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Name of Bronze Relic

Name of Bronze Relic

2026-09-13 20:25
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The following are the names of some bronze cultural relics: Sanxing Dui bronze sun-shaped ware, Si Mu Wu Ding (Shang Houmu Wu Ding), Zeng Bo Ke Fu, Four Sheep Square Zun, Bronze Great Statue, Mao Gong Ding, Yue King Gou Jian Sword, Qin Shihuang Mausoleum bronze chariot, Eastern Han bronze three-legged frame, bronze divine tree, etc. Read more exciting novels for free

The Sovereign’s Name: KRYZENITH VOID-HEART

The Sovereign’s Name: KRYZENITH VOID-HEART

Synopsis: The Bastion of the Twelve (The Final Descent) ​The Bastion of the Twelve is a metaphysical epic tracing the journey of Haoran and Yuxiao as they lead a sanctuary of outcasts through the Forbidden Deep. The Archive, a divine machine of absolute order, treats their existence as a "narrative error" that must be corrected through total erasure. ​The heart of the story lies in the sanctuary’s Metallurgical Metamorphosis, where the city’s physical shell transforms through periodic elements to counter divine protocols. From the Tellurium Logic-Engines to the Thorium Nuclear Hearts, each transformation is a desperate attempt to stay written on the page of existence. ​The Tragedy of the Twin-Logic ​The core conflict is not just between the sanctuary and the Archive, but within the "Lattice of Will" that binds Haoran and Yuxiao. To protect the refugees, they must merge their souls into the city’s core, becoming the very syntax that holds the world together. However, the Archive’s final protocol—the Absolute Paradox—is designed to turn the two pillars of the sanctuary against one another. ​The Climax: The 5,000th Gate ​As the sanctuary reaches the final threshold of the 5,000th chapter, the Archive forces a "Resolution." The divine logic dictates that for the refugees to transition into a new, safe universe, the "Authors" of the rebellion—Haoran and Yuxiao—must be purged to balance the cosmic scales. ​The story concludes in a devastating Zero-Sum Strike: ​The Final Betrayal: Under the weight of the Archive’s corruption, the two protagonists are forced into a terminal duel. Their powers, which once resonated in perfect harmony, become polar opposites—one of absolute density and the other of absolute void. ​The Mutual Sacrifice: Realizing that the only way to break the Archive’s cycle is to leave the narrative entirely, they choose to kill each other simultaneously. By dying at each other’s hands, they create a "Logical Void" that the Creator God cannot fill. ​The Legacy: Their blood fuels the final transformation of the sanctuary into a Trans-Finite Realm, a world without a master. The refugees survive, but the book closes on the image of Haoran and Yuxiao’s armor drifting in the deep, locked in a final, lethal embrace. ​The book ends not with a victory, but with a Final Punctuation—the protagonists become the martyrs of their own story, ensuring that while they perish, their words remain unerasable.
Fantasy
4513 Chs

Bronze Sheep Relic

There were many kinds of bronze sheep relics. The following information was related to some of the bronze sheep relics: - Bronze statue with goat head and animal face pattern: It was a cultural relic from the Western Zhou Dynasty and was collected in the China Finance and Revenue Museum. It has a big mouth, a bulging belly, low round feet and two sheep heads. The mouth is tilted, the neck is high, the shoulders are folded, the abdomen is converged, the high circle foot is tilted outward, and there are three holes. The whole body was decorated with thunder patterns. The lower edge of the mouth is decorated with cicada patterns, the neck is decorated with Kuilong patterns, and the shoulder height embossed with three rolls of horned sheep head, with Kuilong patterns in between. Four ridges were placed from the shoulder to the foot, decorating the huge decomposed animal face pattern of the eyes. - Bronze goat cup: A cultural relic from the late Shang Dynasty. It was plundered by the Japanese invaders during the Republic of China. It was auctioned off in New York in 2017 for 187.7 million yuan. - A bronze sheep cultural relic that was once stolen by Japan (the exact name was not clear, but it might be a bronze taotie square jar) was lost during the war and appeared in an auction in New York. Later, it was bought back by the Chinese at a high price. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-25 16:10

Bronze Vase Relic

There were many types of bronze vase relics. - Enamel copper hanging vase: It was a pair. It was donated by Luo Ziyou, a resident near Yuanmingyuan, during the collection of scattered cultural relics in Yuanmingyuan. It was picked up from the ruins of Yuanmingyuan decades ago. - Bronze eyeliner bottle: This is a bronze cosmetic container from around 2000 B.C., popular in afghanistanand central Asia. The bottle mostly imitated the image of animals such as cows, sheep, monkeys, etc. The bottle contained mineral powder, which was dissolved in water or oil to become eyeliner. This eyeliner originated from Egypt. In addition to its beauty function, it also protects against mosquitoes, bacteria, and ultraviolet rays. The eyeliner bottle was a long-necked ball, about ten centimeters high. The bottle was decorated with three three-dimensional goats and a makeup stick. The top was three goat heads that echoed the bottle, but the three pairs of goat horns were exaggeratedly winding up to a point. They were unearthed in either afghanistania or Bactria. - [Beast head, ring ear copper bottle: Ming Dynasty, height 90.0 cm, caliber 19.0 cm, bottom diameter 29.0 cm.] Straight mouth, square lips curled outside, long neck, symmetrical unicorn tongue shaped half ring ears, with small ears below, ear cover Ruyi shaped ring, gallbladder shaped abdomen, high ring foot outward tilt. The lower part of the mouth is decorated with three concave chord patterns, the neck is decorated with four equal parts of the ridge with thunder patterns, and the ring foot is decorated with diamond-shaped patterns. It is a precious cultural relic of the Ming Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-08 21:38

Cultural relic bronze lion

Bronze lions could be used as cultural relics in many ways. There was a bronze lion in the Ming Dynasty. It was 100 centimeters high, with a square base 26 centimeters high and 78 centimeters wide. It was made by the government. The whole was realistic. It had a square mouth, a slender body, and a strong backbone. The base was cast with the words "Made by Hongwu Xin Wei Jin Fu". The lioness protected the cubs, and the male lion stepped on the embroidered ball. It was now collected in the Shanxi Folk Museum. There was a gilded bronze lion in the fifth generation. It was made by investment casting technology. It was ferocious and lifelike. It was 50 centimeters high and 83 centimeters long. It squatted with its head raised, its front legs upright, and its hind legs bent. In July 2010, it participated in the "Source of Chinese Civilization-Henan Cultural Relics and Treasures Exhibition" held in the Tokyo National Museum. In the Qing Dynasty, there was a bronze lion that was originally located at the entrance of the Qichun Garden in Yuanmingyuan. It was used to guard houses and ward off evil spirits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-26 14:11

Bronze jar cultural relic

The bronze jar cultural relics had different representatives in different periods. For example, the horse button and horse ear double-connected copper pot unearthed from the tomb of Nanshangen in Ningcheng County, Chifeng City during the Spring and Autumn Period; the copper pot dug by a farmer surnamed Liu in Fufeng County, Shaanxi Province, which had been used as a chamber pot for many years but was actually a top national cultural relic; the bronze tripod and copper pot dug by Sun Benli in Fugou, Henan Province during the Warring States Period; and the copper pot named "Phoenix Pattern Fang Lei" in the late Shang Dynasty that was bought by experts from the museum of Wuhan City for 3 yuan. These bronze jars had unique historical and cultural values, which were of great significance to the study of the culture of the corresponding period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-25 07:50

Cultural relic bronze rat

There was a famous bronze rat head in Yuanmingyuan. It was originally a bronze statue of Dashuifa in front of the Haiyan Hall of the Western Building of Yuanmingyuan. In 1860, it was looted and lost overseas after the Yuanmingyuan was burned down. At 3:04 on February 26, 2009, Beijing time, the rat head was auctioned at Christie's in France for 14 million euros. In 2019, the French Pino family announced in Beijing that they would "donate" the bronze rat heads and rabbit heads lost overseas to China for free. In addition, there were bronze artifacts from the Spring and Autumn Period in the "Zeng Bo Ke Fu" bronze group, which were now stored in the Hubei Province Museum. Among the antique bronzes, there were also products related to mouse antiques, such as brass zodiac mouse ornaments, solid copper corn mouse ornaments, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-08 13:58

Bronze wine cup cultural relic

As a traditional drinking vessel, the copper wine cup had a certain representation in the field of cultural relics. From a historical point of view, copper wine cups of different periods had unique craftsmanship and cultural implications. For example, there was a wine cup made of bronze, like a bronze pot made to please Xi Shi. Although it was called a pot, it was also a wine vessel similar to a wine cup. It was about 28 centimeters high and had a diameter of nearly 12 centimeters. It was carved with exquisite dragons, reflecting the craftsmanship and aesthetics of the time. There were also some antique pocket-sized copper wine cups, such as the copper wine cups from the Republic of China. They were 4.3 centimeters tall and 3 centimeters in diameter. They were pocket-sized and small, round and square. In ancient society, the use of copper wine cups was also related to status. Being able to use copper wine cups was often a symbol of status. With the passage of time, the copper wine cup continued to evolve in terms of material, shape, and use, and became an important cultural relic for studying ancient social life, etiquette culture, and the development level of the handicraft industry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-05 01:27

Cultural relic bronze ox tripod

The bronze ox tripod was an early bronze ware of the Western Zhou Dynasty with unique characteristics. It was 31cm tall (the replica was 26cm tall) and was now in the University of Pennsylvania Museum. The tripod had a round belly, upright ears, and column feet. The body was decorated with three sets of animal faces, the bottom was filled with fine thunder patterns, the feet were decorated with embossed animal faces, and the lid button and double ears were decorated with three pairs of cow heads. It was novel and rare, and the lid was engraved with the word "Niu". In addition, there was a cow tripod in Fengrun that was regarded as the treasure of the town and county. It was unearthed in the old Confucian Temple in the county town during the Jin Tianqing period and was collected in the Confucian Temple. The cauldron was made of bronze. There was a rectangular folding ear on each side of the upper part. There were clouds and thunder patterns on the outside of the cauldron's belly. Three legs of the cauldron were cast on the bottom of the belly. Between each leg was cast a cow's head facing outwards. The cauldron weighed 55 catties. There are 41 inscriptions on the inner wall of the tripod: "Wei Jiawu August Bingyin Emperor, if you study the ancient artifacts of the Song Dynasty, you will be able to make the ox tripod and put it in the Taishi room to enjoy the peace of the gods. Only the emperor's time room will last forever." According to the inscriptions in its stomach, it should be made and placed in the Imperial Palace in the year of Xiao Jianyuan (AD 454) of the Northern and Southern Dynasties. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-02 16:58

The bronze mirror of the cultural relic store

The antique store had bronze mirrors for clearance. For example, there was a Han mirror with a price of 330.13 yuan. It was an eighth-grade mirror and was stored on the second floor of the glass counter. It was located in Chuzhou, Anhui Province, and could be sent to Chaoyang District Beijing City. The certified seller provided guaranteed transactions, fast delivery, and after-sales protection. The maker and age were unknown. The size was 8.8×8.8cm. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-08 11:40

Qi State Cultural Relic Bronze Axe

The information retrieved so far only mentioned the bronze tomahawk of the late Shang Dynasty unearthed in Subutun, Yidu, Shandong Province. It was now hidden in the National Museum of China and unearthed in 1965. This copper axe was cast in the late Shang Dynasty. It was huge in size, and both sides were engraved with the shape of a human face with an open mouth and angry eyes. The eyebrows, eyes, ears, nose, and mouth were all protruding, and the blade was straight. There were two holes on both sides, and there were doors on both sides. There was no more information about the other bronze tomahawk cultural relics of Qi State. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-26 02:44
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