Since ancient times, the size of the Chinese immortals had been arranged.

The question of how many strange books there were in China since ancient times could be answered from different angles. From a historical point of view, there were many great novels in China, such as "Dream of the Red Chamber","Water Margins","Journey to the West", etc. These novels were considered to be ancient Chinese literary works and important chapters in the history of world literature. From a literary point of view, these novels had high artistic and literary value and were called "strange books". From a cultural point of view, there were many cultural classics in China, such as the Analects of Confucius, the Tao Te Ching, the Book of Changes, and so on. These books were considered the cornerstone and essence of Chinese culture. These books not only had a profound impact on Chinese culture, but also had an important impact on world culture. China has many great novels and cultural heritages, some of which are considered wonderful books, including Dream of the Red Chamber, Water Margins, Journey to the West, The Analects of Confucius, Tao Te Ching, Book of Changes, etc. These books not only have high artistic and literary value, but also are an important part of Chinese culture, which has a profound impact on world culture.

In China, the ranking of Taoist immortals may vary according to different factions and different historical periods. Generally speaking, the ranking of Chinese Taoist immortals was arranged according to the order of seniority. The most important order was "Three Pure Ones","Four Royals","Five Elders","Eight Immortals" and "God". The Three Pure Ones referred to the three different Taoist realms of Yuqing, Shangqing, and Taiqing. They were one of the highest gods of Taoism. The Four Protectors referred to the four rulers of Taoism, namely Taihao, Emperor Taihao, Emperor Changsheng of the South Pole, and Emperor Descending of the North Pole. They were responsible for supervising all things in the world and protecting the interests of Taoism. The five elders referred to the Grand Supreme Elder, the South Pole's Great Emperor Chang Sheng, the North Pole's Great Emperor Xian Sheng, the East Emperor Tai Yi, and the West Emperor Tai Yi. They were considered the creators and guardians of heaven and earth. The Eight Immortals referred to the eight immortals in Taoism, namely Zhang Guolao, Tie Guaili, Lu Dongbin, He Xiangu, Cao Guojiu, Lan Caihe, Han Xiangzi, and Li Tieguai. They were usually regarded as deities who played a supporting role in Taoism. "God" referred to the highest god in Taoism, who was regarded as the master and creator of heaven and earth. It should be noted that the ranking of these gods was not fixed. It might change due to different historical periods and different religious factions.

The ranking of Chinese Taoist immortals was based on their duties and status, not on age, cultivation, or other factors. According to classic texts such as Tao Te Ching and Investiture of the Gods, the ranking of Chinese Taoist immortals was roughly as follows: 1 Heavenly Emperor (Jade Emperor) 2. South Pole Immortal Weng (South Pole Immortal Emperor) 3. Eastern Emperor Taiyi (Eastern Emperor Taihao) 4. North Pole Xuanming (North Pole Great Emperor) 5. Three Pure Dao Ancestors (Jade Pure, Supreme Pure, Supreme Pure) 6. Grand Supreme Elderly Lord (Dao Ancestor) Immortal Xihua (Immortal Taiyi) 8. The spouse of the South Pole Emperor Changsheng--the South Pole Immortal Mother 9. South Pole Mother and Child (South Pole Goddess) Great Void Emperor (North Pole Emperor) Donghuang Taiyi's Consort-Donghuang Taihao (Immortal Taiyi) 12 Zixiao Xiaojun (Nine Heavens Progenitor) Eight Immortals Crossing the Sea It should be noted that this is only a rough ranking. The specific order may vary according to different classic documents or inheritances. In addition, the immortals in Chinese Taoism were not fixed. Their status and duties might change with the changes of history.

In the ranking of Taoist immortals in China, different sects and Taoist priests of different inheritances may have different rankings, but generally speaking, they are arranged in the following order according to the time order and functional authority: The Jade Emperor is one of the highest gods in Taoism. He is considered to be the master and creator of heaven and earth, and the leader of all immortals. 2. Three Pure Dao Ancestors: The representatives of the Taoist Three Pure Gods are Yuqing, Shangqing, and Taiqing Dao Ancestors. They are the core leaders of the Dao World. 3. The master of the Daoist Canon: also known as the Taishang Daozu, is one of the highest gods of Taoism. He is considered to be the creator and ruler of the Daoist Canon and the leader of the immortals. 4. Twelve Yuanchen: The twelve zodiac gods in Taoism. Each Yuanchen has a unique function and responsibility. Taihao God: The representative of the North Pole God, who is considered to be the master of weather and climate change, and also the wise man among the gods. 6. The South Pole Immortal Weng: The representative of the South Pole God. He is considered to be the ruler of longevity and happiness, and also a philanthropist among the gods. Immortal Taiyi was a Taoist priest and doctor among the immortals, and also the assistant and guardian of the South Pole Immortal Weng. 8. God of the Northern Dipper: One of the eight gods of Taoism. They are the rulers of the seven stars of the Northern Dipper and are considered symbols of wealth, health, and peace. Taixu Zhenjun: One of the highest gods in Taoism. He is considered to be the symbol of the universe and space. He is also a wise man among the immortals. The Xuanming Elders are one of the immortals of the North Pole and the South Pole. They are Xuanmingzi and Xuanmingshi respectively. They are the advisors and guardians of the Taihao God and the Beidou God. It should be noted that this was only the general ranking method. Different sects and different inheritances of Taoist priests might have different rankings.

Since ancient times, cultivators had always dreamed of becoming immortals, but there was no definite answer to the question of whether humans could become immortals. From a scientific point of view, cultivation was a fictional concept with no scientific basis. However, from the novel, we can understand that immortal cultivators cultivate special methods and special medicines to improve their cultivation and finally achieve the goal of ascending to become immortals. However, cultivation did not exist in reality. Whether a human could become an immortal depended on their willpower and self-discipline, not through special cultivation techniques or drugs. Therefore, from a realistic point of view, it was impossible for humans to cultivate to become immortals. However, the immortal cultivation stories in novels could bring entertainment and imagination to people, allowing them to experience an extraordinary feeling.

Since modern times, there has been a controversy about whether there is tragedy in Chinese classical opera. Some opera scholars believed that there were inevitably tragedies in classical opera, such as "Dream of the Red Chamber" and "Water Margins". Although these works had profound social significance, not all of them also had some comedies, romance dramas, and other works. Others think that the tragic elements in classical opera are relatively weak because opera is a kind of performing art. Its creation and performance pay more attention to drama and entertainment. Therefore, they believed that classical opera was more of a form of comedy or farce, such as "The Western Chamber","The Peony Pavilion" and so on.

Chinese characters have gone through many historical changes since ancient times. The following are some of the main changes: 1. Oracle Bone Inscriptions: A type of writing that appeared in the late Shang Dynasty (16th century B.C. -11th century B.C.) was one of the earliest characters in ancient China. The inscriptions on bones and tortoise shells were mainly used to record information such as divination and medicine. 2. Bronze characters: A type of writing that appeared in the late Shang Dynasty and early Zhou Dynasty (11th century B.C. -221B.C.). It is the embryonic form of the official characters of ancient China. The inscriptions on bronze were mainly written on bronze. These words were mainly used to record political, military, cultural and other information during the Shang and Zhou Dynasties. 3. Xiao Zhuan: A type of writing that appeared during the Qin Dynasty (221 - 206 B.C.) was the standard form of writing in ancient China, also known as the "common writing of the Qin Dynasty". Xiaozhuan was one of the most important characters in the history of ancient Chinese literature. Lishu: A type of script that appeared during the Han Dynasty (206 B.C. -220 A.D.). It was one of the important forms of written language in ancient China. The official script was featured by its neat and sharp strokes and a certain calligraphic style. It was one of the most important characters in the history of ancient Chinese literature. Regular script: A type of script that appeared during the Tang Dynasty (618 - 907 AD). It was one of the main forms of written language in ancient China. Regular script was one of the most important characters in the history of ancient Chinese literature. A type of writing that appeared during the Song Dynasty (960 - 1279 AD) was one of the most important forms of written language in ancient China. Running script was one of the most important characters in the history of ancient Chinese literature. Cursive script: A type of script that appeared during the Yuan Dynasty (1271 - 1368 AD). It was one of the important forms of written language in ancient China. The cursive script was one of the most important characters in the history of ancient Chinese literature. The Chinese characters have gone through a long period of historical changes. The forms and styles of the characters are different in different periods and different cultural backgrounds, but they are all important components of ancient Chinese culture.

The development of Chinese literature from ancient times to the present has gone through several stages as follows: First stage: Pre-Qin period (11th century B.C. -21st century B.C.) The pre-Qin period was the budding period of Chinese literature. The works of this period were mainly poetry, prose and Fu. One of the most famous works was the Book of Songs, which was the earliest collection of poems in China and included a large number of poems from the Pre-Qin period. In addition, there were also excellent literary works such as "Chu Ci" and "Li Sao". The second stage: Qin and Han Dynasties (21st century B.C. -220AD) The Qin and Han Dynasties were the heyday of Chinese literature. The works of this period were mainly novels, operas and music. His famous literary works included "Dream of the Red Chamber,""Romance of the Three Kingdoms,""Water Margins," and other novels, as well as "Legend of the White Snake,""Romance of the Western Chamber," and other opera works. In addition, the classic works such as the Book of Songs and the Songs of Chu had been further developed and perfected. The third stage: Wei, Jin, Southern and Northern Dynasties (220 - 589) The Wei, Jin, Southern and Northern Dynasties were the low point of Chinese literature. The works of this period were mainly poetry and literary works. Due to political turmoil, social unrest, natural disasters and other reasons, many excellent literary works could not be created and passed down in time, resulting in the relatively low level of works in this period. The fourth stage: Tang, Song, Yuan, Ming and Qing Dynasties (589 - 1911) The Tang, Song, Yuan, Ming and Qing dynasties were the peak period of Chinese literature. The works of this period were mainly novels, essays, poems, and operas. Famous literary works included novels such as Water Margins, Journey to the West, Romance of the Three Kingdoms, and classic works such as The Analects of Confucius, Mencius, and The Book of Songs. In addition, there were a large number of prose works such as "Dream of the Red Chamber" and "The Scholars".

There were many. In ancient times, there were Cao Xueqin, William shakespeare, and Dickens. In modern times, there were Hugo, Ernest hemmingway, Faulkner, Tolstoy, and so on. They were all important figures in the history of Chinese literature.

Heroes of the Past was a TV series. The plot took place in the late Ming and early Qing dynasties, when the imperial court was corrupt and the rebel army rose up. The Heaven and Earth Society's aim was to " reverse the Qing Dynasty and restore the Ming Dynasty ", saving the people from the fire and water, and was deeply hated by the court. The main characters in the drama were Shi Xiaolong, Bai Jing, Sun Yiming, Wu Lei, and so on. The plot was compact and full of action and martial arts elements. However, the given search results did not mention any specific information about the super clear version of Heroes of the Past, so no more details could be provided.