Which of the guests from 'Dream of the Red Chamber' and 'Art of Life' wasn't present?

" Art Life " was a talk show that invited many celebrities from the cultural and art world to share their stories, experiences, and opinions. As for 'Dream of the Red Chamber', it was a classic in the history of Chinese novels and was hailed as the pinnacle of Chinese classical novels. The Art of Life and Dream of the Red Chamber were both treasures of Chinese culture with profound significance and value. The connection between the two was that in one of the episodes of " Art of Life ", the host had mentioned " Dream of the Red Chamber " and invited several characters from " Dream of the Red Chamber " to come and share their stories. Therefore, these two episodes could be said to be a tribute and interpretation of 'Dream of the Red Chamber'.

'Dream of the Red Chamber' was a classic work of Chinese classical literature and also one of the treasures in the history of world literature. This novel used the life experiences and love stories of the main characters such as Jia Baoyu, Lin Daiyu, and Xue Baochai as the main line. Through the description of the rise and fall of the four families of Jia, Shi, Wang, and Xue, it presented a picture of the aristocratic society of the Qing Dynasty. This article will discuss the uniqueness and narrative techniques of Dream of the Red Chamber from the perspective of narrative art. The narrative art of 'Dream of the Red Chamber' was mainly manifested in the following aspects: Narrations from multiple perspectives Dream of the Red Chamber used multiple perspectives to describe the life experiences and love stories of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through the perspectives of different characters. Jia Baoyu's perspective is the main point of view of the novel. He shows the changes and growth of himself and his family through his own unique perspective. At the same time, the perspectives of Lin Daiyu and Xue Baochai were fully displayed. They reflected the various drawbacks of the feudal society through their own emotional experiences. This multi-perspective narration made the novel more colorful and readable. 2. Delicate emotional descriptions The emotional descriptions in 'Dream of the Red Chamber' were very delicate. It showed the emotional changes and inner worlds of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through different characters and different scenes. For example, in the novel, the love story between Jia Baoyu and Lin Daiyu was described very delicately. Their emotional ups and downs and inner monologue were all described very accurately by the author. At the same time, there were many details in the novel, such as Xue Baochai's personality characteristics, Wang Xifeng's character image, etc., which provided readers with a deeper understanding. 3 Fictional storyline The plot of 'Dream of the Red Chamber' was fictional. It used different characters and scenes to tell a story that did not match history. This kind of fictional storyline made the novel more imaginative and creative, and also increased the entertainment of the readers. At the same time, the plot of the novel was also very logical. The author had put a lot of effort into the construction of the plot to make the plot clearer. To sum up, the narrative art of Dream of the Red Chamber is mainly manifested in the multi-perspective narrative, delicate emotional description and fictional plot. These unique narrative techniques and characteristics made "Dream of the Red Chamber" a classic in the history of Chinese literature and one of the treasures in the history of world literature.

Dream of the Red Chamber was a Qing Dynasty novel written in the late 18th century.

Dream of the Red Chamber was a novel from the Qing Dynasty. It depicted the life of the Qing Dynasty's aristocratic society and the relationships between the characters. It was a classic work in Chinese classical literature.

The last 40 chapters of Dream of the Red Chamber were written by Cao Xueqin. This plot was widely spread and recognized in the novel. Cao Xueqin was the author of 'Dream of the Red Chamber'. He died in Beijing in the late 18th and early 19th century. His works are still regarded as classics in the history of Chinese literature. In the novel, Cao Xueqin described a colorful world, which contained many characters and emotional stories. However, due to various reasons, he could not complete the final version of the novel. The last 40 chapters were continued by others and gradually formed various versions. These versions gradually evolved and enriched the plot and characters of the novel in the process of inheritance, and also influenced the development and style of modern Chinese literature.

Dream of the Red Chamber was a classic of Chinese classical literature and an important part of Chinese culture. Many great men from ancient times to the present had commented on Dream of the Red Chamber. In modern China, the Dream of the Red Chamber was highly praised by Lu Xun. He believed that it was a work of great thought and artistic achievement. In New Evidence of the Dream of the Red Chamber, Lu Xun praised the Dream of the Red Chamber for "reflecting the corruption of the feudal society and the sufferings of the people in the form of a novel" and believed that it was "a true masterpiece of world literature in the history of Chinese novels". In modern China, the Dream of the Red Chamber was highly praised by Hu Shi, Lin Yutang, Ba Jin, and others. Hu Shi believed that the Dream of the Red Chamber was the pinnacle of Chinese literature and the "crown of Chinese classical literature". Lin Yutang praised 'Dream of the Red Chamber' as 'the best novel describing China's feudal society'. Dream of the Red Chamber was highly praised by many celebrities in the current era. Lao She believed that the Dream of the Red Chamber was "an outstanding novel" and praised it as "a masterpiece of Chinese classical literature". Duan Yongping believed that "Dream of the Red Chamber" was "a true literary masterpiece" and that it was "a pearl in the treasure house of Chinese culture".

Dream of the Red Chamber was a classic work of Chinese classical literature and also a treasure in the world's literary treasure house. Many great men in history have commented on 'Dream of the Red Chamber'. The following are some of them: Nalan Xingde, a Qing Dynasty ideologist, writer, and cultural celebrity, believed that "Dream of the Red Chamber" was "the crown of Chinese novels". The modern writer Lu Xun commented that "Dream of the Red Chamber" was "the first masterpiece in the history of Chinese novels". The contemporary Dream of the Red Chamber was a masterpiece that described traditional Chinese culture and life. Confucius, a famous politician, ideologist, and teacher, praised "Dream of the Red Chamber" as "the treasure house of Chinese novels". Modern cultural celebrity Hu Shi believes that "Dream of the Red Chamber" is "the pinnacle of Chinese classical novel art." In addition, many other great men had commented on 'Dream of the Red Chamber'. These comments all reflected the outstanding value of' Dream of the Red Chamber 'in the fields of culture, art, and thought.

'Dream of the Red Chamber' was not based on a novel but on the Qing Dynasty's 'Notes on the Dream of the Red Chamber'. Cao Xueqin started writing this novel in the late 18th century, and it was a work that he completed in the late 19th century. The content was similar to Dream of the Red Chamber, but it was not the original author's work. Notes of the Dream of the Red Chamber was an important Chinese literary document, which had a great influence on the adaptation of the novel.

The 83rd edition of Dream of the Red Chamber was based on the TV series of the same name directed by Cheng Weiyuan and Huang Rihua. The TV series was adapted from the Qing Dynasty's Dream of the Red Chamber.