Antique style letterhead, regular script girl

The 27 basic strokes of Liu Style Regular Script included horizontal, vertical, left, right, lift and point, vertical hook, horizontal fold, etc. For the specific writing method, you can refer to the "Fan" word and dynamic diagram tutorial in the provided document.

Yan Zhenqing's regular script style was full, vigorous, and majestic. His font structure was square and dense, his strokes were light horizontally and heavy vertically, and his strokes were vigorous, upright, open and vigorous. Yan Zhenqing's strokes were strong and powerful, and the turns were natural and smooth, showing an extremely high level of skill. His word structure was balanced and rigorous. The size of each word was coordinated, and the spacing between the words was just right, forming a unique visual rhythm. Yan Zhenqing's style of regular script was known as " Yan Style ", which was unique in the history of calligraphy and created a new model of regular script. His regular script works had a vigorous and broad artistic style. It not only had outstanding emotions and spirituality, but also showed the prosperous demeanor of the Tang Empire. Yan Zhenqing's style of regular script was widely studied and imitated by later generations. He was known as one of the four masters of regular script and the founder of round brush calligraphy.

Regular script copybook referred to the copybook of Tang Kai Yan Zhenqing's handwriting. Regular script copybooks could be used to learn and practice the calligraphy skills of regular script. Yan Zhenqing's works Sima Yan and Tian Yingzhang were one of the representative works among the regular script copybooks. The characteristic of regular script was that it was in line with the aesthetic habits of the public. The lines were smooth, the structure was well-proportioned, and the overall style was consistent. The purpose of the regular script copybook was to help the learner quickly master the basic skills of regular script and be able to apply them to practical writing. Some websites provided regular script copybooks for download and appreciation. At the same time, some calligraphy enthusiasts and experts recommended some introductory regular script copybooks and courses.

The characteristics of cursive script were: 1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes. 2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm. 3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters. The characteristics of semi-cursive: 1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes. 2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious. 3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country. The characteristics of regular script: 1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph. 2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements. 3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.

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The following are a few regular script works suitable for beginners to copy: 1. [Ninety percent Palace Almond Spring Inscription] was one of Ouyang Xun's representative works. Its font was simple and its structure was rigorous, suitable for beginners. 2. The Multi-Pagoda Stele was one of Yan Zhenqing's representative works. The font was neat and suitable for beginners to practice their basic skills. 3. The Mysterious Secret Tower Stele was one of Liu Gongquan's representative works. It was square and suitable for beginners to practice. These works displayed the artistic charm and cultural value of regular script, and were one of the representative works of Chinese calligraphy culture.

" The Princess Consort Is Very Playful " was an ancient romance novel. The female protagonist was the daughter of the Prime Minister who had traveled from the modern era to the ancient era. She relied on the wisdom and playfulness of modern people to rule over the dissatisfaction of all kinds of ancient people. This novel can satisfy your needs for the description of a playful girl in the ancient style.

A good regular script copybook could help the learner practice the correct writing posture and stroke skills to improve the writing level. The following are some useful regular script copybooks: [1. Ninety percent Palace Liquan Inscription]: This was one of Ouyang Xun's representative works, the most standard and elegant of the regular script. 2. Mysterious Secret Tower Stele: This is one of Yan Zhenqing's representative works. It has a strong personal style and is also an important classic in regular script. 3. Preface to the Orchid Pavilion: This is one of the representative works of Wang Xizhi, a great calligrapher of the Tang Dynasty. It is regarded as a classic work in the history of Chinese calligraphy. 4."Sacrifice to Nephew Manuscript": This is one of the representative works of Yan Zhenqing, a calligrapher of the Tang Dynasty. It has deep emotional content and a unique artistic style. 5. Cold Food Poetry Calligraphy: This is one of the representative works of Zhao Mengfu, a calligrapher of the Song Dynasty. It is a precious legacy in the history of Chinese calligraphy. These regular script copybooks were good choices for learning calligraphy. They could help the learner better grasp the strokes, structure, style, and other aspects of regular script.

The four masters of regular script were Ouyang Xun of the early Tang Dynasty, Yan Zhenqing of the prosperous Tang Dynasty, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.