Northern Qi School Calligraphy and Art Works

The Northern Qi Colloquial Painting depicted the clothing of the Northern Qi period. According to historical records and pictures, men's clothing during the Northern Qi period mainly included robes, inner shirts, and skirts. During the Jin Dynasty, robes were used with crossed collars and right lapels, wide sleeves, collar, sleeves, lapels and other parts inlaid with edges. The robes of the Northern Dynasty were either cross-collared or round neck, with the right side of the skirt, narrow sleeves, and fitting. The collar, sleeves, and lapels were either inlaid with edges or not. The inner garment was a sleeveless cloak, usually made of white cloth. It was tied with a tie that could be draped over the shoulder and tied around the neck to block the cold. As for the skirt, it was worn by the music artist who was wearing the traditional skirt. The specific style and shape were unknown. Generally speaking, men's clothing during the Northern Qi period was mainly loose and elegant, paying attention to decoration and details.

Northern Qi calligraphy and painting referred to the calligraphy and painting arts of the Northern Qi period. Among them," Northern Qi School Painting " was a silk colored painting created by Yang Zihua during the Northern Qi Dynasty. It depicted the scene of Emperor Wenxuan of the Northern Qi Dynasty ordering Fan Xun and other 11 people to publish the history of the Five Classics collected by the state. This painting is now in the Art Museum of Boston, USA, and is a copy of the Song Dynasty. The expressions of the characters in the painting were vivid, and the details were described in detail. The colors were simple and beautiful. Yang Zihua was good at painting aristocratic figures and palace scenes. His paintings had a profound impact on the art of the Sui and Tang Dynasties. There was no other information regarding the Northern Qi calligraphy and painting.

The representative works of Northern Qi calligraphy were Northern Qi's Li Qing's Virtue Reporting Statue Stele and Northern Qi's Zhangsun Yan's Epitaph. These two works both displayed the characteristics and style of Northern Qi calligraphy and were considered masterpieces of the Northern Dynasty. The Northern Qi Dynasty's Li Qing's Virtue Reporting Statue Stele was a Buddhist cliff calligraphy. The calligraphy was profound, and the font was regular with official script. He was good at using square pen. The Northern Qi's Zhangsun Yan Epitaph was an epitaph. The calligraphy was elegant and ancient, mixed with the style of official script. The handwriting was elegant and square, slightly flat. It was considered to be the top grade epitaph in Northern Qi. These works displayed the talent and style of Northern Qi calligraphers.

Calligraphy research during the Northern Qi period showed that the calligraphy style of the Northern Qi Dynasty showed the characteristics of "flat strokes and wide knots", including a style that "had many official meanings, loose knots, vigorous strokes, and strange momentum", and another style that "contained a little official meaning, proper posture, simple and elegant, clumsy and skillful". Northern Qi's calligraphy mainly included regular script, official script, and a mixture of regular script and official script. The number of regular script gradually increased, and official script occupied the mainstream position in the inscription style. Northern Qi's calligraphy works were artistic. The font was flat and wide, with the lingering charm of official script and the structure of regular script. The characteristics of Northern Qi calligraphy also included the flat and overlapping of the characters, and the horizontal style of the characters. The study of Northern Qi calligraphy is of great significance to reveal the artistic value of Northern Qi and its influence on later generations.

Yang Zihua was a painter during the Northern Qi Dynasty. His work,"The Painting of the Northern Qi School of Calligraphy", was a painting painted on silk. This painting depicted the seventh year of Tianbao in the Northern Qi Dynasty (556 AD), when Emperor Wenxuan Gao Yang ordered Fan Xun and others to collate the history of the Five Classics collected by the state. There were three groups of people in the picture. Four of them were scholar-bureaucrats sitting on the couch. Some were deep in thought, some were writing, some wanted to leave, and some wanted to stay. The scene vividly showed the expressions and details of the characters. The strokes were smooth and the colors were simple and beautiful. The Northern Qi School Map is now in the collection of the Boston Art Museum.

The high-definition picture of the Northern Qi school book could be found in the collection of the Boston Art Museum.

The Painting of Collated Books in Northern Qi was a silk colored painting from the Northern Qi period. It depicted the scene of Emperor Wenxuan of Northern Qi ordering Fan Xun and others to collate the history of the Five Classics collected by the state. This painting is now in the Art Museum of Boston, USA, and is a copy of the Song Dynasty. The expressions of the characters in the painting were vivid, and the details were described in detail. The colors were simple and beautiful. The painting style of the Northern Qi Dynasty represented the painting style of the Northern Qi Dynasty and had an influence on the Tang Dynasty painters. The makeup of the woman in the painting also had a special style, such as yellow makeup on the forehead and yellow makeup on the stamen. This painting was one of the precious works of ancient China painting. It showed the prosperity and variety of Northern Qi's culture.

Calligraphy was a type of art. Calligraphy is an art form that uses specific strokes and strokes to create beautiful characters and glyphs. It originated in China and was widely developed and used in many countries in East Asia. Calligraphy was not only a skill but also a culture that involved history, philosophy, aesthetics, and many other aspects.

Calligraphy was an art form that included Chinese characters, digital art, painting, sculpture, installation art, and many other aspects. The uniqueness of calligraphy was that it pursued an aesthetic effect that expressed the author's emotions, thoughts, and artistic conception through the arrangement of words, the thickness of strokes, the structure of glyphs, and the overall rhythm. In calligraphy, calligraphers usually choose a specific font to express their emotions and thoughts through the structure and changes of the font. Therefore, calligraphy is considered an art form with aesthetic value and cultural significance.

The Northern Qi Proofreading Painting was created by the Northern Qi painter Yang Zihua.