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Waking up from a nightmare several hours before dawn, Belle fetched a drink of water. She paused in front of her kitchen's window when she noticed a lit lantern in front of her mansion's garden. Her butler stood there, shovel in hand. This was no hour to be gardening. Curious, she made her way outside, but when she had gotten close enough to see a large and hollow pit next to her eternally-stoic and polite butler, she saw him pick up a rotten body. A DEAD BODY! Her eyes widened fearfully when she saw her handsome butler drop the rotting body into the fresh hole. She asked in horror, "What are you doing?!" Surprised to see his young miss awake at this hour, he stared at her with the same expression he had been keeping up for all these years. He had made sure she was asleep before coming here. "Gardening." "And the body?!" she looked at him in disbelief. "Fertilizer," he answered her before picking up the shovel that was on the ground. Belle was now certain something had possessed her butler. Who gardened dead bodies?! She then heard him ask her, "Want to help me in planting it, Miss Adams?" he gave her a sweet smile. Note: If you enjoy a book of comedy with light-hearted romance and a gothic background. This book is for you~

To have the ability to see into people's past has no real appeal for the teenager this story is about, letting him only use it as amusement and to show off when he was drunk. Never look into someone's past beyond a superficial level. Never try to find out more than you should. NEVER. EVER. LOOK. INTO. THE. FUTURE. But everything changed the moment he was forced to look into the future, was forced to investigate the circumstances of a murder, and was forced to make the acquaintance of the victim's twin brother('s fists). The more time passed, the more it appeared that the primary reason for this murder wasn't a local, but a global one. This single, marred corpse was the beginning of a threat that would shake the world. (MC loses a screw when he enters the prison.) BL, first-person view; MC is shorter than ML BUT we have a SWITCH-COUPLE! Love interest falls in love first; both MC and ML are straight, mutual bending, Enemies to Lovers) Many thanks to MelBri for helping so skillfully with any kind of grammar error! (*ˊᗜˋ*)/ᵗᑋᵃᐢᵏ ᵞᵒᵘ* WARNING: sexual content, excessive violence, graphic violence, torture https://discord.gg/FvX9PeWraY

John was an exorcist who tries to help innocent people from the grasps of ghosts and other evil entities. He believes that he is helping those people in need, but is that true? Did he really help those people? He didn't want to believe the other way, those who raised him taught that. He has a secret that even he himself doesn't know. What would happen is that those in the opposite faction take advantage of this and try to manipulate everything. The powers that he has will end those innocent people's lives? Did he finally get corrupted according to the enemies? Let's dive into the story of Jauary John and find the answers.

Nancy Sutton accidentally slept with an all-powerful man. Yet it seemed he had someone he loved. Nancy Sutton had no choice but to flee, pregnant with his children. Six years later, Nancy Sutton returned full force with the twins. The scumbags and the homewreckers were no match for her, and she was practically winning in life. Until a certain somebody took advantage of her intoxication and forced her into a corner to say, “How dare you leave me alone after sleeping with me? When will you… compensate me for the last six years? Huh?” Nancy Sutton almost blushed. “You’re not worthy!” But the kids at home chirped, “But mommy, when you were pregnant with us, you said only daddy was the most worthy one.”

(BASED IN THE WORLD OF LORD OF THE MYSTERIES) When Andrei Hayes, a modern linguistics student, steals a strange coin from a shop, he doesn't expect to wake up in the body of Lutz Fischer—a small-time swindler from Feysac who just hanged himself over a debt to a gang. In a fog-shrouded harbor where order is dead and gangsters rule, two desperate men die—and a new creature is born. Now, Andrei is indentured to the Harbor Vipers, a brutal gang led by a Beyonder who sees him as a disposable tool. Trapped in the decaying port city of Indaw Harbor, Andrei must use Lutz's street cunning and his own academic mind to navigate a world of brutal Beyonders and horrors.

On Earth war was extremely common for thousands of generations and throughout that a single family stood out for it's members being involved in all of the world's wars throughout history. These indivuals were usually legends in the heart of battle. Eventually humanity evolved warfare had also evolved and so did these family members than came peace. The descendents began to lose the ability to fight gradually eventually came members who could no longer fight at all. They were in building and destruction before they became farmers. Thirty nine generations of farmers later became a family of fishers. Forty generations later the youngest son of the family was killed in a car accident at the age of sixteen. His girlfriend was devastated by that and had taken her life soon after. After he died his soul was brought before God he says "Am I dead?" God says "Yes you have died in a tragic accident I am willing to give you a second chance at life" The boy says "What's the price?" God says "You'll be reincarnated in a different world one with magic monsters and the likes" The boy says "I accept thank you" God reincarnated the boy. The girlfriends soul soon after appears before God he says "Hello you have unfortunately died this is very tragic" The girl says "Agreed I wish that I could have been with my beloved in the afterlife" God says "I reincarnated him to another world" The girl says "Please send me to the same world" God says "Sure I don't see any reason to keep a love so strong that even death and reincarnation can't break it" The girl says "Thank you so much" God reincarnated her to the same world.

The real son of the Dumas family has been found Ezra is a bit nervous about it, especially with the fact that he was invited back to the family, only to see that the real son is an old childhood friend of his that he used to have a crush on. Old feelings arise and the family is willing to do anything to keep them apart. Would they be able to keep their love together or would circumstances keep them apart?

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Harrison was just an ordinary guy, until he wasn’t. Reborn in a world teeming with magic, knights, and ancient rivalries, he wakes up as the illegitimate son of a baron. Here, they call him “Harry,” but he knows he’s still Harrison from another world. And lodged deep within his mind is a strange coin, humming with untapped energy, feeding off every action he takes, every ripple he creates in this foreign realm. This isn’t just any coin. Passed down through his family for generations, the coin had been a mystery, an old relic Harrison’s grandfather picked up during World War II in Germany. He thought it was just a worn piece of metal with some faded Roman numerals, a quirky keepsake with possible historic value. But now, he realizes it’s far more than that. Since his arrival in this new world, the numbers have shifted, and the coin pulses like a heartbeat, brimming with a strange, undeniable power. Harrison names it the 'Simulation Coin.' The Simulation Coin grants him the ability to warp reality itself, to traverse worlds, and even shape them as he sees fit. The more he influences his surroundings, the more power he gathers, feeding the coin and deepening its bond with him. With this newfound ability, Harrison discovers he can do more than survive in this new world, he can rule it.

The Gospel according to John is quite different in character from the three synoptic gospels. It is highly literary and symbolic. It does not follow the same order or reproduce the same stories as the synoptic gospels. To a much greater degree, it is the product of a developed theological reflection and grows out of a different circle and tradition. It was probably written in the 90s of the first century. The Gospel of John begins with a magnificent prologue, which states many of the major themes and motifs of the gospel, much as an overture does for a musical work. The prologue proclaims Jesus as the preexistent and incarnate Word of God who has revealed the Father to us. The rest of the first chapter forms the introduction to the gospel proper and consists of the Baptist’s testimony about Jesus (there is no baptism of Jesus in this gospel—John simply points him out as the Lamb of God), followed by stories of the call of the first disciples, in which various titles predicated of Jesus in the early church are presented. The gospel narrative contains a series of “signs”—the gospel’s word for the wondrous deeds of Jesus. The author is primarily interested in the significance of these deeds, and so interprets them for the reader by various reflections, narratives, and discourses. The first sign is the transformation of water into wine at Cana (Jn 2:1–11); this represents the replacement of the Jewish ceremonial washings and symbolizes the entire creative and transforming work of Jesus. The second sign, the cure of the royal official’s son (Jn 4:46–54) simply by the word of Jesus at a distance, signifies the power of Jesus’ life-giving word. The same theme is further developed by other signs, probably for a total of seven. The third sign, the cure of the paralytic at the pool with five porticoes in chap. 5, continues the theme of water offering newness of life. In the preceding chapter, to the woman at the well in Samaria Jesus had offered living water springing up to eternal life, a symbol of the revelation that Jesus brings; here Jesus’ life-giving word replaces the water of the pool that failed to bring life. Jn 6 contains two signs, the multiplication of loaves and the walking on the waters of the Sea of Galilee. These signs are connected much as the manna and the crossing of the Red Sea are in the Passover narrative and symbolize a new exodus. The multiplication of the loaves is interpreted for the reader by the discourse that follows, where the bread of life is used first as a figure for the revelation of God in Jesus and then for the Eucharist. After a series of dialogues reflecting Jesus’ debates with the Jewish authorities at the Feast of Tabernacles in Jn 7; 8, the sixth sign is presented in Jn 9, the sign of the young man born blind. This is a narrative illustration of the theme of conflict in the preceding two chapters; it proclaims the triumph of light over darkness, as Jesus is presented as the Light of the world. This is interpreted by a narrative of controversy between the Pharisees and the young man who had been given his sight by Jesus, ending with a discussion of spiritual blindness and spelling out the symbolic meaning of the cure. And finally, the seventh sign, the raising of Lazarus in chap. 11, is the climax of signs. Lazarus is presented as a token of the real life that Jesus, the Resurrection and the Life, who will now ironically be put to death because of his gift of life to Lazarus, will give to all who believe in him once he has been raised from the dead.