Why didn't any of the Investiture of the Gods follow the original work?

The TV series " Water Margins " was not filmed according to the original work mainly because the content of the original novel " Water Margins " was more complicated, and many details and plots could not be presented in the TV series. In addition, the visual effects, venue, actors, and other factors needed to be considered in the filming of a TV series. These factors would also affect the presentation of the TV series. In the original novel, the characters and personalities of Liangshan heroes were very rich, but the TV series needed to present these characters and plots in a more concise form. Therefore, some details and characters in the original novel might be omitted or changed to adapt to the presentation of the TV series. The way the TV series " Water Margins " was presented could also be influenced by the background of the times and the preferences of the audience. The original novel described the story of 108 Liangshan heroes, while the TV series needed to be adjusted and changed according to the tastes and aesthetics of contemporary audiences. To sum up, the TV series " Water Margins " was not filmed according to the original work mainly because the content of the original novel was more complicated and many factors needed to be considered. At the same time, the way the TV series was presented could also be influenced by the background of the era and the preferences of the audience.

The Investiture of the Gods was an early martial arts novel. Although it was called the Investiture of the Gods, its content was fundamentally different from the Investiture of the Gods. The Investiture of the Gods was a classical martial arts novel written by the Ming Dynasty novelist Shi Naian. It mainly told the story of a series of wars and characters in the late Shang and early Zhou Dynasties. The Investiture of the Gods was a myth that was added to the Investiture of the Gods. It mainly described some mysterious events and stories of people from the end of the Shang Dynasty and the beginning of the Zhou Dynasty. Because the story of the Investiture of the Gods was quite bizarre and did not match the historical records, it was not considered a true historical event in the history circle but a myth. The four masterpieces were the four classic literary works in the history of Chinese literature. They were Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. These works were widely recognized and appreciated by the historical and cultural circles. Therefore, although the Investiture of the Gods was not officially listed as one of the four great masterpieces, it had an important position and influence in the history of literature. As a literary work, Investiture of the Gods also had high artistic value and cultural content.

The Investiture of the Gods was an ancient novel that was known as one of the four great masterpieces of China, along with Journey to the West, Water Margins, and Dream of the Red Chamber. However, the Investiture of the Gods was not an original work of these four novels, but a derivative work. Legend has it that the Investiture of the Gods was written by an author named Zhou Erfu during the Ming Dynasty. However, due to the complexity of the content of the Investiture of the Gods, it was also very difficult to create. Therefore, Zhou Erfu encountered many difficulties in his creation. In addition, the creation of the Investiture of the Gods took a long time, and it had also undergone many modifications and additions during the creation process. Therefore, although the Investiture of the Gods was an important ancient novel, it was not an original work of the Four Great Masterpieces of China. It was gradually added to the Four Great Masterpieces in the later development process.

The Investiture of the Gods was a chapter in the ancient Chinese novel " Investiture of the Gods ". The plot was about King Wu of Zhou, the son of King Wen of Zhou, who launched a war against the Shang Dynasty at the end of the Shang Dynasty. During the war, the Jie Sect appeared and supported King Wu of Zhou, but was eventually defeated by the Shang army. This story played an important role in Chinese culture and was widely praised and regarded as a classic. However, the Investiture of the Gods was not included in the Four Great Masterpieces because in ancient Chinese literature, the Four Great Masterpieces referred to the four classic novels, Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. These four novels were all literary masterpieces that had been widely recognized and respected for a long time. Their influence and status in Chinese culture were unparalleled. Although the Investiture of the Gods was a classic novel, its plot was different from that of the Four Great Masterpieces such as Journey to the West, so it was not officially included in the Four Great Masterpieces.

I don't think it'll necessarily meet your needs, but I'll try my best to recommend a novel that's most relevant to your description. The book, Investiture of the Gods, Conspiracy, and I'm the Bad Guy, was written by the author, I'm very busy. It's a Xianxia fantasy immortal cultivation novel. The general plot of this novel is: Why didn't Jiang Ziya seal himself when he became a god? The phrase "This Penniless Priest has no fate with God" dismissed everyone. Who would believe this? Even a child wouldn't believe it... ---------------------------- The book titled "Celestial Sealing" was a Xianxia and Cultivation civilization novel written by the author, Temple Master Liuyue. The general plot of this novel was: Heaven and earth had just settled down, and the Great Dao was in disorder. Today, there are immortals who jointly set up the God List, set up the order of heaven and earth, set up the Heavenly Court of the Nine Heavens, the Netherworld, and confer the gods and spirits. Zixiao's Taoist boy Qingyuan, who was blessed and had no immortal roots, devoted himself to cultivating Taoism and went down to the lower world. There was no Hongjun, no Three Pure Ones, no Ziya, no Yang Jian, and no Nezha in this book. This was another story of becoming a god. New book released: "Dragon Transformation of the Great Void." ---------------------------- The book "Primordial Super Investiture of the Gods" was a Xianxia and Mythological Cultivation novel written by the author, Fujiwara. The general plot of this novel was: He had just transmigrated and was already on the God Rankings. Good heavens, I'm directly good heavens. I'm just a mortal! Wait a minute! If he had a cheat, then it was fine. A few years later, Heavenly Lord Yuanshi looked at the God List in his hand…When I first saw it…it didn't seem to be this much?" At this moment, countless figures walked out of the board and chanted the words of sacrifice. "Welcome, God Lord!" [PS: In the early stages, I mainly wrote about other worlds. If you don't like it, don't spew it.] ---------------------------- "Immortal Ancient Gods" was a fantasy immortal cultivation novel written by the author, Black Oath. The general plot of this novel was: In the final years of the Immortal Ancient Era, who could become a god? Did gods really exist? Perhaps the gods of legends were just legends. An altar forged from the blood and bones of an Immortal Emperor could devour the qi flow of an entire world. No matter where the path of immortality was, there was no end to it… ---------------------------- "Antiquity (The Original Work of" Ancient Pieces of Dust ")" was a novel written by the author, Xing Ling. The general plot of this novel was: The ancient gods were almost completely destroyed ten thousand years ago. Now, there were only four ancient gods left in the world. The first three were true gods, and the last one…Some gods said that she was lucky and had a good birth. Some gods also said that she was the one who looked the most glorious in the Three Realms and Eight Desolates, and the one who looked the most miserable in the world. However, it was hard to say whether these immortals were envious, jealous, or really worried. However, what was certain was that even after thousands of years, in the Three Realms and Eight Desolates, other than those three people, all living beings in the Three Realms could only bow down to her with the pride of an immortal and respectfully call her Exalted Goddess. ---------------------------- "The Secret History of the Apotheosis: I Am Not Daji" was a fantasy romance and oriental fantasy novel written by the playful author Timo. The general plot of this novel was: There were no good birds in the three religions. Saints were also humans. The Shang and Zhou Dynasties messed up the Heavenly Dao, and Daji came to become a god. This book is a waste of wood flow + behind-the-scenes flow, the main body is immortal cultivation + Machiavellian, the female protagonist's article, careful entry... ---------------------------- "Antiquity (Original work of" Ancient Pieces of Dust ")" was a Xianxia novel written by the author, Xing Ling. The general plot of this novel was: The ancient gods were almost completely destroyed ten thousand years ago. Now, there were only four ancient gods left in the world. The first three were true gods, and the last one…Some gods said that she was lucky and had a good birth. Some gods also said that she was the one who looked the most glorious in the Three Realms and Eight Desolates, and the one who looked the most miserable in the world. However, it was hard to say whether these immortals were envious, jealous, or really worried. However, what was certain was that even after thousands of years, in the Three Realms and Eight Desolates, other than those three people, all living beings in the Three Realms could only bow down to her with the pride of an immortal and respectfully call her Exalted Goddess. ---------------------------- I Really Didn't Want to Kill a God. This book was written by the author, Boss Ann. He wrote a Xianxia novel, a classical Xianxia novel. The general plot of this novel was: There was a peerless fairy, a coquettish snake girl, a cunning rabbit demon, an arrogant immortal, a weak god…"Immortal Master Jiang, please hug my thigh!" ---------------------------- "God Sealing Cage" was a Xianxia novel written by the author, Lang Ji. The general plot of this novel was: He was reborn and became a god. He only wanted to live forever, enter the immortal sect, participate in the god ascension, and become a saint. Why did he do it again and again... Life and death, life and death, not dying, not living for long, what exactly did he want! Shang Tianyou was a person who could not become an immortal or a god. He had a Dao Protection Divine Art, but he could only cry out helplessly. ---------------------------- "Apotheosis: Goddess Nvywa's Palace Burning Incense, Suppressing Zhunti" was a Xianxia-Mythological Cultivation novel written by the author, Gu Hanbuleng. The general plot of this novel was: [Description: No system sign-in]"The general trend is hard to change, small trends can be moved, but I just have to move this general trend! So what if I'm reborn as Di Xin? I can still live a wonderful life!" "The West has Sheng Zhunti, who terrorizes the world and doesn't educate people! I am the Human King, Di Xin. With the fate of the human race as a bet, I ask the Heavenly Dao to abolish the Sage!" "This is a godhood that follows my will! Our human race can also stand at the peak of the Primordial World!" [PS: The introduction is too weak. Please wait a moment, Fellow Daoist.]

I don't know what the Old Investiture of the Gods and the New Investiture of the Gods refer to. If you can provide more information, I will try my best to answer your questions.

There were many reasons why a novel would not be filmed according to the original work after it was made into a television series. 1. Adaptations and cuts: TV series and novels are shot in different ways. TV series pay more attention to visual effects and actors 'performances. They often adapt and cut the storyline. Adaptations and cuts may cause dissatisfaction from the original party. In order to cater to the audience's taste, the TV series may make significant changes to the original or even completely subvert the content of the original. 2. Time and resource constraints: The production time of a TV series is longer than that of a novel, and the production cost of a TV series is higher than that of a novel because it requires more resources. Under such circumstances, the production team of the TV series might be more inclined to adapt and delete the original content to reduce production costs and time. 3. The difference between the creative team: The creative team of a novel and the production team of a TV series have different creative ideas, methods, and goals. The TV production team paid more attention to visual effects and actors 'performances, while the novel creation team paid more attention to the storyline and character creation. Therefore, the production team of the TV series might adapt and delete the original work to meet their own creative needs. 4. Market and audience's response: The market and audience's needs for TV dramas and novels are different. TV series focused more on entertainment and enjoyment, while novels focused more on plot and character creation. If the TV series was shot according to the original work, it might lose some viewers. If the TV series was not adapted well enough, it might be criticized by some of the original writers. Therefore, the production team might be more inclined to adapt and delete the original content to meet the entertainment needs of the audience. There were many reasons why a novel was no longer filmed according to the original work after it was made into a TV series, including adaptation and reduction, time, resources, the reaction of the creative team, the market, and the audience.

After a novel was made into a TV series, there would often be some changes. The most common ones were the adaptation of the storyline and character settings. These adjustments might make the original author unhappy, but at the same time, it would also make the TV audience feel unfamiliar. In order to cater to the audience's taste and visual effects, TV dramas might cut, add, delete some plots, or modify the character settings. These changes might lead to a decline in the original author's evaluation of the TV series. The time, location, and setting of the TV series might also be different from the original. These factors might affect the reading experience of the original novel. The production company, director and actors of the TV series may change, which may cause the TV series to be different from the original. Therefore, although the novel might be more exciting after being adapted into a TV series, there were different expectations and views between the audience and the original author. This was one of the reasons why it was difficult to maintain the original appearance of the novel when it was adapted into a TV series.

The reason why the live-action film " Douluo Continent " was not filmed according to the original work can be referred to the following reasons: [1. copyright issue: Douluo Continent is a very popular online literary work. Its copyright belongs to.] Therefore, any TV series, movie, or game that attempted to copy the work had to obtain the permission of the Tang family's third young master. This might result in the filming plan being forced to adjust to ensure that the intellectual property rights of the original author could not be violated. 2. Storyline and characters: Although the story and characters of Douluo Continent are very attractive, because the novel is published on the Internet, there may be different readers and audiences who have different views on the story and characters. If you want to make a movie or TV series that is completely based on the original work, you may face controversy and opposition because different opinions may lead to differences in the plot and characters. 3. Adaptations and creations: Due to the copyright issue of Douluo Continent, any TV series, movie, or game that attempts to copy the work must obtain the permission of the author. In addition, the production company of a TV series, movie, or game may need to adapt and create the storyline and characters to meet the needs and requirements of the TV, movie, or game market. These adjustments and creations might cause some differences from the original work, so they needed to reconsider whether they could shoot according to the original work. Therefore, whether the live-action film " Douluo Continent " should be shot according to the original work required many factors to consider, including copyright issues, storyline and characters, adaptation and creation.

There were several reasons why the Investiture of the Gods did not become one of the Four Great Classics: 1. Age Restriction: The Investiture of the Gods was written in the Ming Dynasty, while the Four Great Masterpieces were widely read and selected in the late Qing Dynasty. The Investiture of the Gods was written earlier and lacked the modern cultural recognition and historical background that was comparable to the last three masterpieces. 2. Unpleasing literary style: The literary style of the Investiture of the Gods is more cumbersome, lengthy, and the description of the characters is more abundant, but the story is relatively complicated and difficult to attract the interest of the readers. In contrast, the story of the last three masterpieces was relatively simple and the characters were more vivid and more easily accepted by the readers. 3. Political interference: When the Romance of the Gods was written, the Ming Dynasty was in a period of political turmoil. Political factors may affect the quality and circulation of the work. In addition, some of the political events and relationships involved in the Investiture of the Gods may not be in line with the political reality of the society at that time, resulting in its limited spread. 4. Different reader preferences: The Four Great Masterpieces are classics in the history of Chinese literature and are deeply loved by readers. Although the Investiture of the Gods was also an excellent novel, its audience was relatively small and could not be compared with the other three masterpieces. To sum up, the reason why the Investiture of the Gods did not become one of the Four Great Masterpieces was mainly due to the limitations of the era, literary style, storyline, and readers 'preferences.