drama writers

Absurd drama is a new style of drama that originated in France in the 1930s. Its main characteristics are the emphasis on bizarre, exaggerated, supernatural and illogical plots, as well as a strong sense of dramatic conflict and humor. The following are some of the famous Absurd plays: 1. Albert Camus: Representative works include The Stranger, The Plague, etc. 2. Jean-Paul Sartre, whose representative works include Waiting for Godot. 3. William Blake: Although he did not belong to the absurd play, his plays also had absurd characteristics such as Hamlet, Othello, etc. 4. Rupert Cresper (Pu Songling): Representative works include Strange Tales from a Lonely Studio. 5. Jean-Luc Godard: His representative works include Dune and La Haine. This had a profound influence on the creation of later plays.

Kim Eun - sook is a very popular writer. She has written many successful dramas like 'Descendants of the Sun' which was a huge hit both in South Korea and internationally. Her writing is known for creating engaging characters and exciting storylines.

I'm sorry, I can't provide you with the specific author information of the "novel social drama" you mentioned. Because the phrase "novel social drama" is not common, there may not be a fixed and generally recognized author. If you can provide more context or specify the type of novel you are referring to, I can try to provide you with a more accurate answer.

It might be more interesting for a male channel writer to take the Korean drama route, but the success or failure depended on the type of work, plot, and character creation. Korean dramas usually had elements of romance, suspense, love, and so on. These elements could become a part of the works of male writers. Male writers could incorporate these elements into their works to portray the emotional entanglements and life experiences of the characters to attract the readers 'interest. Male channel writers also had to consider some of the characteristics of Korean dramas, such as the ups and downs of the plot, the development of the characters, and so on. They could create characters with distinctive personalities, build complex plots, and use delicate descriptions to show emotional details to make the work more attractive. It wasn't a bad thing for male channel writers to take the Korean drama route. As long as they could fully utilize their imagination and writing skills to create unique and outstanding works, they would definitely be welcomed by readers.

1 Ancient: - Cao Xueqin (1715 - 1763) - shakespeare (1564 - 1616) - Dickens (1812 - 1870) - Victor Hugo (1809 - 1885) - Diggory (1839 - 1902) - Tolstoy (1828 - 1911) - Mark Twain (1835 - 1910) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - Kawabata Yasunari (1889 - 1972) - 1859 - 1893 - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Faulkner (1885 - 1965) - Ernest Hemmingway (1899 - 1961) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Mark Twain (1835 - 1910) - Ernest Hemmingway (1899 - 1961) - 1859 - 1893 - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Faulkner (1885 - 1965) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Faulkner (1885 - 1965) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - 1859 - 1893 - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869 - 1917) - Jean Jacques Rouseau (1789 - 1852) - Dickens (1812 - 1870) - 1859 - 1893 - Tolstoy (1828 - 1911) - Victor Hugo (1869 - 1917) - Dickens (1812 - 1870) - Maugham (1892 - 1969) - shakespeare (1564 - 1616) - Diggory (1839 - 1902) - Victor Hugo (1869

Ancient China: - Cao Xueqin: Dream of the Red Chamber - Lu Xun: A Madman's Diary, The True Story of Ah Q, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern times: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains Modern: - Lu Xun: A Madman's Diary, The True Story of Ah Q, Hesitation, New Stories - Lao She: Teahouse, Camel Xiangzi - Ba Jin: Home, Spring, Autumn - Ding Ling: The Sun Shines on the Sanggan River, Three Thousand Miles of Rivers and Mountains - Zhang Ailing: Red Rose and White Rose, Aquilaria Fragrance: The First Stove of Incense - Qian Zhongshu: Fortress Besieged - Shen Congwen: Border Town Current generation: - Mo Yan: Red Sorghums Family, Big Breasts and Buttocks - Yu Hua: Live, Shout in the Drizzle - Jia Pingao: Qin Qiang, Abandoned City - Ernest Hemmingway: The Sun Also Rises, A Farewell to Arms - Kawabata Yasunari: Snow Country, Thousand Cranes - Margaret Atwood: Gone with the Wind, Gone with the Wind

After 1950, foreign and literary writers included: 1 George Orwell-1984 was published in 1950. 2. H. G. Wales-New War and Peace, 1950. 3 Hugo (Victor Hugo)-published in 1950, Notre-Dame de Paris. 4 William Shakespeare- 1564-1616 His works were not fully translated until 1954. 5 Calvino (Italy)-Born in 1950 His works have been translated into many languages, including Spanish, French, German, Italian, etc. Erle C Stein-The Sun Also Rises, 1950. William F. Buckley-The Sound and the Fury, 1950. 8 Flaubert (Leo Tolstoy)-published in War and Peace in 1950. 9 Ferdinand Mag Mag- 1950, One Hundred Years of Solitude. 10 Maugham (Arthur James Woolf)-The Moon and Sixpence published in 1950. Their ideas and works had a profound impact on modern literature.

Those who are alive now generally concentrate on writing after the 20th century because their writing time span is relatively short. However, some of them could still be called modern.

Modern times, modern times. In modern times, their works were often influenced by the European Enlightenment, romanticism, realism and other literary trends. For example, Dickens, Maupassant, Tolstoy, Maugham, Ernest Hemmingway, Faulkner, Calvino, Margaret Atwood, and so on. In modern times, their works were mainly influenced by modern, post-modern, realism and other literary trends. For example, Ernest Hemmingway, Faulkner, Marquez, Mo Yan, Jia Pingao, Yu Hua, and so on. Their works are influenced by various thoughts, social, political and cultural factors. For example, Jia Pingao, Mo Yan, Su Tong, Tie Ning, Liu Zhenyun, Annie Baby, Zhou Guoping, Lu Yao, Yu Hua, Han Shaogong, Chen Zhongshi, Wang Xiaobo, and so on.

This question involved understanding the definition and meaning of "". Generally speaking. Their works could be regarded as literary works and were recognized and respected by the literary world. However, there were also different opinions on the definition of " real ". Some people think that only those who create literary works with unique styles, profound thoughts, and unique perspectives can be called real. Others believed that even if a person's work was not widely recognized or did not become a classic literary work, they could still be considered because their creation had a certain impact and contribution to society, culture, history, and so on. Therefore, it depended on the definition and understanding of different people. No matter what, he would continue to work hard to improve his literary standards and present better works to his readers.