Poetry and Rhythm Verification Test

"Imperial Cipu" marked "Francolin Sky" as a double-tone fifty-five words, the first four sentences with three flat rhymes, the last five sentences with three flat rhymes, the meter is as follows: Zhongzhong Ping rhyme. The middle is flat and the middle is flat. The middle level and the middle level and the middle level sentences, the middle level and the middle level rhymes. In the middle of the sentence, flat rhyme. The middle is flat and the middle is flat. In the middle of the flat tone in the flat tone sentence, in the flat tone in the flat rhyme. It could also be expressed as O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. In the actual process of writing lyrics, we must pay attention to the requirements of the rhythm. The third and fourth sentences of the first half of the song and the first and second sentences of the second half of the song generally require antithesis. Moreover, the first six words could not be randomly selected according to the first sentence rhythm marked in the Imperial Ci-Pu, or even filled in extreme situations such as six words being completely flat or six words being completely flat.

The main purpose of the poem verification was to check the rhythm of the melody to see if it met the relevant requirements so that it could be corrected. For rhythmic poems (including quatrains, regular poems, and rhythms of five or seven characters), quatrains and regular poems had a fixed number of words, sentences, and flat tones. They could be tested through professional platforms such as "Poetry My Love" and "Search Rhyme". During the test, he would directly copy and paste the work into the input box of the test column. He could perform the basic verification by selecting "New Rhyme" or "Pingshui Rhyme" according to the work. However, he still had to judge the polyphone and obstinate sentence patterns by himself. Because there was no limit to the number of sentences in the arrangement of temperament, it could not be completely checked by software. However, the whole poem could be divided into several sections and tested as a regular poem or quatrain. However, this method could only detect the level and rhythm. Whether it was in tune or not still needed to be judged manually. The word is filled according to the word score. When checking the poems, one needed to pay attention to the level and tone. The level and tone were a set of tone specifications for modern rhythmic poems. Nowadays, most beginners would use computer or mobile phone programs to check the rhythm of poetry.

The rhythm of reading ancient poems could be divided according to syllables or meanings. The method of syllable division was to determine the rhythm according to the number of syllables in the poem. Usually, a four-character poem had two beats per sentence, a five-character poem had three beats per sentence, and a seven-character poem had four beats per sentence. The method of meaning division was to determine the rhythm according to the grammar structure of the sentence and the pause between the sentence components. For example, the pause of a classical Chinese sentence was often between the subject and the verb or between the verb-object. The rhythm of reading ancient poems could also be determined by the tone words at the beginning of the sentence or the words that played a soothing role in the sentence. In short, the rhythm of ancient poetry reading could be determined according to syllables and meaning.

A cluster of flowers Ci rhyme for the double tone, a total of seventy-eight words, up and down each seven sentences, each with four levels of rhyme (the whole word eight rhymes). The format of the first and second pieces is the same, and the meter is: flat, flat Ping Ze Ping Ze, Ze Ping Ze (beans), Ping Ze Ping Ze (rhyme). Ping Ze Ze Ping, Ping Ze Ze, Ping Ze Ping (rhyme). It is best to use the fifth and sixth sentences as antithesis or even antithesis, which should be grasped flexibly. The first word must be narrow, and the second word should not be limited, but three narrow words should be avoided as much as possible. It should be noted that Zhang Xian's and Su Shi's Ci styles were exactly the same when they were tested. When testing the rhyme of the Ci poems, the Ci poems of a bunch of flowers could be tested according to this rhyme.

There were four types of meter in seven-temperament poems: 1. The first sentence is flat and flat: flat and flat, flat and flat. It was flat, flat. It was flat, flat. It was flat, flat. 2. The first sentence was the overlapping of the second half of the first format: Ping Ping Ze Ze Ping Ze, Ze Ze Ping Ze. It was flat, flat. It was flat, flat. It was flat, flat. 3. The first sentence starts and ends in a flat manner: Ze Ze Ping Ze Ze Ping, Ping Ze Ze Ping. It was flat, flat. It was flat, flat. It was flat, flat. 4. The first sentence was the overlapping of the second half of the third format: Ze Ze Ping Ze Ping Ze Ze, Ping Ze Ze Ping Ze. It was flat, flat. It was flat, flat. It was flat, flat. At the same time, you should pay attention to the second word of the whole poem. In these four forms, the third and fourth sentences are opposite, and the fifth and sixth sentences are opposite. The word "double" in the rhythm here can be chosen to be flat or flat. In addition, the second format was the repetition of the last two couplets of the first format, the first couplets of the third format were reversed, and the last couplets and the neck couplets were swapped. The fourth format was the repetition of the last two couplets of the third format. In terms of rhyme, there were four kinds of rhyme: the first sentence of flat rhyme, and the first sentence of flat rhyme.

The following are some modern poems praising peonies: "Seven Laws·Peony": Peony in spring dressed up and walking, with the appearance of national beauty and heavenly fragrance, the most beautiful flowers. Its branches and leaves were like gold and jade, blooming like magnificent brocade, elegant and dignified. He was willing to rely on the crescent moon to accompany him without the royal family's favor. Laughing in the face of fame, the story of Chang 'an was left to history. "Seven Laws·Song of Peony": Peony's national beauty shocked the three springs, and the east wind blew in late spring before it opened angrily. She dared to accept the imperial edict with her heavenly fragrance, and she was beautiful and beautiful as she smiled at the clouds in the world. It was once a strange flower that was hit by frost, and it was also a migrating flower that was exposed to the sun. It was very good to bloom in remote and poor villages. Every year at this time, it would monopolize the fragrance of the crown. "Seven Laws (Peony Flower)": Peonies are colorful, and their fragrance can intoxicate the green orchids in Luoyang. The wooden gate could not stop the noisy tourists from coming to watch. The apricot flowers along the stone path were already ruined, only the peonies were blooming. Peony was still full of love even after being relegated, and she still had a dream of prosperity after being bullied. It is often said that national beauty comes from fairyland, but I think peace is joy. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!

Pingze was an important concept in poetry. For modern poems, the most basic patterns of the arrangement of the tones were: Ze Ze Ping Ze (Ze Ping Ping Ze after Ze Ze Ping), Ping Ze Ping Ze (Ping Ping Ze Ping Ze after Ze Ping), Ping Ze Ping Ze (Ping Ping Ze before Ze Ping Ze), Ze Ze Ping Ze (Ze Ping Ze before Ze Ping Ze). This was one of the basic forms of a five-character quatrain, and the other forms (including the five-character and seven-character quatrains, quatrains, and regular poems, etc., a total of 16 types) could be derived from this basic form. The "Ping" here was roughly equivalent to the "Yinping" and "Yangping" characters in Mandarin, while the "Ze" was roughly equivalent to the "Shangsheng" and "Qusheng" characters in Mandarin, but they were not exactly the same. Modern poems were divided into quatrains (four sentences per poem), regulated poems (eight sentences per poem), and lined poems (more than ten sentences per poem). Quatrains were the foundation. Understanding the rules of quatrains was more helpful for understanding the rules of other modern poems. Watching "Suddenly Looking Back" wasn't satisfying enough. Everyone, please click to read the novel!

The following are some new poems about Cold Dew: ** I. Cold Dew, Seven Laws by Pinghu (Guilin)** The dew is cold and cool, and the autumn makeup reflects the warm sun. Wild chrysanthemums bloom in yellow, and wild geese dance in the blue sky. Sweet melons and fruits sing happily, and the grain is abundant and smiling. The road ahead is wide, the mountains and rivers are colorful and the sun is long. ** 2. Another song by Ping Hu (Ji Lin),"Cold Dew"** The dew is cold, the fog is frosty, and the autumn is cool. Layers of forest are dyed with the color of the scenery, and the multicolored class is like a green light. The red leaves were blown away by the wind, and the green cattail rain showed the vicissitudes of life. The setting sun shines on the cold stream, and the wild geese in the north fly south with the fragrance of osmanthus. ** 3. Cold Dew of the Seven Laws by Kang Fang ** The cold pearl is cold and has not yet become frost, and the west wind is getting colder and colder. The chirping of cicadas has faded away, and the fragrance of withered grass and fallen osmanthus trees is still fragrant. Wild geese fly far away from the south of the Han River; Frog Peng Qingqu's love is long. Farming has always been heavy, and the countryside is busy with autumn planting. ** IV. Cold Dew of the Seven Laws by an author ** One night the west wind blew on the guest's clothes, and at dawn the cold dew wet the silk. The Jianghu is full of people, and no one comes. The sky is clear and empty, and there are wild geese flying late. Wanli Guanshan return to dream far away, a hundred years of life experience this heart shift. When can I fulfill my life's ambition, drunk with the east fence chrysanthemum pistil branches.

Tang poetry is an indispensable part of the history of Chinese literature and one of the treasures of ancient Chinese literature. Tang poetry is known as the treasure of Chinese culture for its superb artistic achievements, profound ideology, rich cultural content and unique aesthetic value. The following are some possible answers to the Tang poetry research questions: What are the characteristics of Tang poetry? Which is the most important poem in Tang poetry? Why? What famous poets were there in the Tang Dynasty? What are their representative works? What are the characteristics of Tang Dynasty poetry? What was the influence of these characteristics on later poems? What were the literary schools of the Tang Dynasty? What were the characteristics of these schools? What are the important theories of literary criticism in the Tang Dynasty? What effect did these theories have on the development and influence of Tang Dynasty literature? What was the relationship between the creation of poetry in the Tang Dynasty and the political and social background at that time? What were the effects of these relationships on the development and influence of Tang literature? What were the important factors in the translation and spread of Tang poetry? What were the effects of these factors on the development and influence of Tang Dynasty literature? What were the important contributions of the Tang Dynasty's poetry and art achievements? What were the effects of these contributions on the history of Chinese literature? What is the influence of Tang poetry on later literature? What were the characteristics of these influences?