Why did Xianzong fail to revive Tang in the late Tang Dynasty?

The reason why Emperor Xianzong of the Tang Dynasty, Li Chun, did not appoint an empress was to prevent the empress from interfering with his arbitrary favor of women. He made it clear that he would not appoint an empress to prevent the empress from interfering with the government. This practice became an example in the later Tang Dynasty, and other emperors followed suit. However, the lack of an empress also led to a series of problems, such as the lack of an empress to manage the harem, resulting in the emperor's dissolute and short-lived life, the crown prince's loss of prestige, and the rampant power of eunuchs. Tang Xianzong also trusted eunuchs and promoted many eunuch generals, which aggravated the drawbacks of eunuch autocracy. Therefore, Tang Xianzong was directly responsible for the fall of the imperial power and the subversion of the empire. As for the specific reason, the search results did not provide further information.

Tang Xianzong Li Chun (March 17, 778-February 14, 820) was the 11th emperor of the Tang Dynasty and the last emperor of the Tang Dynasty. During his reign, he worked hard to make the country prosperous, put the virtuous in an important position, reformed the maladministration, worked diligently in government affairs, and strived to revive the country. He achieved great results through the policy of cutting vassal states and revived the prestige of the central government. He was known as the "Revival of Yuanhe." However, his reign did not create a glorious golden age like Emperor Taizong and Emperor Xuanzong of the Tang Dynasty. It was a flash in the pan. In the end, he was killed by eunuchs in 820.

Tang Xianzong Li Chun (March 17, 778-February 14, 820) was the 11th emperor of the Tang Dynasty and the last emperor of the Tang Dynasty. During his reign, he worked hard to make the country prosperous, put virtuous people in important positions, reformed maladministration, worked diligently in government affairs, and tried to revive the country. From then on, he achieved great results in cutting down the vassals and reviving the prestige of the central government. He was called "Yuanhe Resurrection". However, his revival did not last and eventually became a short-lived golden age. During the reign of Emperor Xianzong of the Tang Dynasty, he once pacified the military towns that refused to obey the court, temporarily ended the separation of the military towns, and reunified China. However, his unification did not last. Later, the An Lushan Rebellion occurred. Tang Xianzong was murdered by eunuch Chen Hongzhi and others at the age of 43. He was posthumously named Zhao Wen Wu Da Sheng to Shen Xiao Emperor, temple name Xianzong, buried in Jingling.

The revival of novels in the late Ming Dynasty was mainly due to the following reasons: 1. The prosperity of novel creation: The late Ming Dynasty was the prosperous period of novel creation. Many famous novelists such as Wu Weiye and Cao Xueqin appeared. Their works were not only numerous but also of high quality, such as "Dream of the Red Chamber" and "Water Margins". These works were not only widely circulated at that time, but also cherished today as classics in the history of Chinese literature. 2. The development of literary criticism: In the late Ming Dynasty, there were many literary critics who had a profound discussion and criticism of the creation and style of novels. The works of these critics not only played a positive role in promoting the creation of novels, but also provided important reference for later literary criticism. 3. The development of novel types: In the late Ming Dynasty, many new novel types appeared, such as novels adapted from classic masterpieces such as Water Margins and Romance of the Three Kingdoms, as well as novels that reflected social reality. These genre novels not only provided a new way for the variety of novel creation, but also promoted the prosperity of the novel market. The influence of cultural environment: The late Ming Dynasty was a period of cultural prosperity. With the development of social economy and the improvement of people's living standards, people's demand for culture became higher and higher. The creation of novels in the late Ming Dynasty not only satisfied people's needs, but also became a cultural phenomenon under the influence of the cultural environment. In summary, the prosperity of novel creation, the development of literary criticism, the development of novel types, and the influence of cultural environment contributed to the revival of novels in the late Ming Dynasty.

Yue Qiluo did not revive Zhang Xianzong because his primordial spirit had been destroyed and his body had been unintentionally burned. Therefore, Yue Qiluo could not revive him. In the TV series " Heartless Master," Yue Qiluo had used paper figurines to resurrect Zhang Xianzong, but then she developed the idea of a devil, controlled Zhang Xianzong, and killed Li Yueya. In addition, Yue Qiluo was used to Zhang Xianzong's loyalty and protection. When she learned that Zhang Xianzong's body was about to die, she felt sorry for him. However, Yue Qiluo only wanted a body that could not die or grow old. She did not repay Zhang Xianzong's efforts. In the end, Zhang Xianzong sacrificed himself to save Yue Qiluo. All in all, Yue Qiluo did not resurrect Zhang Xianzong because he was dead and her feelings for him had changed.

Li Chun, Emperor Xianzong of the Tang Dynasty, was the twelfth emperor of the Tang Dynasty. During his reign, he showed agility and decisiveness. In the early days of his reign, he had shown the will to revive the court, hoping to work hard. He was diligent in government affairs and worked together with the monarch and his subjects. He achieved great results in cutting down the vassals of the Yuan Dynasty and revived the prestige of the central government, which contributed to the revival of the Tang Dynasty. However, he did not create a glorious era like Emperor Taizong and Emperor Xuanzong of the Tang Dynasty, but he was able to keep pace with them and be mentioned in the same breath. This also showed that he was unusual. Li Chun, Emperor Xianzong of the Tang Dynasty, was killed by eunuchs in 820.

The saying that the late Tang Dynasty was the period of evolution and decline of the legendary novels of the Tang Dynasty was mainly because there were many famous legendary novels in the late Tang Dynasty, such as the works of Bai Juyi, Li Yishan, Liu Yuxi, etc. These works contained rich historical, political, social and life experiences, which laid the foundation for the development of the legendary novels of the Tang Dynasty. In the late Tang Dynasty, the theme and content of legendary novels were more abundant. There were many legendary novels that described the story of characters, such as "Liu Yi Biography","White Snake Biography","Journey to the West", etc. These works not only made high achievements in literature, but also played an important role in spreading and inheriting culture. At the same time, the writing style of the legendary novels in the late Tang Dynasty was more mature, the characters were more plump, the plot was more twisted, the language was more beautiful and moving. These characteristics made the legendary novels of the late Tang Dynasty an important part of the Tang Dynasty literature, which had a profound impact on later literature. Based on the above reasons, it can be said that the late Tang Dynasty was the evolution and decline of the legendary novels of the Tang Dynasty. The legendary novels of this period not only enriched the literary form and content, but also laid the foundation for the development of later literature.

The late Tang Dynasty referred to the period from the first year of Emperor Wenzong's reign (836 AD) to the fourth year of Emperor Aizong's reign (907 AD). During this period, the power of the Tang emperor gradually weakened, the military governors gradually strengthened, and poetry gradually declined.

The prosperous Tang Dynasty and the late Tang Dynasty were two stages in the development of poetry in the Tang Dynasty. The prosperous Tang Dynasty referred to the Kaiyuan and Tianbao years of Emperor Xuanzong of the Tang Dynasty, which was roughly equivalent to the first half of the eighth century. The representative poets of the prosperous Tang Dynasty were Li Bai, Du Fu, Wang Wei, etc. Their poems were full of lofty aspirations, depicting the vast natural landscape and the lives of the people. The late Tang Dynasty referred to the period after the Tang Muzong Changqing period, roughly from the middle of the 8th century to the middle of the 9th century. Poets in the late Tang Dynasty were represented by Du Mu and Li Shangyin. The creation of poems in the late Tang Dynasty was relatively conservative, with narrow subject matter and realm, and the writing style was mostly bitter. The creation of poetry in the late Tang Dynasty was influenced by the crisis of the Tang Dynasty and the mediocrity of the scholars 'lives. Therefore, compared with the prosperous Tang Dynasty, the style and temperament of poetry in the late Tang Dynasty were different.

There were six important schools of poetry in the late Tang Dynasty. The first was Bai Juyi's followers, the Popularity School; the second was Yuan Jie and the followers of the poets in the Collection of Boxes, the Jian-Gu School; the third was Zhang Ji's followers, who had a fresh poetic style, expressed their emotions truthfully, and were neat in their poems; the fourth was Jia Dao's followers, the Bitter Poetry School; the fifth was the "Qi Qi Mei Li" School influenced by Li He; and the last was the "Bo Jie Hong Ba" School, which inherited Han Yu's poetic style. Except for a few schools, the common tendency of all schools in the late Tang Dynasty was to devote themselves to the exquisite carving of art forms and to pursue the beauty of form as the ability of poetry creation. The characteristics of the poems of the late Tang Dynasty were that they paid attention to the subtle feelings and twisted psychology of the people. The style was exquisite and elegant, full of association and suggestive poems. The poems of the late Tang Dynasty were the negation of the poems of the middle Tang Dynasty and the negation of the negation of the poems of the prosperous Tang Dynasty.