The idiom 'Peacock Comes in the Wind' meant that news and rumors had a reason and basis. It could also be used as an analogy for news and rumors being groundless. This idiom first came from the Warring States Period's "Fu on Wind."
The peacock comes in the wind is an idiom, meaning that the news or rumors are groundless. It was a metaphor for unfounded rumors or false news. This idiom first came from the literary work of the Chu State during the Warring States Period,"Feng Fu." In a sentence, it is usually used as a predicative, an object, or an attribute.
The lyrics described the beautiful scene of peacocks flying and the peace and happiness they brought to people. The lyrics mentioned the beautiful natural scenery such as the breeze, the drizzle, the sound of the lusheng, and the blooming of the reed flowers, as well as the brisk pace and flying image of the peacock. The meaning of this song was to express the symbol of the peacock flying to bring people a better life, as well as the scene of enjoying auspicious joy with the Dai people.
Luanxiang Fengji referred to the gathering of outstanding talents. The origin of this idiom is Fu Xian of the Jin Dynasty,"Fu on Shen Huai":"Mu Mu Qing ban, many heroes." The phoenix and the phoenix fly together, and the feather ceremony is the most intimate." It was a metaphor for an occasion or group where talents gathered.
The clear moon and clear wind referred to the bright moonlight and refreshing breeze, describing a quiet and beautiful moonlit night. This idiom came from the third chapter of the first book of Wang Shifu's The Romance of the Western Chamber. There was a line in it that said," The night is quiet, the moon is clear, and the wind is clear. Even if the weather is good!" It meant that the scenery at night was pleasant and beautiful.
BGM referred to background music with Chinese elements. National style music was a new type of music that combined modern and classical styles. It had a strong traditional Chinese culture in terms of lyrics, arrangement, melody, orchestration, and so on. Chinese music liked to use ancient poems as lyrics, or ingeniously integrate ancient poems into lyrics. The melody of the national style music was beautiful and moving. Some were like weeping, some were melodious, and the sound was like the sound of nature. If you searched for national songs on the music platform, you would find that the national songs were only popular songs with folk instruments in the accompaniment and some ancient poetry in the lyrics. Therefore, the meaning of 'national style' was background music with Chinese elements.
Following the wind meant moving or walking with the wind. This phrase may refer to a person or object moving or moving in the direction of the wind. However, the specific meaning might need more context to be determined.
This sentence came from a poem in the Tang Dynasty poet Li Bai's " Wine ". The whole sentence was: " The peacock flies southeast and the south wind knows my meaning. Who will the guest go after the three springs leave? In the rain at night, spring leeks are cut off, and new millet is cooked." The meaning of this sentence was that if the peacock flew to the southeast, the north wind would understand my feelings. Will the guests come back after the third spring? The scene of cutting spring leeks in the rain at night and cooking yellow millet was still nostalgic. This poem described how the poet missed his distant guests when he was drunk and lamented that time was short. At the same time, it also expressed the poet's nostalgia for his hometown and his loved ones.
It could have various meanings depending on the context. Maybe it refers to a particular event or a symbolic representation.
The annals of the wind and cloud referred to lofty aspirations or aspirations. The Wind and Cloud Ambition could be interpreted as a grand and lofty will, a metaphor for a person's lofty aspirations. This term was often used to describe people with ambition. For example, the phrase " A man who doesn't show his ambition will be born with an eight-foot-tall body " in " A Warning to the World " encouraged people to have lofty aspirations and not let down their talents and potential. In short, the annals of the wind and cloud referred to lofty aspirations or aspirations.
The style of Wei and Jin referred to the straightforward, handsome and unrestrained behavior style of the celebrities in the Wei and Jin Dynasties. They advocated drinking, taking medicine, chatting, and indulging in the lifestyle of mountains and rivers. This period was a time of turmoil, but the celebrities formed a way of life that was incompatible with the war. It was called the "Wei Jin Style" by later generations. In this era, they showed their confidence, unrestrained, unrestrained, and unrestrained personality and behavior. They often gathered in the forest to drink and sing, pursuing nature and advocating authenticity. This kind of demeanor was appreciated by many later scholars and had a profound impact on the personality foundation of Chinese scholars.