How to match the lens for portrait photography

There were many options and considerations for using a movie lens in portrait photography. Some movie shots had unique advantages in portrait shooting. For example, the 25mm, 85mm, and 35mm lenses in NiSi's new Athena film lens set (all with a T value of 1.9) could be used for portrait shooting. The barrel distortion of the 25mm lens could make the face look thinner in specific scenes; the 35mm lens was similar to the life perspective, and it was more touching when used for life slicing. With the 85mm lens, it could create a movie feel. The SKR Magic CINE 25mm T1.5 film fixed-focus lens could also be used for portrait shooting. It was compact and small, only 685 grams. The all-metal mirror body was suitable for complex shooting environments. Its 25mm focal length was equivalent to 50mm with an M4/3 frame camera. It could be used for portrait, architectural, and landscape shooting. Moreover, the unique infinite aperture of the film lens could accurately control the image exposure. The infinite focusing ring design made the focus without breathing effect during shooting, and the focus felt smooth. Different focal lengths would produce different effects. In portrait photography, one had to consider the relationship between the body and focal length, color reproduction, image imaging style, and other factors to choose the appropriate film lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many options for professional photography. The following were some common ones: - ** 35mm lens **: This is an environmental portrait lens between the wide-angle and 50mm standard focal length. Its advantage was that it could accommodate the characters and the surrounding environment well in the picture, and it could make the story feel good. It was easier to take full-body photos, and it could even shoot long legs. It was also easy to communicate with the subject at close range. However, it might not be suitable for close-up shots when sweeping the streets and taking photos of unfamiliar girls. It was suitable for shooting scenes such as children at home. The 35mm lenses from sub-factories such as Tenglong and Sigma were relatively cost-effective. - ** 50mm lens **: If the budget is not high and you are a beginner, you can consider this lens. The 50mmF1.8 was a relatively cheap large circle focal point. It was easy to shoot the background blurring effect, but it was difficult to use it well. This focal length could only be used to shoot half of the body indoors, but it was more convenient outdoors. It could be used to practice composition, and it could be used to shoot both half and full-body portraits. - ** 85mm lens **: This was the focal length of a classic portrait lens. Its perspective relationship could obtain a cream-like out-of-focus effect, close to the human eye's vision with almost no distortion. It was suitable for shooting close-up portraits, such as half-body portraits or headshots. It could also shoot full-body portraits if it was retreated appropriately, but the indoor full-body portrait distance required was more than 5 meters. They didn't pursue extreme sharpness and resolution, but retained aberrations to achieve delicate transition of skin tone details and beauty outside of focus. The 85mm lenses of various manufacturers were specially optimized for shooting portraits, but the price was usually higher. - ** 135mm lens **: This is a close-up shot of a person. In theory, it can bring a stronger sense of compression and better blurring effect. It is called a small air cutter, which can separate the person from the background very well. However, the usage rate was relatively low. It was rarely used for other subjects except portraits, and it was easily replaced by 70 - 200mm lenses. - **70 - 200mm lens **: It is also an option for portrait photography. In addition, a standard portrait photography lens usually referred to a lens that took a person at a distance of 1.5m -2m, corresponding to a focal length of 70mm-135mm. According to general aesthetics, the facial features of the person at this distance were more beautiful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

For the lens configuration of photography (taking both photos and videos), you can refer to the following options: - Tenglong 17 - 50mm F/4Di III VXD: It has a very practical focal length and is suitable for full-frame micro-frames. It can meet the needs of photo shooting and meet the habits of video shooting. - The Sony16 - 35F4G was a very good super wide-angle lens for video and photo editing. It had many advantages and few disadvantages. In addition, the standard zoom lens could also be used as one of the options, such as the common 24 - 105mm, 24 - 70mm, 28 - 70mm, etc. Its focal length covered a wide range and could shoot portraits, scenery, humanities, cities and other subjects. It was more friendly for photography and video shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

As for the lens configuration of landscape photography, there are the following suggestions: - ** Wide-angle lens **: A lens with a focal length between 24 - 35mm is commonly used for landscape photography, especially for the 28mm focal length. This focal length could highlight the background and enhance the sense of space in the picture. The ultra-wide-angle lens with a focal length of 24mm or less could expand the shooting range, highlight the prospects, and shoot a picture with a strong visual impact. However, one had to pay attention to the perspective distortion and backlighting glare. - ** Telephoto lens **: Lenses with a focal length of 70mm and above belong to the scope of telephoto lenses. Common ones include 70 - 200mm, 100 - 400mm, etc. This type of lens could compress the space, making the background and the background closer to each other, creating an artistic image. The telephoto lens with a large aperture could produce the ideal blurred background effect, but the telephoto lens was generally heavier. - ** Comprehensive suggestion **: It is recommended to bring a 20 - 35mm lens and a 70 - 200mm or 70 - 300mm lens. You can also bring a 100mm lens for shooting macro subjects such as flowers and insects. Ultra-wide angle, ultra-long focal length, and fisheye lenses had their own functions and characteristics in landscape photography, but they could only be used in specific situations. They could be purchased and used selectively according to shooting habits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In portrait photography, different focal lengths had their own characteristics and uses. It was difficult to determine which lens was used the most. However, the following shots were more commonly used in portrait photography: - ** 35mm and 50mm lenses **: These two focal lengths are more commonly used for home or novice portraits. The 35mm lens was an environmental portrait lens that was between wide-angle and 50mm standard focal length. It could accommodate people and the surrounding environment well in the picture. It could be used to take full-body photos, suitable for expressing the surrounding environment of the subject, shooting a sense of story, and also convenient for communication with the subject. It was suitable for shooting children or cultural photography scenes. The 50mmF1.8 lens was a relatively cheap large-aperture focal point, which was easy to produce the effect of blurring the background. It was suitable for beginners to practice composition, and it could shoot half-body and full-body portraits. - ** 85mm and 135mm lenses **: These two focal lengths are usually regarded as professional portrait lenses. The angle of view of the 85mm lens was 28 degrees, and the background blurring effect was good. It could simplify the background and highlight the character. The distance from the full-body shot to the close-up was about 1.5 meters to 5 meters. The image quality was good, suitable for shooting half-length portraits or close-ups. It could get a cream-like out-of-focus effect. The 135mm lens was a close-up shot of a portrait, which could bring a stronger sense of compression and better blurring effects. It could separate the character from the background very well. - **70 - 200mm lens **: This focal length lens is used more for the convenience of composition. It can zoom in on people and objects in the distance without moving your feet, strongly compressing the space, making the picture concise and full. It can blur the background and background to highlight the main body. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

If the budget was enough, the Nikon 105mm F2.8G VR macro lens was an option. Its second-hand reference price was 2500 - 3000 yuan. This was a classic lens from Nikon. It had a single-lens reflex F port, high image sharpness, and good color reproduction. It could also be used for portrait shooting in addition to macro, but the lens was heavier. The Nikon AIS 105mm F2.5 lens also had a certain historical significance. The price was relatively affordable, around 700 - 1500 yuan. Although the sharpness of the image on a digital camera was low and there would be dispersion, it had a "classical" temperament outside the focus. It was once a must-have portrait lens for mainstream photographers, but it performed poorly on digital cameras. When using a macro lens to shoot a portrait, pay attention to the fact that its sharpness is too high, which may highlight the skin defects of the character. You can use the low sharpness mode such as the character optimization mode to shoot with the post-grinding. At the same time, the focusing speed may be a problem, and it is easy to shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There are many lenses available for outdoor portrait photography. Here are some recommendations: - ** Telephoto lens **: - ** Special features and advantages **: Generally, the focal length is above 100mm, and the image has the feature of "space compression", which can compress the depth of field and enlarge the distance, so that the elements of the picture are tightly combined, making the scene and people feel "not far away". The picture is compact and full. At the same time, it had a very strong background blurring ability, and the perspective distortion was small. The character was close to the edge of the screen and it was not easy for the face to be distorted. For example, the AF-S Nikkor 105mm f/1.4ED lens with a medium telephoto and large aperture could use the background blurring brought by the large aperture and medium telephoto to highlight the main body of the character, making the picture more three-dimensional. However, the telephoto lens may lack a sense of space and perspective, so it is necessary to choose a suitable background, such as using a guide line (road, bridge, etc.) to extend the image to increase the depth of the image, or using backlighting and side lighting to create a three-dimensional sense of the character. - [** Scenarios **: It is suitable for blurring the background, emphasizing the main body of the character, and changing the spatial relationship of the scene.] - **17 - 40 lens **: Low price, moderate performance, suitable for portrait shooting in large scenes. The maximum aperture of 4 was enough for outdoor use. Although it had the disadvantage of serious distortion, it was more worry-free when shooting large scenes, such as wedding photos at the beach. When using 17-dan, the character must be placed in the center to reduce the influence of distortion. - **85 - 1.2 lens **: The performance is almost perfect. It is highly recommended for outdoor portraits. It is used more often when shooting messy environments and partial portraits. Even with a 1.2 aperture, there was almost no false focus. However, it was more expensive, and because it was a fixed-focus lens, it needed to be moved to adjust the focal length. - **24 - 70/2.8 lens **: Aperture of 2.8 and focal length of 24 - 70. It can meet the needs of most scenes and is used more frequently. - **70 - 200/2.8 lens **: Can be used as a "lazy artifact". It is more suitable for shooting weddings and meetings when the requirements for portrait shooting are not particularly high. It was easy to zoom, and it could avoid shooting through someone else's lens. - **50 - 1.8 lens **: Cheap, suitable for beginners. Although there were drawbacks of occasionally running out of focus and plastic texture, the plastic texture could be ignored after the aperture was set to 2.8. The blurring effect was better, and it was practical to put it on a full-frame machine. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In portrait photography, 50mm and 85mm fixed-focus lenses were more commonly used. The 50mm fixed-focus lens was suitable for a variety of scenes, such as indoor portrait shooting. Its focal length could cope with most scenes, and it could give the audience a sense of immersion in cultural photography. It could also blur the background to highlight the main body and simplify the composition. It was relatively cost-effective. However, its composition was difficult to impress. The 85mm lens was suitable for portrait shooting in a large environment. The angle of view was about 28 degrees. With a large aperture, the background could be simplified and the character could be highlighted. The background blurring effect was better. The distance from the full-body shot to the close-up was about 1.5 meters to 5 meters, which could maintain a more comfortable shooting distance. The image quality was the ceiling of the image quality of various lenses in many cases. However, its angle of view was fixed. If the shooting distance and angle were not controlled well, the image would lack variation, which would easily lead to aesthetic fatigue. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were several common ways to match the lenses of the Nikon D200: - You can choose between the Nikon 18 - 35mm and Nikon 85mm F/1.4. - The Nikon 17 - 55mm lens would be used alone for now, and the 70 - 200mm and 105mm lenses would be added after he became familiar with it. - Considering that he was a newbie and pursued convenience, he could choose the Nikon 18 - 200mm lens. The image quality was acceptable, it was easy to carry, and the risk of dust entering the lens could be reduced. - If you like it, you can also choose the combination of silver wide-angle and head. As for lenses, there was no specific mention of the Nikon D200 with special lenses, but other lenses in Nikon, such as the PD-fresnel lens (used for color difference compensation, reducing the number of lenses, and simplify the lens structure), could be used as a reference. For example, during the F-mount era, Nikon introduced the AF-S NikKOR 300mm F4E PDED VR lens and AF-S NikKOR 500mm F5.6E PDED VR lens with the use of the PD lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>