient poems as the theme, such as "The Story of the Guisi Tower,""The Story of Tianxiang Garden,""The Story of the Dashi Palace,""The Story of the Half-hidden House," and so on. His works were rigorous and rich in imagination. They were included in books such as "The Calligraphy Classic of Famous Scholars in Modern China" and "A Thousand Famous Chinese Artists". Wu Deheng's artistic achievements received special reports from China's Xinhua News Agency, China Painting and Calligraphy News, Hong Kong newspapers, and the central, provincial, and municipal television stations. His works used bone rhyme, spirit rhyme, and charm to express the meaning of calligraphy works, making his works more aesthetic.