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Revellor

Revellor

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2020-12-05 Joined Global

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Posted

With 50 free chapters released and more steadily on their way, now is a good time to write a first review – one I will gladly come back to upon this work's conclusion sometime in the future. This is the third work in the author’s collection, one completed and one on hiatus, and the experience clearly shows. The author has continued to fine-tune their craft while leaving their core style clearly identifiable, and I am very excited to see how this story develops. The style is simple and succinct, though not lacking flair. Ease of reading and clarity aside, it lends itself particularly well to the expressive, larger-than-life dialogue, a prominent feature in the author’s works. The vivid and emotionally charged interactions of the characters play an incredibly active part in all aspects of writing, from characterization to world-building. It is a breath of fresh air in lieu of the swathes of grimdark and apathetic one-liners we readers are all too familiar with. The characters themselves live up to these expectations, their outlines clearly defined from the start, while leaving more than enough room for growth as the story develops. At the time of publication of this review, the main trio has been introduced and developed in great detail, yet sacrificing none of the mystery of unknown or untrustworthy character backgrounds. As the main powerhouse prepares for a wholesome exeunt, the two main protagonists, almost direct opposites of each other in all manner of ways, provide the author with a blank canvas to develop alongside the story’s progression. The world-building of the last fifty chapters provides a solid foundation for this approach, hitting all the right buttons. There’s intrigue, mysterious world politics, an innovative power system and enough enemies, hidden or otherwise, to keep the protagonists occupied for many story arcs to come. The power system especially is one I’m interested in learning more about. To avoid spoilers, it takes an unique three-pronged approach with some tasteful strategic terminology that leaves a lot of room for individuality. Unlike in many stories out there, the protagonists are not blessed with a completely unique class or unheard of element. Seemingly aiming to subvert this trope we instead have common building blocks, which will certainly build up to much more by virtue of characterization and originality, and not a fated bestowal of power because you happened to be in the right dungeon at the right time. The story is set up to be an epic progression fantasy, but with a twist best described as “out with the old and in with the new”, which you may have already picked up on. There are no issues with the grammar or linguistic quality of the writing, so the readers will have an unimpeded reading experience. I am rating it five stars for the quality so far and the great potential beyond, and would certainly recommend everyone to try it for themselves. If you are interested in well thought-out and slow power progression, lively characters, a methodically structured and intricate world, and an adventure story leaning more towards wholesome than dark, this is the book for you.

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Replied to Random_writer

I largely agree with everything you've said in response. To clarify a bit further, it is not that Doevm's rage borne of his lichhood and past experiences was inexplicable in and of itself - you’ve done a great job setting that up character-wise and it has been featured before so it’s not like it’s the first time it happens - but rather that it appeared so in the passage. My biggest gripe with that scene was how rough it seemed, like a patchwork quilt of different things rather than one whole. Your reasoning of Doevm being accused while innocent makes perfect sense, and would have been even better had you included that line in the relevant paragraph. Sure, it's a bit on the nose and diligent readers can figure out why he is angry anyway, but it helps to ensure a certain baseline for clarity and immediate understanding, and to just improve the overall flow of that scene so readers don’t stumble over it. But you’ve noticed that yourself as well. You could also subtly address his leadership this way, so that the thing with Elero is also clearer. But other such things are not actually that problematic, they are just missing a few details here and there to connect everything a bit more. The patchwork analogy from before basically. Besides that, the cut to the group is also not going to be a problem if you make it worth it, i.e. adjust it to flow better and be less “because plot”, as you said. Hope this helps clarify some of my points. I love your work and am curious how you will adjust that scene :)

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Commented

Sure, paragraph comments with extra details, included or not, are always nice :D In response to your earlier query: Continuously dehumanising Thomas, before seamlessly transitioning into refering to him as it, the Shadox, is definitely a nice touch and really well done. However, the transition back to Thomas could have been improved somewhat, in my opinion. Starting the parapgraph with "Thomas blinked. He was standing..." right after "shifting lungs..." would be much more abrupt, hence impactful, but also easier to follow along with. Furthermore, it would make one ponder whether that episode really happened for a moment, which you could have leaned into more. As is, the transition from Thomas collapsing, to Thomas standing in front of a door that has claw marks from his attacks and a feather makes little sense, as an entire chunk is seemingly gone. If he still went mad and rushed around, he shouldn't have collapsed, and vice versa. Though maybe I'm wrong and you plan to add more on that in future chapter(s) or I missed something. Either way, the scene and idea themselves are great. One other thing is the change in perspective to the rest of the group and their altercation with the villagers. Not only does its sole purpose seem to be arbitrarily elaborating on why Doevm cannot provide more help, but it's also somewhat haphazard, at least to me. Their carriage is still on the road, so clearly they just arrived; their group has enough power to frighten the villagers into calming down yet is seemingly being pressured; Elero expressed her wish to avoid a fight, yet has no idea how to do so and is relying on Doevm who is inexplicably mad at the humans again. It just seems a bit clunky while not contributing anything to the events happening in the mansion. Instead it removes some of the mystery around why Doevm cannot provide more help to Thomas, and also interrupts the buildup of tension and the atmosphere of the mansion you so painstakingly created. Again though, these are just my impressions, so feel free to disagree. I really liked this mini arc so far and am curious how it will wrap up :)

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