The first lines can also be very descriptive and set the scene. Consider a modern novel like 'The Road' by Cormac McCarthy. 'When he woke in the woods in the dark and the cold of the night he'd reach out to touch the child sleeping beside him.' This line not only gives a sense of the setting - a cold, dark wood - but also the relationship between the two characters, which is central to the story.
In Dickens' works, the first lines serve as hooks. Take 'Oliver Twist'. 'Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning...' This makes the reader curious about the town and why it can't be named. It starts to build an air of mystery right from the start.
The first lines of famous novels are often very captivating. For example, 'It was the best of times, it was the worst of times' from 'A Tale of Two Cities'. This line immediately sets a complex and contrasting mood, making the reader wonder about the story's context and what could be so extreme. It draws the reader in by presenting a paradox that makes one eager to understand how such a situation could exist.
One famous first line is from 'Pride and Prejudice' by Jane Austen: 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' This line sets the tone for the whole novel, which is mainly about marriage and social class in the 19th - century England. It immediately draws the reader's attention to the central theme of the novel.
The first lines of great novels often serve as a hook to draw readers in. For example, 'It was the best of times, it was the worst of times' from 'A Tale of Two Cities' immediately sets a complex and engaging tone. It makes you wonder about the contrast and what kind of story will unfold.
The first lines of Hemingway novels are often very impactful. For example, in 'The Sun Also Rises', the opening sets a certain mood. It draws the reader into the post - World War I disillusioned world that Hemingway was so good at portraying. These first lines usually give a hint of the themes that will follow, like the lost generation's search for meaning and the complex relationships among the characters.
The '100 worst first lines of novels' might be bad for various reasons. Some could be too cliché, like starting with 'It was a dark and stormy night' which has been overused. Others might be too convoluted or unclear, making it difficult for readers to immediately engage with the story. Some first lines may also lack any sort of hook to draw the reader in.
In 'Pride and Prejudice', the first line 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' is well - known. This line not only reveals the social context of the time, where marriage was often a matter of financial and social status, but also gives a peek into the themes of the novel regarding relationships and social expectations.
Well, the first lines of Kafka novels can be seen as a gateway to his complex and often disturbing worlds. In 'The Trial', 'Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.' This opening creates a sense of mystery and injustice right from the start. It makes you question the nature of the arrest and the society in which such a thing can happen.
The first lines of Thomas Hardy novels often set the tone for the entire story. For example, in 'Tess of the d'Urbervilles', the opening line gives a sense of the rural setting and the impending doom that will befall Tess. It's a way to draw the reader in immediately.
Well, the first lines can be seen as hooks to draw readers in. Take 'Sense and Sensibility'. The opening gives an idea about the family situation which is crucial for the plot development. By starting with a description related to the family's property and inheritance, Austen plants the seeds for the later exploration of love, sense, and sensibility within the family context. It's a clever way to start a story and make the reader curious about what will happen next.