Yuan Shanshan's cultural relics

There were many cultural relics in the Yuan Dynasty, and the following were some typical examples: - ** Porcelain **: - ** Yuan Dynasty Jun kiln "Jiyou" azure glazed tripod incense burner (Jun kiln "Xiao Song self-made" incense burner)**: Discovered in 1970 at the Fengzhou City Ruins of Baita Village, Hohhot City, Inner Mongolia. It was 42.7 cm tall and 25.5 cm in diameter. It had a straight mouth with two straight ears on both sides. There were three qilins on its neck. Inscriptions were engraved on the front of the qilin. The shape was exquisite and simple. The color of the glaze was sky blue. The glaze was thick. The color of the glaze was uneven, like a landscape painting. The basic glaze color was blue opal glaze. It was a typical representative of the Jun kiln porcelain of the Yuan Dynasty. It was a national first-class cultural relic and a treasure of the Inner Mongolia Museum. - ** Double Dragon Ears Blue Glazed Vase **: Unearthed from the Yuan Dynasty porcelain cellar in Xingang Town, Fanchang County, Anhui Province in 1999. The shape of the instrument is like a hanging gallbladder, with a straight mouth slightly open, a slender neck, a drooping abdomen in the shape of a water drop gallbladder, a circle of feet and an outward tilt, and two dragons pasted on the neck as ears. - ** Yuan egg white porcelain cup **: Unearthed in 1999 from the Yuan Dynasty porcelain cellar in Xingang Town. Open, the mouth is shaped like a leaf, one end is hard, the other end is round, the three feet are triangular and open outwards, the bottom of the cup and the crotch of the foot are not glazed, it is the porcelain of the pivot house, its glaze color is white and slightly green, showing a loss of transparent shape. - ** Yuan blue and white porcelain peacock pattern lid jar **: straight mouth, short neck, smooth shoulders, bulging belly, flat bottom, left and right symmetrical animal face ring ears at the intersection of shoulders and belly. The entire body was painted with blue and white flowers. The patterns were rich and distinct. The body was hard and dense. The blue and white flowers had pure hair color. When they were unearthed, they were a pair. The theme patterns on the abdomen were cloud dragon patterns and phoenix through peony. - ** Yuan celadon octagonal ear-piercing vase **: Unearthed in 1999 from the Yuan Dynasty porcelain cellar in Xingang Town, Fanchang County, Anhui Province. The shape of the bottle was plump and solemn. Both sides were attached to the ears. The mouth and bottom were octagonal. The whole body was glazed. The glaze was pink and green, covered with ice cracks. The thin glaze along the mouth was purple, and the exposed foot was black. - ** Sculpture **: - Qingxu Temple, the Two Generals of Green Dragon and White Tiger of the Yuan Dynasty, was located at the mountain gate of Qingxu Temple in Pingyao, Shanxi Province. It was built in the Tang Dynasty. The existing building was built in the second year of Xianzong of Yuan Dynasty (1252). The two generals of Green Dragon and White Tiger guarded the mountain gate. They were tall, armed, and looked dignified. - [Stone Sculpture: Stone sculptures with patterns of two phoenixes and qilin. Beautiful and elegant in layout, skilled and natural in technique. It might be the stone of Dan in the imperial palace or imperial garden of the Yuan Dynasty.] - ** Time-measuring instruments **: The copper kettle drip is the earliest and most complete set of instruments in China that uses the constant flow of water to calculate time. - ** Other aspects **: - ** Arabic Numeric Iron Square Plate **: The Arabic numbers on the plate form a six-order magic square with a special number addition law. The middle part is a fourth-order magic cube. It was used to ward off evil spirits. - ** Rotten Banknote Seal **: Copper, printed with the words "Rotten Banknote Seal". The back is engraved with relevant information. It is used to mark the banknotes that are not circulated. The banknotes that are printed by the bell are invalid and sent to the provincial department for destruction. - ** To Yuan Tongbao banknote two-string copper banknote version, to Yuan Tongbao banknote two-hundred wen copper banknote version, Zhongtong Yuanbao banknote one-string provincial banknote ** and other Yuan banknote versions. In addition, there were also cultural relics of the Yuan Dynasty that had been lost overseas, such as the murals of the Yuan Dynasty Buddha from Guangsheng Temple in Hongdong County, Shanxi Province, as well as some related cultural relics of the Yuan Dynasty that were exhibited in overseas museum. In 2010, a construction site in Shandong excavated a Yuan Dynasty blue-and-white dragon-patterned plum vase and a Song Dynasty Jun kiln blue-and-white cup. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

If the purpose of selling cultural relics prohibited by the state was for profit and the circumstances were serious, such acts of selling cultural relics could constitute the crime of reselling cultural relics. According to article 326 of the Criminal Law of the People's Republic of China, the crime of reselling cultural relics refers to the act of reselling cultural relics prohibited by the state for profit. The circumstances are serious. The so-called reselling here included illegal acquisition, trafficking, selling, and reselling. If the value of the cultural relics sold was 300,000 yuan, when determining whether it constituted a crime, it was necessary to consider whether the cultural relics belonged to the category of cultural relics prohibited by the state, and whether the entire reselling behavior had reached a serious level. If the crime is constituted, the offender shall generally be sentenced to fixed-term imprisonment of not more than five years or criminal detention and fined; if the circumstances are especially serious, the offender shall be sentenced to fixed-term imprisonment of not less than five years but not more than ten years and fined. If a unit commits this crime, the unit shall be fined, and the person in charge and other directly responsible personnel shall be punished in accordance with the above-mentioned provisions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In the reference materials, there was a case where Li Lei, a young man from Shaanxi Province, took the initiative to hand over cultural relics and the Cultural Relics Bureau gave him a reward of 500 yuan. The amount of reward for different cultural relics was different. The amount of reward might depend on many factors, such as the value of the cultural relics, the relevant regulations of the cultural relics department, and the specific local conditions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

I'm not sure about the specific content of your question about the term "cultural relics museum". If you want to ask about the cultural relics museum, then the cultural relics museum is an important place for education and cultural inheritance. Nowadays, as young people joined the ranks of the museum, there were more innovative exhibition forms. For example, some interesting cultural relics exhibition plans, such as placing bronze swords in the shape of fighter jets, arrowheads in the shape of "Qin", silver coins in the shape of "Yuan", etc., made the cultural relics more concrete. In addition, there were books like the National Treasures of China, which included many top-notch cultural relics, allowing people to understand the full picture of national treasures without leaving their homes. At the same time, there were also many wonderful cultural relics exhibition, such as Beijing Sanxing Dui cultural relics exhibition, Shaanxi History Museum Qin and Han museum exhibition, etc. If that's not your question, please clarify it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some of the names of the cultural relics: 1. Mobile cultural relics (including various categories such as cultural relics in the library, such as important objects, works of art, documents, manuscripts, books, materials, representative objects, etc.) 2. Precious cultural relics (including national first-class cultural relics, second-class cultural relics, third-class cultural relics) 3. general cultural relics 4. Metaphorism (A term used in ancient times to refer to cultural relics. After the Yuan, Ming, and Qing Dynasties expanded its scope, it included paintings, jade, porcelain, miscellaneous items, and other historical relics. It can also be called antiques) 5. antique 6. antique 7. antique 8. Qiong (Jade, mentioned in the poem, Wei Feng, Papaya, can refer to jade products of cultural relics) 9. Lin (Green jade, can be used as a name for jade cultural relics) 10. Ball (Jade, recorded in ancient books, can refer to related cultural relics) 11. Yu (Jade, can be used to describe jade cultural relics) 12. Ring (A circular jade artifact that can be used as a name for this kind of cultural relic) However, it was difficult to list 100 names of cultural relics. At present, only some of the common names above could be provided. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!

The following are some ways to promote the development of cultural relics collections and the cultural relics market: ** I. Level of policies and regulations ** 1. ** Perfect laws and regulations ** - Clearly define the definition, scope of protection, and trading rules of cultural relics to ensure that the collection and trading of cultural relics are carried out within a legal and compliant framework. For example, with the development of the times, the Cultural Relics Law was revised to adapt to the new collection of cultural relics and market demand. It could not only protect cultural relics resources, but also promote legal collection and trading activities, so that cultural relics could benefit the people. 2. ** Political support ** - The government had introduced relevant policies, such as policies to protect cultural relics and support the cultural industry, which would help improve the development environment of the entire cultural relics market. With policy support, the cultural relics market could attract more participants, including collectors, investors, operators, etc. ** 2. Cultural Inheritance and Education ** 1. ** Promotion of cultural education ** - We should strengthen the spread of knowledge and cultural values of cultural relics in school education and social education. When people understood the cultural meaning, historical significance, and artistic value behind the cultural relics, they would become more interested in collecting cultural relics. For example, through the museum's exhibition, lectures, and the school's history and culture courses, they could spread cultural relics knowledge to the public, enhance the public's cultural literacy, and then promote the collection of cultural relics. 2. ** Cultivate professionals ** - Colleges and professional institutions are encouraged to set up professional courses related to the identification, protection, and collection of cultural relics, so as to train professional cultural relics identification talents, restoration talents, and collection management talents. The increase of professionals could improve the standard and professionalism of the cultural relics collection market, reduce fraud in the market, and enhance the confidence of collectors. ** 3. Market construction and innovation ** 1. ** Market Normalisation ** - We will establish and improve the standards and evaluation system for the identification of cultural relics and regulate the trading order of cultural relics markets. Strictly supervise cultural relics stores and other business places to prevent the sale of counterfeit goods and other unhealthy phenomena, and protect the rights and interests of collectors. - To regulate the cultural relics appraisal industry, professional cultural relics appraisal institutions or experts will conduct scientific evaluation and appraisal of the authenticity, age, value, etc. of cultural relics to provide reliable evidence for the collection and trading of cultural relics. 2. ** New Business Model ** - With the help of Internet technology, promote the online and offline integration of the cultural relics collection market. The online platform could provide functions such as cultural relics display and trading information release, while the offline platform could provide physical appreciation and trading venues. For example, the cooperation between the online antique trading platform and the offline antique market would expand the trading channels of cultural relics collection and increase the activity of the market. - Cross-border cooperation should be encouraged, such as the combination of cultural relics collection and creative product development. Missions and other institutions could cooperate with developers of cultural and creative products to transform the cultural content and value of cultural relics into cultural and creative products. This could not only increase the popularity and influence of cultural relics, but also drive the development of the cultural relics collection market through the sales of cultural and creative products. ** 4. Cultural relic protection and resource excavation ** 1. ** Strengthening the protection of cultural relics ** - We should attach importance to the preventive protection, rescue protection, research protection and other protection methods of cultural relics. Good cultural relics protection could ensure the integrity and value of cultural relics and attract more people to participate in the collection of cultural relics. For example, through daily monitoring, maintenance, and management of cultural relics, they could prevent damage or destruction of cultural relics, improve the preservation quality of cultural relics, and thus increase the collection value of cultural relics. 2. ** Cultural relic resource excavation ** - Reasonably carry out archaeological excavation work. The archaeological research institute and other institutions provide precious cultural relics and works of art for the protection of cultural relics through archaeological excavation, and increase the supply of resources in the cultural relics market. At the same time, the publicity and display of newly excavated cultural relics could also stimulate the public's interest in collecting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The Law of the People's Republic of China on the Protection of Cultural Relics was formulated to strengthen the protection of cultural relics, inherit the excellent historical and cultural heritage of the Chinese nation, promote scientific research, carry out education on patriotism and revolutionary traditions, and build a spiritual and material civilization. Its purpose was clearly to protect cultural relics, not to destroy them. Through a series of regulations, such as the identification and management of cultural relics protection units, the norms of archaeological excavation, the management of cultural relics entering and leaving the country, etc., the safety, inheritance, and research value of cultural relics were guaranteed. Therefore, this was a cultural relic protection law. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Cultural relic creative IP was to combine cultural relics and creativity to develop intellectual property with cultural content and commercial value. The following are some key points about cultural relics and creative IP: ** 1. Development Host and Platform ** 1. ** Led by Cultural and Cultural Organization ** - Many of them played an important role in the development of cultural relics and creative IPs. For example, the Shaanxi History Museum's creative products were based on the cultural relics in the museum. For example, although the creative products of wild goose fish copper lamp were suspected of plagiarism, Shaanxi Libo said that they were created according to the cultural relics of the Han Dynasty in the collection, and the copyright of their creation belonged to the museum. - Henan Museum also actively participated, such as hosting the "Wanke Cup" 7th Henan Province Museum Cultural Creation Competition, opening up 53 cultural relics IPs such as Jiahu bone flute, music and dance female figurines, providing materials for creators. 2. ** Participating in creative enterprises ** - For example, Huaxia Culture Creation drew inspiration from six collections of cultural relics, including the Du Hu Talisman of Shaanxi History Museum and the Agate Cup with the head of a gold-inlaid beast, to create the Treasure Treasure Elf IP series of literary creations, integrating cultural relics resources and trend culture to create a unique museum IP newcomer design. 3. ** Support from relevant platforms ** - Daqin Liangzao's creative publishing and cultural IP incubation platform was positioned as "culture + Internet application", focusing on creative publishing and cultural IP incubation. It was the first one-stop vertical service platform in China for cultural, cultural, and creative industries. It covers many modules such as the sorting of cultural and cultural materials, the release of cultural and creative events, copyright registration and trading, and the display and sales of cultural and creative products, promoting the development and protection of cultural relics and creative IP. ** 2. Development Requirements and Characteristics ** 1. ** Design Requirements ** - In some creative competitions, the design elements of the participating works were required to be selected from the cultural relic material library provided by the organizing committee. The works should reflect the information and value of cultural relics, dig deep into the content of cultural relics, give full play to innovative thinking, find the combination point of cultural relics and contemporary public needs, and reflect the local cultural heritage and its practical significance. For example, in the cultural creation competition hosted by Henan Museum, the works were required to reflect the characteristics of the derivative products of Henan Province. At the same time, they should be closely related to the life and culture of modern society. They should be practical, innovative, artistic, and fashionable. They should encourage breakthroughs in science and technology, low carbon, environmental protection, and the design and application of new materials. 2. ** Character and Meaning ** - Compared with traditional historical and cultural science, cultural relics and creative IPs displayed rich cultural expressions and cross-border industrial integration. For example, the joint beauty products of the Palace Museum in Beijing, the archaeological blind box of the Henan Museum, and the "Bronze Mask" ice cream of Sanxing Dui in Sichuan Province, all achieved commercial success with rich cultural elements. These cultural and creative products not only carried the heritage of history and culture, but also highlighted the characteristics of modern cities. They became the space-time link connecting the past, the present, and the future. They had positive significance in spreading traditional culture, attracting young people to pay attention to museum cultural and creative products, and providing new paths for the transformation and upgrading of cultural consumption. ** 3. Development with the help of new technology ** - The museum was also a scene worth exploring with AI+ creative technology. With the help of AIGC, it was possible to make the cold cultural relics "alive", thus further exploring the IP value of cultural relics and providing better cultural services to the public. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>