Why are Chinese novels so repetitive?

One reason could be that Chinese culture has a rich storytelling tradition, and authors want to fully develop complex characters and plots. Also, the demand from readers for immersive and detailed narratives might lead to longer novels.

My answer might not be accurate. The quality of Chinese online novels varied, depending on the author's creative ability and the reader's taste. Although China's online novel market was huge, there were also copyright protection, subject matter restrictions, review standards, and other factors that could affect the quality and innovation of novels. However, there were still many excellent Chinese online novels that attracted a large number of readers through their unique plots, vivid characters, and profound thoughts. At the same time, more readers and authors were needed to participate in the creation and promotion of online novels to jointly promote the development and progress of online novels.

The reason why Chinese online novels were so popular and cool was mainly because they had the following characteristics: 1. Rich imagination and creativity: Chinese online novels often have very imaginative and creative stories and plots, full of courage and exploration spirit to explore the unknown world and challenge fate. 2. Diverse characters and worldviews: The characters and worldviews in Chinese online novels are very rich and colorful. Each story has a different background and character setting, so that readers can have a deeper understanding of the background and character of the story. 3. Vivid language and expression: The language expression of Chinese online novels is very vivid, full of humor and expression, so that readers can more intuitively feel the emotions and atmosphere of the story. 4. Be close to the needs and interests of readers: Chinese online novels often choose stories and topics according to the needs and interests of readers. They can meet the different needs and interests of readers, so they are more popular with readers. 5. Continuous innovation: The creation of Chinese online novels is very active. The authors are constantly creating new plots and character settings so that readers can always have new surprises and appeal. Chinese web novels were widely welcomed and cool because of their rich imagination, diverse characters and worldviews, vivid language and expressions, and close to the needs and interests of readers.

My answer might not be accurate. The quality of online novels in China varied. There were good works and bad works. Some works might have some shortcomings due to the influence of the subject matter, writing style, editing, and other factors. However, there were also many excellent online novels that were widely recognized by readers because of their unique perspective, rich imagination, and deep thinking. The online novel community was huge, and many of the authors weren't as professional as the traditional ones. In addition, the audience for online literature was relatively small, which made some works unable to gain wider recognition. The quality of Chinese web novels was a relative concept. Different people might have different opinions. In any case, we should respect and appreciate excellent works, and at the same time, we should maintain a critical spirit and objectively evaluate the works.

My answer was not accurate. Although there were some shortcomings in the industry novel writing market in China, many excellent industry novels had been widely recognized and appreciated, and even became classics. The creation of industry novels usually required in-depth industry knowledge and practical experience, so the author needed to have a high degree of professionalism and writing skills. This required the author to have solid professional knowledge and experience, as well as rich imagination and creativity. Chinese novel creation has a long history and rich cultural tradition. Although there are many shortcomings in Chinese literature, there are still many excellent novels. They may lack the professional skills of their western counterparts, but their literary talent and imagination are equally worthy of our admiration. To sum up, it was not common for Chinese industry novels to be badly written. Although the creation of industry novels required high professionalism and writing skills, it was an excellent Chinese novel.

There were so many white novels in Chinese novels mainly because of the following reasons: 1. Market demand: China's online novel market is huge. Many readers like to read simple and easy to understand novels with ups and downs in the plot. Therefore, many authors chose to write small novels to meet the market demand. 2. Target audience: Chinese readers have more common reading habits. They prefer novels with simple plots and unimpressive characters. Little white novels could satisfy the needs of these readers, making it easier for them to accept and read. Writing skills: Many novelists lack writing skills and experience. They may use simple and easy to understand language and plot to attract more readers. 4. Opportunity to make money: Writing small white articles is a relatively easy way to make money because the audience of small white articles is huge and the readers are paying propensity. Many authors chose to write small novels to earn more money. To sum up, the reason why there were so many Chinese novels was mainly because of market demand, audience groups, writing skills, and money-making opportunities.

One reason might be that creating unique animations for every scene is very time-consuming and expensive. Also, maybe they think repetitive animations still appeal to the target audience and don't affect the popularity too much.

There were a few reasons why Chinese comic novels were difficult to make into comics: Censoring system: China's censoring system is very strict on comics and animations. Many comics and animations are excluded from the scope of animation. Censors often imposed strict restrictions on the content, style, plot, and other aspects of the work to ensure that the work was in line with China's social and cultural values. 2. Industry level: China's animation industry is relatively young and lacks a mature industry chain and business model. Compared with Japan and other developed countries, China's animation industry still had a certain gap, lacking local animation brands and works with international competitiveness. 3. Target audience: The target audience of Chinese comics and novels is relatively narrow, mainly targeted at teenagers and adult readers. And the audience of animation was wider, so they needed works that were more in line with the public's tastes. Therefore, animation and comics needed to focus more on the story, interest, and audience needs, rather than just pursuing the original storyline and style of comics and novels. 4. Financial issues: China's animation industry needs a lot of capital investment, and the government's support for the animation industry is not enough, causing many animation companies to find it difficult to survive. This also led to the low quality of Chinese animation production and the lack of innovation and creativity. The reason why Chinese comics and novels are difficult to be animated is that the government, enterprises and individuals need to work together to gradually improve the animation industry system, improve the quality and level of animation works, and promote the development of the Chinese animation industry.

The four famous works of China are Dream of the Red Chamber, Journey to the West, Water Margins and Romance of the Three Kingdoms. They have an important position in the history of Chinese literature and have a profound influence on Chinese culture. Dream of the Red Chamber is a masterpiece in the history of Chinese literature, known as the "pinnacle of Chinese fiction". It narrates the love story of Jia Baoyu and Lin Daiyu with the background of the four families of Jia, Shi, Wang and Xue. It shows the problems of Chinese traditional culture, marriage ethics, human nature and so on. It has profound ideology and unique artistic charm. The influence of Dream of the Red Chamber not only lay in its literary value, but also in its enlightenment to Chinese culture, society and life. It became a treasure in the treasure house of Chinese culture. 2 Journey to the West was a mythical novel in ancient China. It told the story of Sun Wukong, Zhu Bajie, and Monk Sand who helped Tang Sanzang to go to the West to obtain scriptures. With myths as the background, it showed the myths and legends of ancient China, religious culture, good and evil of human nature and other issues with extremely high artistic value and cultural content. The influence of Journey to the West lies in its revelation of Chinese mythology, religion, culture, and human nature. It has become a precious treasure in the treasure house of Chinese culture. Water Margins was a heroic legendary novel in ancient China. It told the story of 108 heroes of Liangshan who rebelled against the ruling class. With the Water Margins as the background, it shows the class struggle of ancient Chinese society, the good and evil of human nature, moral concepts and other issues with extremely high literary value and ideology. The influence of Water Margins was on heroism, rebellious spirit, moral values and other aspects in the history of Chinese literature. It also became a bright pearl in the treasure house of Chinese culture. Romance of the Three Kingdoms is a historical romance novel in ancient Chinese novels. It tells the story of the war and diplomatic struggles between Shu Han, Wu and Wei during the Three Kingdoms period. With the Three Kingdoms period as the background, it shows important events, historical figures, political struggles, cultural thoughts and other issues in Chinese history. It has extremely high literary value and historical significance. The influence of Romance of the Three Kingdoms lies in its contribution to historical novels, military novels, political struggles, and other aspects in the history of Chinese literature. It has also become a classic in the treasure house of Chinese culture.

Chinese web novels were particularly tacky mainly because the Chinese web novel market was very large and attracted a large number of readers. Due to the different needs and preferences of the readers, the works created by the authors of online novels would also be very different. Secondly, the creation of online novels in China was usually done by amateur authors. They might not have received professional literary training or lacked professional writing skills and experience. Therefore, their works often showed some easy-to-understand characteristics and might have some spoken or slang expressions. Finally, the audience of Chinese online novels was relatively broad, covering readers of different ages, occupations, and cultural backgrounds. The different needs and preferences of these readers would also lead to great differences in the style and content of online novels. To sum up, the phenomenon of Chinese online novels being rustic and tacky was caused by many factors.