I don't know what it means in the Han Dynasty or the Wei and Jin Dynasties

" I don't know the Han Dynasty, no matter the Wei and Jin Dynasties " was a Chinese term that meant that he knew nothing about the social situation, especially about new things. This term originated from Tao Yuanming, a poet of the Eastern Jin Dynasty. In the original text, after the fishermen entered the Peach Blossom Spring, when they communicated with the residents of the Peach Blossom Spring, they expressed that they did not care about the interests of the secular world and knew nothing about the existence of the Han Dynasty and the Wei and Jin Dynasties. Therefore," I don't know about the Han Dynasty, regardless of the Wei and Jin Dynasties " described a state of being detached from reality for a long time and ignorant of social development and changes. It also described a situation where knowledge was lacking and knowledge was shallow.

If he didn't know about the Han Dynasty, he wouldn't know about the Wei and Jin Dynasties. This idiom described a person who had been detached from reality for a long time and knew nothing about social conditions, especially new things. It also described a lack of knowledge and shallow knowledge. This sentence came from Tao Yuanming's "The Peach Blossom Spring" article, which was later quoted separately because of its meaning.

There were a few main differences between the Wei-Jin style and the Jin-Han style. First of all, in terms of the style of the dress, the Jin Han costume was cut separately. The top shirt was more tight and usually had a waist, while the skirt at the bottom was made of a ladder. On the other hand, the style of the Wei and Jin Dynasties was simple. There was no waist, and the skirt was usually pleated. Secondly, in terms of outerwear, the Wei and Jin style would often be matched with a large sleeve shirt, which would look either elegant or immortal. However, the real Han clothing of the Jin Dynasty did not have such a coat. Other than the short sleeve shirt, it would be matched with the half sleeve of the waist jacket. In addition, in terms of sleeves, there were many types of sleeves in the Wei and Jin Dynasties. Generally, they only pursued wide sleeves to highlight the elegant temperament of the entire person. The sleeves of the Han Dynasty clothes were generally straight sleeves, drooping sleeves, and trumpet sleeves. In general, there were obvious differences in style and details between the Wei-Jin style and the Jin-Han style.

Wei Jin referred to the period from the end of the Eastern Han Dynasty to the Sui Dynasty, roughly from 220 to 420. To be specific, Wei referred to the Cao Wei of the Three Kingdoms Era after the demise of the Eastern Han Dynasty. Jin was divided into the Eastern Jin Dynasty and the Western Jin Dynasty. The Western Jin Dynasty was founded by Sima Yi's grandson, Sima Yan, who took over Wei and destroyed Shu and Wu. The Eastern Jin Dynasty was the Eastern Jin Dynasty that divided half of the country in the south after the Five Dynasties destroyed China.

To not realize that a year had passed meant not realizing that a year had passed.

The famous songs that appeared in the Wei and Jin Dynasties at the end of the Han Dynasty included "Guangling San,""Drunkard,""Plum Blossom San Nong,""Crow Night Cry," and the earliest existing word score "Jieshi Diao You Lan."

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There were many poets in the Han, Wei, and Jin Dynasties, including Yang Xi, Cao Zhi, Tao Yuanming, Ji Kang, Ruan Ji, Kong Rong, and so on. These poets had an important position in the literary world at that time. Their works represented the culture and thoughts of that era. Their poems were mostly about describing real life and expressing personal feelings. They had different styles, but they all had unique artistic charm.

Dramatic was when the plot or story was full of surprises and twists, often surprising people. In novels, drama often meant that the plot had an unexpected turn, the protagonist made an unexpected choice or suffered an unexpected blow. This kind of plot design could enhance the tension and appeal of the novel and make the readers more immersed in it.

The works of the late Han, Wei, Jin, and Six Dynasties included outstanding works in literature, painting, sculpture, and architecture. In terms of literature, there were Tao Yuanming's "The Peach Blossom Spring", Ruan Ji's "Intoning Poetry", Cao Zhi's poems, etc. These works showed their yearning for a better life and their criticism of social reality. In terms of painting, there was Gu Kaizhi's Painting of Admonitions to Female History and Lu Tanwen's Painting of Ode to the Goddess of Luo. These works were outstanding representatives of ancient China art. In addition, some philosophers had put forward unique views, such as Wang Bi's "Tao begets one, one begets two, two begets three, and three begets all things" and Guo Xiang's "all things are one with me." These works and views had a huge impact on the later generations of the intellectual world. In short, the works of the late Han, Wei, Jin and Six Dynasties had made remarkable achievements in the fields of literature, art, and philosophy, which had a far-reaching impact on later generations.