One common type is the romantic subplot. For example, the detective might fall in love with a witness or a suspect, which adds an emotional layer and also creates potential conflicts of interest. Another type is the backstory subplot. This could be about the main character's past traumas or experiences that are related to the current mystery. For instance, if the detective was once a victim of a similar crime, his past becomes a subplot that influences his actions in the current case.
A common subplot is the 'love triangle'. One character is caught between two potential love interests, creating jealousy and conflict. For instance, in many classic romance novels, the female lead might be courted by a charming rogue and a reliable gentleman at the same time. Another is the 'forbidden love' subplot. This could be due to differences in social class, like a poor girl falling in love with a wealthy heir, or because of family feuds. Then there's the 'reconciliation' subplot. After a big fight or a break - up, the two main characters have to find their way back to each other, which often involves self - discovery and growth.
One common type is physical evidence. This could be things like fingerprints, bloodstains, or a torn piece of clothing. Another type is witness testimony. What people saw or heard can be key clues. And then there are also alibis. If someone has a false alibi, that's a big clue. For example, in a mystery where a crime happened at a certain time, a suspect's claim to be elsewhere but with no real proof is a major clue.
One common subplot is the 'friends to lovers' scenario. In this, two characters start as friends and gradually realize they have deeper feelings. Another is the 'forbidden love' subplot, like when there are social or family barriers between the two lovers. And the 'second chance at love' is also popular, where past lovers get another opportunity to be together.
Subplots in a mystery novel can add depth and complexity. One way is by introducing secondary characters with their own mini - mysteries. For example, a detective might be investigating the main murder case while also looking into a side character's missing wallet. This subplot can create more intrigue and misdirection, keeping the reader guessing not just about the main plot but also about these smaller mysteries. It also helps in character development as we see how the main character interacts with different situations in the subplots.
Well, romance fiction usually centers around the development of a romantic connection between characters. Mystery, on the other hand, keeps you guessing as you try to figure out who did it or solve a complex enigma. Both are very popular genres.
One common subplot is the friendship subplot. In many romance novels, the main characters have friends who play important roles. For example, in 'Pride and Prejudice', Elizabeth Bennet has her sister Jane. Their relationship as sisters adds depth to the story. Another subplot can be the family subplot. Family expectations or conflicts often influence the relationship between the main couple. It could be a case where a family disapproves of the relationship, like in some historical romance novels where social status differences matter. Also, a career - related subplot can exist. Maybe one of the characters is trying to build a career and this either brings them closer to or further from their love interest.
One common subplot is the 'forbidden love'. For example, a love between a noble and a commoner which was frowned upon in the regency era. Another is the 'rival for love', where there may be two suitors competing for the same lady's hand. And then there's the 'lost inheritance' subplot, which can add drama and mystery as characters try to reclaim what they believe is rightfully theirs.
There are many common settings. The seaside setting is quite common, with beaches, cliffs, and the ocean. It can be a place for relaxation or danger in the story. Forest settings are also seen often. They can be enchanted forests full of magic or dark and dangerous places where characters might get lost. And don't forget about the domestic setting, like a family home where a lot of character interactions and dramas can take place.
A happy ending where the protagonist achieves their goals. For instance, in a love story, the couple gets together at the end. This gives the reader a sense of satisfaction.
Look for secondary storylines that run parallel to the main plot and contribute to the overall theme or character development.