Why did the four myths of ancient China end in tragedy?
The four myths of ancient China were Journey to the West, Water Margins, Romance of the Three Kingdoms, and Dream of the Red Chamber. They were all classics of Chinese literature that were widely read and praised. The reason why the endings of these novels were tragic was that their plots and characters had experienced many difficulties and challenges, but in the end, they could not escape the fate of failure and tragedy. The following are the main reasons for the tragic endings of the four ancient Chinese myths: Pursue power and desire: The main characters in these novels all desire power and wealth, but they eventually fall into trouble and failure because of their pursuit of these. In the Journey to the West, Sun Wukong went through 81 difficulties in order to obtain the true scriptures, but in the end, he could not escape the fate of death. In Water Margins, the heroes of Liangshan Lake rebelled against the ruling class, but they were eventually suppressed. Many heroes could not escape their tragic fate. In the Romance of the Three Kingdoms, Cao Cao, Liu Bei, Sun Quan and others all pursued power and unified the world, but they were all defeated by the enemy in the end, and their endings were relatively tragic. The love story of Jia Baoyu, Lin Daiyu and the others in Dream of the Red Chamber was one of the classics in the novel, but they all ended up in tragedy because of the decline of their families. 2. The arrangement of fate: The main characters in these novels are faced with the arrangement of fate, and they cannot escape the fate of death and failure in the end. In Journey to the West, Tang Sanzang and his three disciples were unable to escape from the demon's claws and all of them had a tragic ending. In the Water Margins, the heroes of Liangshan Lake were eventually killed by the enemy, and their lives suffered a great loss. In the Romance of the Three Kingdoms, Cao Cao, Liu Bei, Sun Quan and the others all ended up in failure, and their historical status was greatly weakened. In Dream of the Red Chamber, the love story of Jia Baoyu, Lin Daiyu and others was finally defeated by fate and they each headed for a tragic ending. 3. social background and historical environment: The social background and historical environment of these novels also determined their tragic endings. In ancient China, many people fell into trouble and failed because of their pursuit of power and wealth. At the same time, the class struggles, wars, and political struggles in history also had a huge impact on the endings of these novels.
The Four Great Myths of Ancient China
The four great myths of ancient China refer to the four classic novels, Classic of Mountains and Seas, Journey to the West, Water Margins and Dream of the Red Chamber. These novels are all classics in the history of Chinese literature, widely praised and read, and have a profound impact on Chinese culture and history.
The Four Great Myths of Ancient China?
The four great ancient Chinese myths were the Cowherd and the Weaver Girl, Journey to the West, Water Margins, and Romance of the Three Kingdoms. These works were regarded as classics of Chinese literature and were widely read.
The Four Great Myths of Ancient China
The Four Great Myths of Ancient China referred to Journey to the West, Water Margins, Romance of the Three Kingdoms, and Dream of the Red Chamber. These four works were all classics of Chinese literature, which contained rich cultural implications and philosophical thinking, and were widely praised and read.
The Four Great Myths of Ancient China
The Four Great Myths of Ancient China referred to the four classic novels, Journey to the West, Water Margins, Romance of the Three Kingdoms, and Dream of the Red Chamber. These novels were all classics in the history of Chinese literature. They were widely read and had a profound impact on Chinese culture, literature and philosophy.
The Four Great Myths of Ancient China?
The Four Great Myths of Ancient China referred to the Classic of Mountains and Seas, Journey to the West, Outlaws of the Marsh, and Dream of the Red Chamber. These novels were all classics in the history of Chinese literature, widely praised and read, and had a far-reaching impact. Among them, the Classic of Mountains and Seas was considered to be the origin of Chinese myths and legends, which contained rich mythological elements and mysterious creatures.
The Four Great Myths of Ancient China
The four great myths of ancient China referred to the four classic novels, Classic of Mountains and Seas, Journey to the West, Water Margins, and Dream of the Red Chamber. They were all classics in the history of Chinese literature and were widely praised and read. Among them, Classic of Mountains and Seas mainly narrated various monsters, immortals, monsters, and mysterious geographical phenomena with myths, legends, and geography. Journey to the West told the story of Sun Wukong and other protagonists who went to the Western Heaven to seek help, mainly myths and Buddhist stories. Water Margins told the story of 108 heroes who rebelled against gold, mainly with heroic legends and martial arts topics. Dream of the Red Chamber was a novel about aristocratic society, mainly with love, marriage, family, and history. These novels not only occupied an important position in the history of Chinese literature, but also had high literary value and influence in the world.
The Four Great Myths of Ancient China?
The four great myths of ancient China were: 1. Pangu created the world: Legend has it that Pangu was born in the chaos and used an axe to cut open the world to create the world. His body continued to grow and eventually turned into mountains, rivers, earth, life, and all living things. 2. Nüwa created humans: Legend has it that Nüwa created humans from soil and gave them life and soul. Her image was usually of a beautiful goddess who had repaired the world with red satin and colored stones. Shennong tasted hundreds of herbs: Legend has it that Shennong was the god of agriculture and medicine. He tasted all kinds of herbs and discovered the efficacy of medicine and created traditional Chinese medicine. 4. King You of Zhou played with the vassals on the beacon towers: Legend has it that in order to attract the attention of the vassals, King You of Zhou set off fireworks on the beacon towers, which led to the demise of the Western Zhou Dynasty. This story is usually described as an absurd story, but many people think that it reflects the greed and short-sightedness of human nature.
What were the four myths of ancient China?
The four myths of ancient China were: The myth of the Cowherd and the Weaver Girl: The story tells that the Cowherd and the Weaver Girl can only meet once a year. Their love touched the heavens, so they were banished to the mortal world to meet on July 7. The Legend of the White Snake: It tells the story of the love between the white snake and Xu Xian. The white snake transformed into a human form and went to the underworld to save Xu Xian. In the end, it met Xu Xian in reincarnation. 3 Journey to the West myth: tells the story of Sun Wukong and others who went to the West to obtain the scriptures. They experienced many dangers and difficulties on the journey and finally obtained the true scriptures. 4. The myth of Liang Shanbo and Zhu Yingtai: It tells the love story between Liang Shanbo and Zhu Yingtai. They support each other in life and death and finally turn into butterflies and fly away.
What were the Four Great Myths of ancient China?
The four myths of ancient China were: 1 Mythological story, Cowherd and Weaver Girl: It tells the story of the Cowherd and Weaver Girl in myths. Legend of the White Snake: The story of the love between the White Lady and Xu Xian is regarded as the representative of Chinese love mythology. 3. Journey to the West: The story of Sun Wukong leading Tang Sanzang and others to the West to obtain Buddhist scriptures is considered one of the representative works of Chinese mythological novels. Liang Shanbo and Zhu Yingtai: The story of Liang Shanbo and Zhu Yingtai's love story is regarded as one of the representative works of Chinese love mythology.