Wang Pinrong introduced the purple clay pot.

There was no clear answer to the best clay in the purple clay teapot. Different clay materials had their own characteristics and advantages. Purple clay was one of the most common clay materials. It had good breathability and heat resistance, and was suitable for making various types of purple clay pots. Red mud and green mud were also common mud materials. They were suitable for brewing tea leaves with a lighter fragrance and making special purple clay pots. Mud materials such as bottom groove green and Benshan green were paid attention to because of their fine texture and patina effect. Each clay had its own unique charm, complementing each other and enriching the possibilities of the purple clay teapot. Therefore, when choosing the mud, it was necessary to choose according to personal needs and preferences, and pay attention to the stability of the mud. In addition, the production process and technique were also important factors that affected the quality and effect of the pot.

Bainian Liyong's purple clay teapot had a high reputation in the market. Its craftsmanship was exquisite and the material was of high quality. The hundred-year Liyong purple sand teapot used high-quality purple sand mud. After many selections and refining, the mud was pure, delicate and tough. The production process was strictly controlled and meticulously processed to ensure that the final product was flawless, crack-free, and natural in color. The Yibai Liyong teapot had a variety of styles. Whether it was a traditional style or a modern innovative style, they all reflected extremely high artistic value and aesthetic value. The Yibai Liyong teapot was excellent in terms of heat preservation, breathability, and water absorption, which could perfectly display the fragrance and taste of the tea leaves. As people paid more attention to traditional culture and loved art collections, the purple clay teapot that had been around for a hundred years had also become the target of collectors. In general, the quality and artistic value of the Yibai Liyong teapot were highly praised.

There was no clear information on the exact price of Xu Weiming's purple clay teapot. The search results mentioned many of Xu Weiming's purple clay teapot works and the consulting price, but there was no specific price figure. Therefore, it was impossible to accurately answer the price of Xu Weiming's purple clay teapot.

Most of Fan Jianjun's purple clay teapots were priced between 30,000 to 600,000 yuan. The specific price may vary according to the work and the early works.

Yes, Yang Junbao was a well-known teapot artist. He enjoyed a certain reputation in the teapot collection industry. He was a famous master of Yixing's middle generation, a national arts and crafts artist. His works were exquisite, and his skills gradually matured. He also added his own understanding of purple sand. He was full of innovative spirit, pursuing traditional ware and personal innovation. His purple clay teapot works were lifelike, full of life and natural appeal. His works had won many awards or been collected by the museum, and he was awarded the title of "China collectors 'favorite purple sand art master". Therefore, it could be said that Yang Junbao was a famous teapot master.

Jin Guodong's purple clay teapot was considered a high-end purple clay teapot. Jin Guodong was a well-known master teapot maker. His works had a high reputation and value in the teapot industry. His purple clay teapot's craftsmanship and design had reached a very high level, so it was considered a high-end purple clay teapot. Jin Guodong's purple clay teapot was suitable for personal use and collection, and it was also suitable for giving to others as a gift. The purple clay teapot was an important tool in traditional China tea culture. Jin Guodong's works were of superior quality in terms of material, appearance, and quality. Therefore, Jin Guodong's purple clay teapot could be classified as a high-end purple clay teapot.

Wu Jianchun was the first China pottery master to create a series of functional purple sand teapots, which were recognized by the majority of purple sand lovers and collectors. His works had won many artistic innovation awards and excellence awards, and were recognized as first-class honorary products and designated as designated products. Wu Jianchun's purple clay teapot won the gold medal at the Hong Kong Health Leli Cup and was awarded a special award. According to this information, it could be said that Wu Jianchun's purple clay teapot enjoyed a certain reputation and recognition among purple clay lovers and collectors, so it was worth buying.

Fan Jianfeng, male, native of Yixing, Jiangsu Province, born in 1976, National Assistant Arts and Crafts Master. In 1992, he officially entered the Purple Sand Craft Factory and learned how to make purple sand by hand from his teacher, Lu Jun. He had developed a solid foundation. Fan Jianfeng was the nephew of Master Cao Wanfen. He had a deep family background in the art of purple clay teapot. Later, he learned from his aunt, Cao Wanfen, and through her guidance and oral teaching, he had a deep understanding of the traditional purple sand craft. He studied at the Beijing Institute of Arts and Crafts and further improved his understanding of ceramic structures and shapes. In 2000, he founded his own studio, Tao Fengxuan, and participated in the Jiangsu Province Purple Sand Handmade Live Production Competition and won an award. Fan Jianfeng's works were favored by senior collectors at home and abroad.

Wang Qiming was a state-level arts and crafts artist and an excellent ceramist. He was good at making purple clay teapots. He had a special liking for coarse sand and mud. Since 2006, he had been using coarse sand to make purple clay pots. This kind of purple clay teapot mixed with coarse sand had excellent breathability and contained pearls. Its appearance was smooth, dignified, steady, and had an ancient charm. Wang Qiming had a deep understanding of traditional ware shapes. His creative ideas tended to be "retro" and revived the "sand mixing" method passed down from ancient times. He preferred raw ore mud that did not undergo further processing. He took its simple quality and mixed it with coarse sand. Wang Qiming's purple clay teapot works were deeply loved by collectors.

Wang Lijuan was a craftsman of purple clay teapot. She was born in 1971 and her ancestral home was Yixing, Jiangsu Province. She had been influenced by the purple sand culture since she was young. Since 1989, she had entered the purple sand craft factory to make purple sand teapots. During this period, she received guidance from many masters and was fortunate enough to become the apprentice of Xu Yanchun, a master of arts and crafts in Jiangsu Province, further deepening her skills. Wang Lijuan was good at making flower and light utensils by hand. She paid attention to the design and creation of the appearance and internal structure, pursuing innovation and fine workmanship. Her works inherited the traditional artistic style. The design was simple and elegant, the workmanship was rigorous, and the decorations were exquisite. Her hand-made decals were unique and lifelike, which enriched the cultural atmosphere and artistic effect of the works and was deeply loved by collectors. Her work "Blessing" had won the gold medal of the "Xinghai Cup" in Dali, her work "One Leaf Knowing Autumn" had won the "Jingzhou Cup" competition, and her work "Holding Up Your Eyebrows and Exhaling" had also won the "Excellence Award" in the 11th All-Handicraft Competition. According to the information provided, Wang Lijuan was a well-recognized and admired artist of the purple clay teapot.