Who had the most comprehensive literary talent in the Song Dynasty?

The most influential literary school in the early Song Dynasty was the literature of the Three Su Sects, also known as the literature of the Four Scholars of the Su Sect. Su Xun, Su Shi, and Su Zhe were all writers of the Northern Song Dynasty. Their literary achievements were regarded as one of the outstanding representatives in the history of ancient Chinese literature. The literature of the Three Su Dynasties was mainly composed of prose. Its style was fresh and natural, and its emotions were sincere and its thoughts were profound. It was known as the representative figure of a gentleman. His literary works, including Dongpo Zhilin and Dongli Yuefu, had a profound influence on later literature. The literature of the Three Su Dynasties was not only respected in the Song Dynasty, but also in the Ming and Qing Dynasties, becoming one of the literary classics. His literary achievements not only occupied an important position in the history of Chinese literature, but also had a positive impact on the literature of various countries in the world.

It was not easy to answer the question of who had the best literary talent in writing online novels because the standards of literary talent in online novels were relatively different. Different people had different aesthetic standards and preferences. However, if you were to choose the most literary web novel, some people might say it was Battle Through the Heavens because it was a very popular fantasy novel, and many people thought it was a classic among web novels. However, there were also people who thought that other online novels such as Jiangnan and Misty Rain Jiangnan.

Ouyang Xiu was a writer, politician, and ideologist in the Northern Song Dynasty. He was known as the leader of the literary world in the middle of the Northern Song Dynasty. His literary achievements, especially in the Tang and Song Dynasties, had a far-reaching impact on later generations. Ouyang Xiu's main achievement in literature was prose. His prose style was fresh, natural, and emotional, expressing his concern for social reality and his understanding and thinking of human nature. His prose works included "On the Clique","The Story of the Drunkard Pavilion","Eight Songs of Autumn" and so on, which were regarded as the peak works of ancient Chinese prose. Ouyang Xiu was also an outstanding politician. He advocated governing the country with literature, believing that literature could reflect social reality and guide people to make the right choice. He also put forward the idea of "making friends through literature" and "making friends through literature", which promoted the exchange and interaction between literature and social intercourse. Overall, Ouyang Xiu's literary and political achievements showed that his outstanding talent and noble moral character made him a leading figure in the literary world and an outstanding politician in the middle of the Northern Song Dynasty.

In the Song Dynasty, Su Shi was the first to advocate literary reform. Su Shi was a writer, painter, and politician of the Song Dynasty. He was also one of the famous "Eight Great Masters of the Tang and Song Dynasties" in the history of Chinese literature. He had made a lot of contributions to the literary reform, advocating the literary ideas of "Wen Tong" and "Gentleman and Gentleman", opposing the mechanical carving of literary skills, advocating natural, true, and simple language to express thoughts and feelings, and opposing the pursuit of gorgeous, empty, and hypocritical literary styles. His book, Guwen Guanzhi, which advocated Wen Tong, advocated to use ancient prose to view modern literature and advocated for stylistic innovation, which had a profound impact on later literature.

The famous literary critics of the Southern Song Dynasty were: 1 Ma Zhiyuan: Southern Song Dynasty writer and critic. He advocated that literature should be used as a medium to convey morality, emphasizing the social responsibility and practical role of literature. 2. Xin Qiji: Southern Song Dynasty writer and critic. His Ci was known as "Xin Ci", which emphasized the lyricism and artistry of Ci. 3. Ye Mengde: Southern Song Dynasty writer and critic. He advocated that "a gentleman should be gentle" and emphasized the distinction between refined and vulgar literature and the authenticity of literature. 4. Liu Kezhuang: Southern Song Dynasty writer and critic. He advocated that "the article is eternal" and emphasized the historical and eternal nature of literature. 5 Lu Lun: Southern Song Dynasty writer and critic. His works were known as "Lu Lun Ci", which emphasized the artistry and emotion of Ci. 6 Zhou Bangyan: Southern Song Dynasty writer and critic. His works were known as "Zhou Ci", which emphasized the artistry and emotion of Ci. 7 Zhu Xi: Southern Song Dynasty philosopher, lecturer, writer, and critic. He advocated the unity of knowledge and action, emphasizing the practicality and theory of literature. These literary critics played an important role in the development and prosperity of the Southern Song Dynasty literature, and also had a far-reaching impact on later literary criticism.

Song Dynasty literature was famous for its Ci.

The biggest literary style of the Song Dynasty was Ci.

The Song Dynasty was an important period in the history of Chinese literature. 1 Ci: It is a lyric poem style that focuses on singing, represented by Su Shi, Xin Qiji and other Ci writers. Prose: It is a kind of argumentative literary genre represented by Ouyang Xiu, Fan Zhongyan and other essayists. 3. Poetry: It is a literary genre that focuses on lyricism and description, represented by poets such as Lu You and Yang Wanli. 4. Fictions: A fictional literary genre represented by novels such as Water Margins and Journey to the West. There were many literary styles in the Song Dynasty, including bold and unconstrained poets such as Su Shi and Xin Qiji, graceful and restrained poets such as Li Qingzhao and Liu Yong, essayists such as Ouyang Xiu and Fan Zhongyan, and poets such as Lu You and Yang Wanli who described folk life. The peak period of Song Dynasty literature was the Southern Song Dynasty, where many outstanding writers and literary works emerged, which had a profound impact on later literature.

The greatest literary style of the Song Dynasty was Ci. Ci was a form of literature in the Song Dynasty. It was based on music and used spoken language as a means of expression. It had a strong expressive power and appeal. The literary status of Ci received unprecedented attention in the Song Dynasty. It was widely used not only in poetry but also in prose, novels and other literary creations. In terms of the form of Ci, the Ci writers of Song Dynasty created many new forms of Ci, Ci temperament and Ci tune, which made Ci's expressiveness richer and more diverse. For example, Su Shi, Xin Qiji and other Ci writers created Su Shi's "Shuidiao Getou" and Xin Qiji's "Sapphire Case·Yuanxi" and other representative Ci works. In terms of the content of the Ci, the Ci writers of the Song Dynasty mainly described various scenes in real life, such as mountains, rivers, fields, war scenes, interpersonal relationships, etc., expressing the author's feelings and thoughts. These works were loved by the readers for their concise and clear language, infectious expression, and profound thoughts. They became the treasures of Chinese classical literature. Song Ci is one of the representative artistic forms in Chinese classical literature. Its achievements and contributions are immeasurable, and it has played an important role in the development and prosperity of Chinese literature.