Who is the representative of official script?

Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.

The representative works of Wu Rui, a seal and official script calligrapher at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, included: [1. Mysterious Secret Pagoda Stele: This is one of Wu Rui's most famous works and also the most complete one of Wu Rui's seal inscriptions.] The stele is about 27 meters high and 12 meters wide. It was carved in 1368 and is one of the representative works of the Yuan Dynasty. 2 Dongli Yuefu Stele: This is the stele inscribed by Wu Rui for the Yuan Qu Dongli Yuefu. The stele is about 18 meters high and 12 meters wide. It was carved in 1367. The inscription was written in Xingkai script, which was one of the representative works of Wu Rui's official script. 3."Ode to Coral": This is the full text of the Fu written by Wu Rui for the Yuan Qu "Red Whisk". It is about 500 words long and was engraved in 1366. The standard and rigorous structure of the font of this work reflected Wu Rui's skill in seal script and official script. 4. Preface to the Holy Church: This is a preface written by Wu Rui for the Buddhist classic Daji Sutra. The preface is about 400 words long and was engraved in 1364. The structure of this work was standard and the beautiful handwriting reflected Wu Rui's standard of seal script and official script calligraphy. The above is one of Wu Rui's representative works. Other works include "Dongli Yuefu Zan" and "Dongli Yuefu Ji".

Official script calligraphy was a type of Chinese calligraphy with unique characteristics and styles. The font of the official script is flat and square. The font is flat and develops in the horizontal direction. The main point of writing official script is to start writing silkworm head and finish writing goose tail. The origin of official script could be traced back to the Qin Dynasty, and it reached its peak in the Han Dynasty. In the Eastern Han Dynasty, Han Li had the secular aesthetic characteristics of craftsmanship and beauty. The representative works of official script include Zhang Qian's Stele and Cao Quan's Stele. Official script, as a style of calligraphy, had an important influence on calligraphy in later generations. Official script had extremely high artistic value and was widely collected and appreciated.

The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty and Zhao Mengfu of the Yuan Dynasty. Their representative works were Ouyang Xun's " Ninety percent Palace Liquan Inscription ", Yan Zhenqing's " Multi-Pagoda Stele ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Records of Rebuilding Xuanmiao Temple ".

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The Han Dynasty used official script.

Liu Gongquan's representative works in regular script included the Diamond Sutra Stele, the Bell Tower Inscription, the Feng Su Stele, the Quiet Sutra, the Mysterious Secret Tower Stele, and the God's Will Army Stele.

The representative works of the four masters of regular script were Ouyang Xun's " Nine-percent Palace Liquan Inscription ", Yan Zhenqing's " Yan Qinli Stele "," Yan Family Temple Stele "," Pagoda Stele ", and " Magu Immortal Altar Record ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Gates Record of Xuanmiao Temple Rebuilding ".

The representative works and characteristics of the four masters of regular script were as follows: 1. Ouyang Xun: His representative works include "Jiucheng Palace Liquan Inscription" and "Huadu Temple Stele" and so on. His specialty was that he was able to draw with both square and round strokes. His strokes were strong and condensed. His regular script was both steep and neat. It was steady in the side and loose in the compact. 2. Yan Zhenqing: His representative works include Yan Qinli Stele. His characteristic was that his regular script was dignified and majestic. His knots were in the middle of the square, and the strokes were well-proportioned. Some of the knots would tilt slightly to the left, and the arrangement of the patterns depended on the size of the font and the size of the font. It looked well-arranged. 3. [Liu Gongquan: His representative works include the Mysterious Secret Tower Stele and the God's Will Army Stele.] His characteristics were his rigorous composition, exquisite brush strokes, and upright strokes. His handwriting was strong and firm, giving people a feeling of iron and steel. 4. Zhao Mengfu's representative works include the Three Gates of Rebuilding Xuanmiao Temple. His characteristic was that his regular script was round and delicate, upright and rigorous, without losing the elegance and grace of his running script. His regular script was called "Zhao Style" by the world. Please note that the above answers are based on the search results provided and may not contain all relevant information.

Yan Zhenqing's semi-cursive masterpieces include "Sacrifice to Nephew Manuscript" and "Fight for Seat Post."