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The characteristics of cursive script were: 1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes. 2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm. 3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters. The characteristics of semi-cursive: 1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes. 2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious. 3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country. The characteristics of regular script: 1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph. 2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements. 3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.

The cursive script was an art form of Chinese calligraphy that had a unique sense of beauty and expressiveness. Appreciating the pros and cons of cursive calligraphy works requires a certain amount of calligraphy knowledge and artistic accomplishment. Here are some suggestions for appreciating the pros and cons of cursive calligraphy works: 1. Observe the continuity and fluency of the lines. The lines of cursive script were often smooth and varied, and they were often accompanied by some special strokes and shapes such as broken lines, curves, arcs, etc. If the lines were coherent and natural, then cursive works would have high artistic value. 2. Pay attention to the structure and form of words. Cursive works often focused on the structure and form of the words, such as the transformation of the font, crossing, connecting strokes, simplicity, etc. If the structure of the Chinese characters in the work was beautiful and the form was novel, then the work would have a high artistic value. 3. Understand the cultural meaning of cursive script. Cursive script is a unique art form in Chinese culture, with profound cultural and historical origins. To appreciate cursive works, one needed to understand its cultural meaning in order to better feel the charm of cursive. 4. To refer to the background and author of the cursive works. The background and author of a cursive script work could also help the viewer to better understand the meaning and style of the work, and thus more accurately appreciate the merits and demerits of the work. Appreciating cursive works requires a certain amount of calligraphy knowledge and artistic accomplishment. By understanding its cultural content, paying attention to the continuity and fluency of the lines, understanding the structure and form of the words, and referring to the creation background and author, you can more accurately appreciate the advantages and disadvantages of cursive works.

The translation of " Cursive King " could be " the great cursive master " or " the great calligrapher."

The cursive form of the word "thunder" was "floating". The basic form of the cursive word "thunder" was "one + lun + one +". Among them,"Lun" was one of the units of measurement in ancient China. It was equivalent to a 100-foot-long wood."Yu" was a radical in ancient Chinese characters that meant "Tian" or "cun".

The Douzi cursive script was a unique font that originated from the Southern and Northern Dynasties of China and matured in the Tang Dynasty. It was famous for its smooth strokes and unique style. It was often used in calligraphy, painting, and literature. The characteristics of the Dou cursive script included: 1. Flowing strokes: The strokes of the Dou cursive script are smooth and varied, often using exaggerated strokes and smooth lines to express emotions and artistic conception. 2. Unique style: The cursive script with the word "Dou" has a unique style. It usually uses continuous strokes and changing numbers and symbols to express emotions and artistic conception. 3. Widely used: The cursive Douzi is widely used in calligraphy, painting, and literature. It is one of the important components of Chinese culture. 4 Evolution History: The origin of the Dou cursive script can be traced back to the Northern and Southern Dynasties. After further development and improvement in the Tang Dynasty, it formed a unique style and form. Dou cursive script is a kind of font with rich cultural meaning and artistic charm, with high artistic value and historical value.

Running script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.

Cursive script is an important part of Chinese calligraphy, and its origins can be traced back to the Han Dynasty. It was said that Cai Yong, a calligrapher of the Han Dynasty, put forward the basic concept of "cursive script" in his "Nine Forces" and divided cursive script into two forms: "Zhang Cao" and "Jin Cao". Zhang Cao was a more regular cursive script with neat strokes and a strict and symmetrical structure, while Jincao was more free and unrestrained, with more variations in the strokes. It could be said that cursive script was one of the most distinctive and expressive parts of Chinese calligraphy. Therefore, Cai Yong could be said to be the founder of cursive script.

The translation of the cursive king was "cursive saint".

The translation of the cursive king was "cursive saint".

The cursive king's translation could be: Cursive script was a unique art form in Chinese calligraphy and a special style of Chinese character writing. It was known for its fast, smooth, free, and ever-changing lines and glyph structures. The origin of cursive script can be traced back to the Han Dynasty, when it was called "Fei Bai Shu". The characteristic of cursive script was that it required the strokes to be concise, free, and unrestrained. It paid attention to the structure of the characters and the changes of the strokes. Cursive script was often used to express emotions and artistic conception. It also often appeared in literary works and artistic works. In the history of China, there were many famous cursive calligraphers such as Wang Xizhi, Zhang Xu, Huai Su, etc. Their cursive calligraphy works were regarded as art treasures with high artistic value and cultural significance.