Wujie Guqin

Here are some guqin songs:"White Snow in Spring,""Return,""Guan Ju,""Fa Tan,""Lu Ming,""Da Ya,""Ai Nai,""Chan Si,""Changqing,""Duanqing,""Chu Ge,""Heavenly Sound,""Sunset Cloud Forest,""Still Water Flowing Deep,""Shuidiao Ge Tou," Seven String of Bamboo Forest,"Bodhi Heart," Rain Strikes Flower Terrace,"Song of Fisherman's Light,""Farewell," Song of Lovesickness,"" Longevity,""& "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!

During the first "Egret Cup" International Guqin Culture and Art Festival in China, the Guqin Culture Forum took the twelve lectures of Guqin as the theme, and invited many authoritative experts in the field of Guqin at home and abroad to come to the scene to jointly explore the innovative path of Guqin culture inheritance and operation in the contemporary context. As one of the activities of the art festival,"Twelve Lectures on Guqin" had nearly 3 million online viewers and nearly 60,000 fans. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

The Luoxia-style Guqin was a type of Guqin with a unique appearance and cultural meaning. On both sides of the body of the zither, the clouds were undulating, just like the clouds in the sky. The back of the zither was engraved with the name of the zither, the poems of literati, inscriptions, and seals. Judging from the materials used, there were many kinds of Luoxia Guqin made of Chinese Fir, old spruce, century-old Chinese Fir, old Chinese Alpinia, and other materials. In terms of production techniques, there was a pure raw lacquer antler frost technique. In terms of strings, there were generally seven strings. The strings could be divided into steel strings (nylon-coated steel wire), traditional silk strings (made of mulberry silk), and ice strings (said to be synthetic materials that combined the advantages of steel strings and silk strings and overcome the shortcomings of both). Different strings had their own advantages and disadvantages, and could be selected according to their needs. Its size was 123 centimeters long, 20 centimeters wide, and 108 centimeters long. On the price list, there was a Sunset Style Guqin that was priced at 4550 yuan. Different guqin of the Sunset Style also had different performances in terms of timbre. For example, some of the timbre was loose, deep, and strong, with great tenacity, suitable for all kinds of people. For example, the lute of the "Colorful Phoenix Singing Qi" was painted with red paint and had extremely fine ice cracks. The first and second strings were like a bell, the sixth and seventh strings were like a golden chime, and the four strings and five emblems were like a Jie drum. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!

The four ancient China zither were Duke Huan of Qi's "Hao Zhong", King Zhuang of Chu's "Roundabout the Beam", Sima Xiangru's "Green Silk" and Cai Yong's "Jiao Wei". The "Hao Zhong" was a famous zither of the Zhou Dynasty. Its sound was so loud that it was like the sound of a bell and the sound of a horn. It was deafening. The ancient outstanding zither player Bo Ya once played it and later belonged to Duke Huan of Qi. "Round-the-Beam" belonged to King Zhuang of Chu, and the lingering sound was continuous. The name of the qin was "Round-the-Beam", which showed the characteristics of its tone. The legend originated from the story of a Korean geisha, Han E, who sang for three days while begging for food. This qin was a gift from Hua Yuan to King Zhuang of Chu. However, King Zhuang of Chu was too obsessed with this qin and abandoned his state affairs. In the end, he ordered people to smash the qin. The " Green Charm " was a zither played by Sima Xiangru in the Han Dynasty. It was entirely black and faintly suffused with green, like green vines winding around ancient trees, hence its name. The King of Liang once gave Sima Xiangru the "Green Charm" zither in return. Jiao Wei was a zither made by Cai Yong of the Eastern Han Dynasty. When Cai Yong was "fleeing for his life in Jianghai and going far to Wuhui", he rescued a piece of unburnt sycamore wood from a fire and made this qin with an unusual sound. Because the tail of the qin still had scorch marks, it was named "Scorched Tail". It was famous for its pleasant tone and unique method of making it.

The four ancient China zither were Duke Huan of Qi's "Hao Zhong", King Zhuang of Chu's "Roundabout the Beam", Sima Xiangru's "Green Silk" and Cai Yong's "Jiao Wei". "Hao Zhong" was a famous zither of the Zhou Dynasty. It was once played by the ancient zither master Bo Ya and later belonged to Duke Huan of Qi. The sound was loud, like a bell and a horn. "Rounding the beam" belonged to King Zhuang of Chu, and the lingering sound originated from the allusion of Han E's song "The lingering sound lingered around the beam for three days". After King Zhuang of Chu got the zither, he played the zither all day long. Later, he was persuaded by Princess Fan Ji, and the zither was smashed and stopped playing. "Green Silk" was a zither played by Sima Xiangru. It was said that it was black in color and had green vine-like patterns. "Jiao Wei" was personally made by Cai Yong. Cai Yong rescued a piece of Wutong wood from a fire and made this qin. It got its name because of the scorch marks on the end of the qin. It was famous for its tone and making method.

Lei Wujie is the queen of Yong 'an. Lei Wujie was a man who married the Emperor and became the Yong An Princess Consort. Although the Emperor doted on the Empress, her legs were sick and she lost the ability to walk. She could only sit in a wheelchair every day. As for the reason why Lei Wujie became the Empress and the details of their relationship, the search results did not provide any clear information. Therefore, the specific circumstances of Lei Wujie becoming the Yong An Empress were currently unknown.

Fan Wushe and Fan Wujiu were both Black Impermanence's names and belonged to the same character.

Fan Wushe and Fan Wujiu were both Black Impermanence's names and belonged to the same character.

Bai Baolin was a famous China zither player. He was born in Xi'an, Shaanxi Province in 1952 and graduated from Xi'an Jiao Tong University. He was the vice president of the Jinling Zither Club and the consultant of the Xi'an Zither Research Association. He was skilled in making zither, and the Dragon's Roar from Withered Wood he made was the most famous. The zither he personally made was called the " Lin Qin." The kylin zither was simple and unadorned, its body slender and long. Its tone was deep, and the lingering sound was distant. Bai Baolin loved traditional culture since he was a child. In the early 19th century, he began to focus on learning the piano and studying the reproduction of ancient guqin. After he started playing the zither, he liked to collect old wood to make Dragon's Roar. If he couldn't get good wood in a few years, he would stop making it for a few years. The guqin was made by the ancient method. The wood of the embryo was naturally air-dried for about 2 years. After the embryo was made, the raw lacquer was rubbed and dry ground and water ground. The total number of times of rubbing was about 50 times, and the thickness of the raw lacquer was 3.8mm. After he finished cutting the violin, he would strictly check the tone and details of each violin. He would rather scrap the violin that he thought was unqualified than let it enter the market. Bai Baolin's zither was divided into the producer zither and the Lin zither. The key steps of the producer zither were personally carved by him, and the Lin zither was personally carved by him. There were not many in circulation on the market, and the zither base plates he made would have his own personal seal and signature. He also participated in the fourth National Guqin Music Competition. In 2000, he was invited to give a lecture on Guqin Art at Xi'an Jiao Tong University. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

Yichi Bo was a Shennong style zither. The body of the zither was broad and heavy, and it had a unique artistic value. The length of the body is 124 cm, the length of the hidden room is 115.2 cm, the shoulder width is 22.2 cm, the tail width is 17 cm, and the thickness is 7.6 cm. The shoulder was located at the three emblems, and the back and tail were rounded. The body of the piano was made of eight treasures gray, and the surface was coated with red and black paint, which was rich and varied in color. There was a round dragon pond and a square phoenix pond on the surface. On the back of the zither were engraved the words "Yi Chi Bo", and below it was engraved Tang Kai's Manchu and Han seal. The history of this zither could be traced back to the Yongzheng and Qianlong years of the Qing Dynasty. It was collected by the famous zither collector, Tang Kai. In 1963, after Mr. Zha Fuxi received this instrument, he invited the Central Conservatory of Music and the Beijing Guqin Research Association to appreciate it. Mr. Shen Caonong had a high evaluation of it and wrote poems to commemorate it. It was sold for 17.25 million yuan at the Poly Autumn Auction in December 2011. In the Guqin culture, Yichi Bo was not only famous for its exquisite craftsmanship and moving tone, but also because of the cultural heritage and historical heritage behind it. It witnessed the development of China Guqin culture and was also an important window for modern people to understand ancient musical instruments. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!