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—Cariño, me gusta mucho el guion de este drama. El único problema es que esta vez hay más escenas sexuales. ¿Puedo aceptar el trabajo de todos modos? —Claro —respondió calmado Lu Tingxiao. Esa noche, Ning Xi se levantó de la cama con las piernas temblorosas, teniendo que apoyarse por las paredes. —¿Todavía quieres tomar el trabajo? —preguntó Lu Tingxiao.

[Status: ABGESCHLOSSEN] "Feng Tianyi! Dein Bruder hat meine Tang-Familie zerstört! Gibt es irgendetwas Gutes an deiner Familie?" "En. Siehst du nicht, wie unsere gut aussehenden Gene an unsere Kinder weitergegeben werden? Was die Schulden der Familie Feng angeht, so werde ich sie bezahlen." Sagte er nonchalant. Tang Moyu spottete und verschränkte die Arme vor der Brust. "Wie willst du das bezahlen?" "Wie wäre es, wenn ich dich mit meinem Körper bezahle?" "..." Wie schamlos! Der Mann, der in seinem Rollstuhl saß, brach in Gelächter aus, als er ihren hässlichen Gesichtsausdruck sah. "Miss Tang, es hat keinen Sinn, so zu tun, als hätten Sie es nicht gesehen, da Sie praktisch auf mein Bett geklettert sind und mich ausgenutzt haben." Vor fünf Jahren war Tang Moyu die Kaiserin der Geschäftswelt und befand sich auf dem Höhepunkt ihrer Karriere, bevor sie zu einem Nichts wurde, als ihr Verlobter sich in eine andere Frau verliebte. Das war in Ordnung, da es keine Liebe zwischen ihr und Feng Tianhua gab, aber wer hätte gedacht, dass dieses "Aschenputtel" ein Wolf im Schafspelz war? Und dann ist da noch Feng Tianyi, der berüchtigte Nachfolger der Feng-Familie, ein von der Kritik gefeierter Autor, der mit seinen Büchern ständig die Bestsellerlisten stürmt. Gerüchte besagen, dass er hitzköpfig und temperamentvoll war. Er war so rücksichtslos, dass weder Männer noch Frauen seine Gesellschaft wollten. Die Gerüchte besagen sogar, dass sein Gesicht so gut aussehend und nicht von dieser Welt war. Er war praktisch ein Gott unter den Menschen. Es war schade, dass er verkrüppelt war. Die beiden sollten sich nie wiedersehen, aber ein paar süße kleine Brötchen kamen dazwischen. "Onkel, wir haben kein Geld, um dir den Schaden zu bezahlen." sagte das ältere kleine Brötchen. "Meine Manuskripte sind unbezahlbar", erwiderte der hübsche Onkel amüsiert. "Onkel, wenn es dir nichts ausmacht, können wir mit unserer Mama bezahlen? Sie ist auch von unschätzbarem Wert." Und so trafen die beiden süßen Brötchen und der hübsche Onkel eine Vereinbarung, aber wer hätte gedacht, dass es sich bei der Frau um eine eiskalte Königin aus der Hölle handelte, die eine seltsame Vorliebe für Süßigkeiten hatte? -- Herausgeber/Lektorat: ninaviews Buchcover: Bizzybiin / Copyright 2020 anjeeriku

``` —¡Feng Tianyi! ¡Tu hermano destruyó mi familia Tang! ¿Hay algo bueno en tu familia? —exclamó con ira. —En. ¿No ves cómo nuestros buenos genes se transmiten a nuestros hijos? En cuanto a la deuda de la familia Feng, te la pagaré —dijo con despreocupación. Tang Moyu se rió con desdén y cruzó los brazos sobre su pecho. —¿Cómo piensas pagarlo? —¿Qué tal si te reembolso con mi cuerpo? ... ¡Qué sinvergüenza! El hombre sentado en su silla de ruedas estalló en una carcajada al ver su fea expresión. —Señorita Tang, no tiene sentido que pretendas que no lo has visto ya que prácticamente te subiste a mi cama y te aprovechaste de mí. Hace cinco años, Tang Moyu era la emperatriz del mundo empresarial y estaba en la cima de su carrera antes de ser reducida a nada cuando su prometido se enamoró de otra mujer. Eso estaba bien, ya que no había amor entre ella y Feng Tianhua, pero ¿quién hubiera pensado que esta ‘Cenicienta’ era un lobo con piel de oveja? Luego está Feng Tianyi, el infame sucesor de la familia Feng, un autor aclamado por la crítica que constantemente sacudía la lista de los más vendidos con sus libros. Los rumores dicen que era de carácter fuerte y temperamental. Era tan despiadado que ni hombres ni mujeres querían su compañía. Los rumores incluso dicen que su rostro era tan bello y fuera de este mundo. Era prácticamente un dios entre los hombres. Era una lástima que estuviera incapacitado. Los dos nunca debían encontrarse de nuevo, pero un par de dulces pequeños bollos intervinieron. —Tío, no tenemos dinero para pagarle por los daños —dijo el mayor de los Pequeños Bollos. —Mis manuscritos no tienen precio —respondió este tío apuesto con diversión. —Tío, si no te importa, ¿podemos pagar con nuestra Mami? Ella también es invaluable —propuso el pequeño. Y así el par de dulces pequeños bollos y el tío apuesto llegaron a un acuerdo, pero ¿quién hubiera pensado que la mujer en cuestión era una reina helada del infierno que tenía una extraña afinidad por los dulces? — Editor/corrector: ninaviews Portada del libro: Bizzybiin / derechos de autor 2020 anjeeriku ```

Dopo cinque anni, Ning Xi è tornata nel luogo che l'aveva allontanata — casa. Con una sorella che aveva messo i suoi genitori contro di lei e fatto tradire il suo tesoro d'infanzia, le prospettive sembravano grigie. Tuttavia, cinque anni all'estero l'avevano cambiata, ed è tornata a casa per realizzare il suo sogno d'infanzia di diventare un'attrice. Nonostante la sua perfida sorella sia ancora determinata a colpirla, le carte in tavola stanno per cambiare. Un giorno, dopo essere caduta in uno dei piani della sorella, salva un adorabile bambino e si ritrova a stare a casa sua per aiutarlo ad uscire dal suo guscio. Lentamente, suo padre Lu Tingxiao inizia ad innamorarsi di lei. Questo accadeva prima che si rendessero conto di come le loro vite erano state intrecciate per tutto questo tempo senza che loro lo sapessero.

[Status: COMPLETATO] "Feng Tianyi! Tuo fratello ha distrutto la mia famiglia Tang! C'è qualcosa di buono nella tua famiglia?" "En. Non vedi come i nostri geni attraenti sono stati trasmessi ai nostri figli? Per quanto riguarda il debito della famiglia Feng, te lo pagherò." Disse con noncuranza. Tang Moyu sbuffò e incrociò le braccia sul petto. "Come lo pagherai?" "Che ne dici se ti ripago con il mio corpo?" "..." Così sfacciato! L'uomo seduto sulla sua sedia a rotelle scoppiò in una risata vedendo la sua espressione contrariata. "Signorina Tang, è inutile fingere di non averlo visto dato che praticamente sei salita sul mio letto e hai approfittato di me." Cinque anni fa, Tang Moyu era l'imperatrice del mondo degli affari ed era all'apice della sua carriera prima di essere ridotta a nulla quando il suo fidanzato si innamorò di un'altra donna. Andava bene così dato che non c'era amore tra lei e Feng Tianhua, ma chi avrebbe pensato che questa 'Cenerentola' fosse un lupo travestito da agnello? Poi c'è Feng Tianyi, il famigerato successore della famiglia Feng, un autore acclamato dalla critica che dominava costantemente la lista dei bestseller con i suoi libri. Si dice che fosse irascibile e lunatico. Era così spietato che né uomini né donne volevano la sua compagnia. Le voci dicevano persino che il suo viso fosse così bello e fuori dal comune. Era praticamente un dio tra gli uomini. Peccato che fosse storpio. I due non dovevano mai più incontrarsi, ma una coppia di piccoli panini è intervenuta. "Zio, non abbiamo soldi per pagarti i danni." Disse il Piccolo Panino maggiore. "I miei manoscritti sono inestimabili," rispose divertito questo zio attraente. "Zio, se non ti dispiace, possiamo pagare con la nostra Mamma? Anche lei è inestimabile." E così la coppia di dolci piccoli panini e l'attraente zio strinsero un accordo, ma chi avrebbe pensato che la donna in questione fosse una regina di ghiaccio dall'inferno con una strana affinità per i dolci? —— Editor/correttore: ninaviews Copertina del libro: Bizzybiin / copyright 2020 anjeeriku

John was an exorcist who tries to help innocent people from the grasps of ghosts and other evil entities. He believes that he is helping those people in need, but is that true? Did he really help those people? He didn't want to believe the other way, those who raised him taught that. He has a secret that even he himself doesn't know. What would happen is that those in the opposite faction take advantage of this and try to manipulate everything. The powers that he has will end those innocent people's lives? Did he finally get corrupted according to the enemies? Let's dive into the story of Jauary John and find the answers.

On Earth war was extremely common for thousands of generations and throughout that a single family stood out for it's members being involved in all of the world's wars throughout history. These indivuals were usually legends in the heart of battle. Eventually humanity evolved warfare had also evolved and so did these family members than came peace. The descendents began to lose the ability to fight gradually eventually came members who could no longer fight at all. They were in building and destruction before they became farmers. Thirty nine generations of farmers later became a family of fishers. Forty generations later the youngest son of the family was killed in a car accident at the age of sixteen. His girlfriend was devastated by that and had taken her life soon after. After he died his soul was brought before God he says "Am I dead?" God says "Yes you have died in a tragic accident I am willing to give you a second chance at life" The boy says "What's the price?" God says "You'll be reincarnated in a different world one with magic monsters and the likes" The boy says "I accept thank you" God reincarnated the boy. The girlfriends soul soon after appears before God he says "Hello you have unfortunately died this is very tragic" The girl says "Agreed I wish that I could have been with my beloved in the afterlife" God says "I reincarnated him to another world" The girl says "Please send me to the same world" God says "Sure I don't see any reason to keep a love so strong that even death and reincarnation can't break it" The girl says "Thank you so much" God reincarnated her to the same world.

The Gospel according to John is quite different in character from the three synoptic gospels. It is highly literary and symbolic. It does not follow the same order or reproduce the same stories as the synoptic gospels. To a much greater degree, it is the product of a developed theological reflection and grows out of a different circle and tradition. It was probably written in the 90s of the first century. The Gospel of John begins with a magnificent prologue, which states many of the major themes and motifs of the gospel, much as an overture does for a musical work. The prologue proclaims Jesus as the preexistent and incarnate Word of God who has revealed the Father to us. The rest of the first chapter forms the introduction to the gospel proper and consists of the Baptist’s testimony about Jesus (there is no baptism of Jesus in this gospel—John simply points him out as the Lamb of God), followed by stories of the call of the first disciples, in which various titles predicated of Jesus in the early church are presented. The gospel narrative contains a series of “signs”—the gospel’s word for the wondrous deeds of Jesus. The author is primarily interested in the significance of these deeds, and so interprets them for the reader by various reflections, narratives, and discourses. The first sign is the transformation of water into wine at Cana (Jn 2:1–11); this represents the replacement of the Jewish ceremonial washings and symbolizes the entire creative and transforming work of Jesus. The second sign, the cure of the royal official’s son (Jn 4:46–54) simply by the word of Jesus at a distance, signifies the power of Jesus’ life-giving word. The same theme is further developed by other signs, probably for a total of seven. The third sign, the cure of the paralytic at the pool with five porticoes in chap. 5, continues the theme of water offering newness of life. In the preceding chapter, to the woman at the well in Samaria Jesus had offered living water springing up to eternal life, a symbol of the revelation that Jesus brings; here Jesus’ life-giving word replaces the water of the pool that failed to bring life. Jn 6 contains two signs, the multiplication of loaves and the walking on the waters of the Sea of Galilee. These signs are connected much as the manna and the crossing of the Red Sea are in the Passover narrative and symbolize a new exodus. The multiplication of the loaves is interpreted for the reader by the discourse that follows, where the bread of life is used first as a figure for the revelation of God in Jesus and then for the Eucharist. After a series of dialogues reflecting Jesus’ debates with the Jewish authorities at the Feast of Tabernacles in Jn 7; 8, the sixth sign is presented in Jn 9, the sign of the young man born blind. This is a narrative illustration of the theme of conflict in the preceding two chapters; it proclaims the triumph of light over darkness, as Jesus is presented as the Light of the world. This is interpreted by a narrative of controversy between the Pharisees and the young man who had been given his sight by Jesus, ending with a discussion of spiritual blindness and spelling out the symbolic meaning of the cure. And finally, the seventh sign, the raising of Lazarus in chap. 11, is the climax of signs. Lazarus is presented as a token of the real life that Jesus, the Resurrection and the Life, who will now ironically be put to death because of his gift of life to Lazarus, will give to all who believe in him once he has been raised from the dead.

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After going to a graveyard John picks a fight that causes him to fight simply to survive as the Legendary Broly takes on the challenge but can anyone stop the brute? Or will everyone die at the hands of the legendary Broly?