The internal structure of the temple

The internal structure of Xuankong Temple was made of wood. It mainly relied on wooden beams to bear weight, while the walls mainly played a maintenance role. The main hall of the temple was the core of the entire building. It was divided into two floors. The lower level was originally a meditation room for monks to eat and drink and a hall for chanting scriptures. The upper level was the Three Buddha Hall, Taiyi Hall, and Guandi Temple. There were side halls on both sides of the main hall. On the south side were the Temple Hall and the Child-giving Guanyin Hall, and on the north side were the Ksitigarbha Bodhisattva Hall and the Thousand-hand Guanyin Hall. The architecture of Xuankong Temple was exquisitely carved, and there were all kinds of bronze, iron, clay, and stone statues. Overall, the internal structure of Xuan Kong Temple was full of artistic value and innovative spirit.

In fantasy novels, the internal structure of a family usually included the following levels: 1. The highest decision-making level of the family. They have the highest prestige. They are usually the founders of the family or the previous generation of family leaders. They may also be the pillars of the family. They have the power to support the family in many big families in the country. 2. [Elder: A high-level backbone in the family. He is responsible for managing and guiding the family's affairs, as well as cultivating and guiding the family members.] 3. [Steward: A member of the family who handles affairs. A mid-level backbone. He is responsible for the specific matters within the family, such as resource allocation, disciple training, etc.] 4. [Sect disciples: The basic members of the family. According to their cultivation level and contributions, they can be divided into the entry, inner, and legacy levels.] They accepted the clan's cultivation resources and worked hard to improve their strength and win glory for the clan. This kind of structure was usually similar to the clan structure of ancient China, emphasizing hierarchy and blood relations. There were strict rules and systems within the family to ensure the stability and inheritance of the family. At the same time, the family would also adjust and improve according to the actual situation to adapt to different challenges and environments.

The internal structure of the National Library of China was very large. It was divided into two library areas, the north and the south. The south library area included the comprehensive service area, the literature information area, the special collection area, the reading area, and the reader consultation service area. The north library area included the literature protection area, the technical area, and the office. In addition to these two library areas, the National Library of China also has a number of directly affiliated departments such as the Literature Collate Office, the Digital Library Office, and the Reader Service Office. These departments are responsible for specific business work to provide better service to readers. The internal structure of the National Library of China was very large. Each department cooperated with each other to provide readers with comprehensive and high-quality library services.

Inside Xuan Kong Temple, there were Pure Yang Palace, Three Official Palace, Thunder Sound Palace and other buildings. Pure Yang Palace mainly worships one of the Eight Immortals of Taoism, Lu Dongbin. The Three Official Hall was the largest hall in Xuan Kong Temple, and it was dedicated to the Heaven Official, Earth Official, and Water Official. The Thunder Sound Hall was a Buddhist hall that worshipped Shakyamuni Buddha. In addition, there are copper, iron, stone, mud Buddha statues and other precious cultural relics in the temple.

Inside Xuan Kong Temple, there were Pure Yang Palace, Three Official Palace, Thunder Sound Palace and other buildings. The Pure Yang Palace worships one of the Eight Immortals of Taoism, Lu Dongbin. The Hall of Three Officials is the largest hall in the Xuankong Temple. It worships the Heavenly Official, the Earth Official, and the Water Official. There are clay sculptures of the Ming Dynasty in the hall, the largest of which is two meters high. The Thunder Sound Hall was a Buddhist hall located at the highest point in the south. It was dedicated to Shakyamuni Buddha.

The Parthenon Temple was a rectangular building made of white marble. The temple had three steps, including a gable roof supported by columns, a lintel structure formed by multiple columns, and a proscenium formed by architraves, ribbons, and cornice. The facade of the temple was made up of marble columns, each of which had been carefully carved and polished. Above the colonnade was a triangular wall, which was carved with rich embossed depicting myths and legends. The entire temple was built according to strict geometric principles. The height, spacing, and diameter of the pillars were designed according to the golden ratio, making the entire building appear perfectly balanced. The architectural style of the Parthenon Temple displayed the unique beauty of ancient Greek architecture. It used the combination of Doric and Ionian orders to create a symmetrical and harmonious visual effect.

The Xuankong Temple in Shanxi was made of wood.

The architectural structure of Mount Heng's Xuankong Temple was a wooden frame structure. According to the principles of mechanics, half of the beams were connected to the left and right. The temple consisted of 40 houses, all supported by a wooden frame structure, and only 27 wooden beams were inserted into the rock wall to secure it. The building's suspended beams were supported by a few wooden pillars as thick as bowls. Each floor was based on wooden beams inserted in the middle of the wall. The upper and lower beams were integrated, and there were boardwalks connecting the pavilions. The architectural layout of the entire temple was uneven, intricate but not messy. More than 40 halls were distributed in an orderly manner, intersecting but not losing its rigor. Each hall and pavilion was connected by stairs or boardwalk. The stairs were either bright or dark, winding and winding, intersecting with reality. In addition, the eaves of the Xuankong Temple had single eaves, double eaves, and three-layer eaves. The structural forms included the beam structure, the flat roof structure, and the bucket arch structure. The roof had the main ridge, the hanging ridge, the hip ridge, the poor ridge, and so on.

Before the China literary revolution, the internal structure of China literature presented a relatively closed state. There was relatively little communication and interaction between different social classes and cultural groups. It was difficult to gain wider social recognition and acceptance in the traditional way of literary production. At the same time China literature also experienced a long historical evolution and development. In the Pre-Qin period, literary works presented a rich type and style, such as poetry, prose, mythology and so on. After the Han Dynasty, China literature gradually turned to poetry and prose, which marked the formal formation of ancient China literature. The Tang Dynasty was the heyday of China literature. Poetry, novels, prose, and other literary forms all achieved very high achievements. Since then, China literature has experienced many historical changes and literary movements, such as the rise of Confucianism in the Song and Ming Dynasties, the Enlightenment Movement of modern literature, and the rise of modern literature. These movements and reforms had a profound impact on the internal structure and creative methods of China literature, and at the same time, they also promoted the continuous development and progress of China literature. Generally speaking, before the China literary revolution, the internal structure of China literature presented a relatively closed state. The communication and interaction between different social classes and cultural groups were relatively few, but at the same time, it also reflected the continuous development and progress of China literature in the historical evolution and social transformation.

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