Tattoo or tattoo, which one hurts?

There were some differences between tattoos and tattoos in terms of cleaning. Tattoos required special maintenance and protection measures, while tattoos needed to be cleaned and disinfected regularly, especially after the tattoo was done. Although both required cleaning and maintenance, the cleaning requirements were different for the genders of the two art forms. As for which was easier to remove, the degree of removal of tattoos and tattoos depended on the color of the tattoo and the depth of penetration. Generally speaking, black tattoos were easier to remove, while red, green, yellow, and other colors were more difficult to remove. Using lasers to remove black tattoos usually only required one or two attempts. However, for colored tattoos, even if they were washed off, there might still be some residual color. In general, the effect of tattoo removal varies from individual to individual. For specific situations, it is best to consult a professional tattoo shop or medical institution.

Tattoo artists were most reluctant to tattoo the faces and hands of boys. Face tattoos were not accepted by everyone at this stage of society. It would bring about strange gazes and pressure. Tattoos on the hands were easy to fade and fade, and the effect after recovery might be different from what was expected. Tattoo artists would usually advise their customers to tattoo these areas.

Tattoo artists didn't dare to tattoo Buddha and Bodhisattva. In China culture, Buddha and Bodhisattva were regarded as protective gods. Tattoo artists believed that the human body was a filthy place for Buddha, so it was not suitable to tattoo Buddha and Bodhisattva patterns on the body. If he had to tattoo it, he had to choose a good place to avoid tattooing it on his chest. The image had to be very clear.

Tattooists hated tattoo subjects the most: restless customers, hesitant customers, and inappropriate tattoo subjects. Tattoo artists hoped that the guests could quietly accept the tattoo process, and the guests who moved around would cause trouble for the tattoo artist. In addition, hesitant guests often changed the tattoo pattern or position, causing inconvenience to the tattoo artist. In addition, an inappropriate tattoo theme would also make the tattoo artist dissatisfied. However, there was no mention of the tattoo subject that tattoo artists hated the most.

The last places a tattoo artist wanted to tattoo were the hands and the waist. Tattoos on hands were easy to lose color and fade. Moreover, the area of the fingers was small, making it difficult to make a fine tattoo. The side waist tattoo was close to the bone, so the pain was stronger.

One manga that could be similar is 'Black Clover'. It has action, fantasy elements, and complex characters like in Taboo Tattoo.

Tattoo was a contemporary Chinese story about Zhou Yunxiang, a young man born in the 1940s in a rural village in China. At the beginning of the story, Zhou Yunxiang lived in a small village called "Wusi Village". His father was a famous farmer painter, but his mother was a very traditional Chinese woman. Zhou Yunxiang had been influenced by his father since he was a child and had a strong interest in painting, but his family did not support his pursuit. Zhou Yunxiang also encountered some difficulties and setbacks during his school days. He was introverted, not good at communication, and his academic performance was not good. However, he gradually achieved some success through self-study and participation in various painting competitions. After he grew up, Zhou Yunxiang came to Beijing and became a famous painter. However, his success had caused some jealousy and attacks, and his artistic career had also suffered many setbacks. In the process, Zhou Yunxiang met many different people, including a young woman, Li Na, and her family. Zhou Yunxiang finally left Beijing and returned to his hometown, Wusi Village. There, he discovered his father's paintings and discovered his own talent. He began to learn painting again and gradually became a famous painter. At the end of the story, Zhou Yunxiang returned to Wusi Village to run his own gallery with his family. His works were appreciated and loved by more and more people, and he became a respected artist.

The " cotton " tattoo on Xiaomei's back did not refer to cotton, but the Cyrillic letters from the Greek script, which meant " soul." The meaning of this tattoo was related to the role of Xiaomei in the movie " Zhou Chu Exterminate the Three Pests." She had been controlled and manipulated since she was young, without freedom and choice. This tattoo symbolized the soul in the depths of her heart. Therefore, the meaning of the tattoo was not cotton, but to express Xiaomei's psychological state as a controlled person.

The Prajna Tattoo was a type of tattoo in Japanese legends. There were three types of tattoos: the Smiling Prajna, the White Prajna, and the Red Prajna. It originated from cultural works such as The Tale of Genji, Ukiyo, and Monster. There were many meanings behind the Prajna tattoo. Some people thought that it symbolized great wisdom, while others thought that it represented jealousy and resentment. The tattoo location and pattern were also particular. One could choose the full back, chest, and other locations. The pattern could be decided according to personal preference and the tattoo artist's creative space. However, different people had different explanations for the specific meaning and taboos of the Prajna tattoo. Therefore, when choosing a tattoo, it was best to communicate with the tattoo artist to ensure that their understanding and intentions were consistent.